The Duke of Wellington

c. 1812

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On View

West Building Main Floor, Gallery 52


Artwork overview

  • Medium

    oil on canvas

  • Credit Line

    Gift of Mrs. P.H.B. Frelinghuysen

  • Dimensions

    overall: 105.5 x 83.7 cm (41 9/16 x 32 15/16 in.)
    framed: 118.1 x 96.8 cm (46 1/2 x 38 1/8 in.)

  • Accession

    1963.4.1


Artwork history & notes

Provenance

Probably Miguel de Alava [1771-1843], Vitoria, Spain;[1] Ricardo Alava, Madrid; sold c. 1902 to (Joseph Wicht, Madrid); sold in 1902 through Mary Cassatt to Henry Osborne Havemeyer [1847-1907], New York;[2] his widow, Louisine W. Havemeyer, [née Elder, 1855-1929], New York; by descent to their daughter, Mrs. P.H.B. Frelinghuysen [née Adaline Havemeyer, 1884-1963], Morristown, New Jersey; gift 1963 to NGA.
[1] Aureliano de Beruete, Goya, pintor de retratos, English ed., Boston and New York, 1922: 148-149: "This portrait was in the possession of the descendants of the General Alava, who fought at Wellington's side against the French, which makes us think it was either a present from the general to his companion at arms, or a commission of the Spanish soldiers who wished to have the portrait of his general-in-chief."
[2] Louisine W. Havemeyer, Sixteen to Sixty: Memoirs of a Collector , New York, 1961: 153, 156-157, refers to Wicht as "W." Copies of the correspondence between Wicht and Mary Cassatt, Havemeyer's agent, are in the NGA curatorial files.

Associated Names

Exhibition History

1912

  • Loan Exhibition of Paintings by El Greco and Goya, M. Knoedler & Co., Inc., New York, 1912, no. 14, as by Goya.

1941

  • Paintings, Drawings and Prints: The Art of Goya, The Art Institute of Chicago, 1941, no. 83, as by Goya.

1955

  • Goya; Drawings and Prints, Smithsonian Institution, traveling exhibition, 1955, no. 187, as by Goya (cat. suppl. for the Metropolitan Museum of Art, New York).

1962

  • On loan to the National Gallery of Art, Washington, 1962-1963, no cat.

1986

  • Goya: The Condesa de Chinchón and Other Paintings, Drawings, and Prints from Spanish and American Private Collections and the National Gallery of Art, National Gallery of Art, Washington, D.C., 1986-1987, unpaginated brochure.

1988

  • La Alianza de Dos Monarquías: Wellington y España, Museo Municipal, Madrid, 1988, 161, color repro. 162, 376-377, no. 4.1.13.

1993

  • Napoleon, Grand Exhibition Hall, Memphis Cook Convention Center, 1993, no catalogue entry.

2021

  • Americans in Spain: Painting and Travel, 1820-1920, Chrysler Museum of Art, Norfolk; Milwaukee Art Museum, Milwaukee, 2021, no. 3, repro.

Bibliography

1908

  • Calvert, Albert. Goya: An Account of His Life and Works. London, 1908: 142, no. 253.

1916

  • Beruete y Moret, Aureliano de. Goya, pintor de retratos. Madrid, 1915: 122-123, no. 243, pl. 45 (also English ed. Translated by Selwyn Brinton. London, 1922: 148-149, no. 251, pl. 45).

1924

  • Mayer, August L. Francisco de Goya. Munich, 1923 (English ed. Translated by Robert West [pseud.]. London, 1924: 67, no. 450, fig. 228).

1928

  • Desparmet Fitz-Gerald, Xavier. L'oeuvre peint de Goya. 4 vols. Paris, 1928-1950: 2:190, no. 477, pl. 394.

1931

  • H.O. Havemeyer Collection. Catalogue of Paintings, Prints, Sculpture and Objects of Art. Portland, Maine, 1931: 318, repro. 319.

1951

  • Sánchez Cantón, Francisco Javier. Vida y obras de Goya. madrid, 1951: 96. Translated by Paul Burns, Madrid, 1964.

1961

  • Havemeyer, Louisine W. Sixteen to Sixty: Memoirs of a Collector. New York, 1961: 156-157.

1963

  • Brooke, Humphrey, ed. Goya and His Times. Exh. cat. Royal Academy of Arts. London, 1963: 61 (by Nigel Glendinning).

1964

  • Trapier, Elizabeth de Gué. Goya and His Sitters. New York, 1964: 38, no. 68, pls. 68, 70.

1965

  • Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 61, as by Goya.

1966

  • Braham, Allan. "Goya's Equestrian Portrait of the Duke of Wellington." The Burlington Magazine 108 (December, 1966): 618-621, appendix.

1968

  • National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 53, repro., as by Goya.

1969

  • Harris, Enriqueta. Goya. London, 1969: 87-88.

1970

  • Gassier, Pierre, and Juliet Wilson. Vie et oeuvre de Francisco Goya. Paris, 1970: 254, no. 900, repro. 262 (also English ed. Translated by C. Hauch and J. Wilson. New York, 1971).

1971

  • Gudiol y Ricart, José. Goya: 1746-1828; Biography, Analytical Study and Catalogue of His Paintings. Translated by Kenneth Lyons. 4 vols. New York, 1971: 1:146, 316, no. 558; 4:fig. 903.

1975

  • European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 160, repro., as by Goya.

1984

  • Camón Aznar, José. Francisco de Goya. 4 vols. Saragossa, 1984: 3:198.

  • Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 404, no. 575, color repro.

1985

  • European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 184, repro.

1990

  • Brown, Jonathan, and Richard G. Mann. Spanish Paintings of the Fifteenth through Nineteenth Centuries. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1990: 37-41, repro. 39.

Inscriptions

in another hand, lower left: A. W. Terror Gallorum (A[rthur] W[ellesley] Terror of the French)

Wikidata ID

Q20183364


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