The Peppermint Bottle
1893/1895
Artist, French, 1839 - 1906


West Building Main Floor, Gallery 84
Artwork overview
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Medium
oil on canvas
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Credit Line
-
Dimensions
overall: 65.9 x 82.1 cm (25 15/16 x 32 5/16 in.)
framed: 105.7 x 90.8 cm (41 5/8 x 35 3/4 in.) -
Accession
1963.10.104
More About this Artwork

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A visit to Paul Cézanne's studio and a look at some of his works.
Artwork history & notes
Provenance
(Ambroise Vollard [1867-1939], Paris). Maurice Gangnat, Paris; sold 1913 to (Paul Rosenberg and Co., London, New York, and Paris); sold to Emile Staub, Männedorf, Switzerland, by 1923.[1] (Paul Rosenberg and Co., London, New York, and Paris); sold 19 November 1927 to Chester Dale [1993-1962], New York;[2] gift 1963 to NGA.
[1] Letter from Paul Rosenberg to Chester Dale, dated 11 February 1943, quoted in NGA curatorial file, recounts Rosenberg's role between Gangnat and Staub. The Staub collection is described in La Renaissance (August 1923) and "L'Art français dans les collections privées en Suisse: La collection Emile Staub," L'Amour de l'Art, January 1926, p. 42.
[2] Date of purchase from Rosenberg in Chester Dale papers in NGA curatorial file. It is possible that Etienne Bignou was also involved in the sale, as a photograph of the picture is included in the Etienne Bignou albums at the documentation center of the Musée d'Orsay (copy, NGA curatorial files). Bignou often acted for Dale.
Associated Names
Exhibition History
1928
Loan Exhibition of Modern French Art from the Chester Dale Collection for the Benefit of the French Hospital of New York, Wildenstein Galleries, 1928, no. 3
Paul Cezanne, Wildenstein Galleries, New York, 1928, no. 1, as Grand Nature Morte.
1929
First Loan Exhibition, The Museum of Modern Art, New York, 1929, no. 26, repro.
1930
Cent ans de peinture française, Galerie Georges Petit, Paris, 1930, no. 27, repro., as Nature morte.
"La Nature Morte" from Chardin to the Abstract. Wildenstein Galleries, New York, 1930, no. 5
1965
The Chester Dale Bequest, National Gallery of Art, Washington, D.C., 1965, unnumbered checklist.
2010
From Impressionism to Modernism: The Chester Dale Collection, National Gallery of Art, Washington, January 2010-January 2012, unnumbered catalogue, repro.
Bibliography
1926
"L'Art Français dans les Collections privées en Suisse: La Collection Emile Staub," L'Amour de L'Art VII (1926): 42, repro. 44.
1929
Dale, Maud. Before Manet to Modigliani from the Chester Dale Collection. New York, 1929: no. 59, repro., as Grande Nature Morte.
1930
"De Delacroix à nos Jours: une exposition-programme à la Galerie Georges Petit," Caheirs d'Art 5, no. 5 (July 1930): repro. 258.
1936
Venturi, Lionello. Cezanne, son art, son oeuvre. 2 vols. Paris, 1936.
1941
Catalogue of French Paintings from the Chester Dale Collection. National Gallery of Art, Washington, 1941: 1, repro. pl. I
"The Chester Dale Pictures on loan to the National Gallery of Art." Magazine of Art 34 no. 9 (November 1941): 476+, repro.
1942
French Paintings from the Chester Dale Collection. National Gallery of Art, Washington, 1942: 71, repro.
"Art News Series of Masterpieces in American Museums, no. 5: Chester Dale Collection." Art News (15 May 1942): repro.
1944
Cairns, Huntington, and John Walker, eds. Masterpieces of Painting from the National Gallery of Art. New York, 1944: 182, color repro., as Still Life.
French Paintings from the Chester Dale Collection. National Gallery of Art, Washington, 1944: 71, repro., as Still Life.
Jewell, Edward Alden. French Impressionists and their Contemporaries Represented in American Collections. New York, 1944: repro. 94.
1946
Favorite Paintings from the National Gallery of Art Washington, D.C.. New York, 1946: 77-79, color repro., as Still Life.
1953
French Paintings from the Chester Dale Collection. National Gallery of Art, Washington, 1953: 81, repro., as Still Life.
1959
Evans, Grose. French Painting of the 19th Century in the National Gallery of Art. Washington, D.C., 1959 (Booklet Number Two in Ten Schools of Painting in the National Gallery of Art, Washington, D.C.): 40, color repro., as Still Life.
1960
The National Gallery of Art and Its Collections. Foreword by Perry B. Cott and notes by Otto Stelzer. National Gallery of Art, Washington (undated, 1960s): 9, color repro. 16, as Still Life.
1963
Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 270, repro., as Still Life.
1965
Eighteenth and Nineteenth Century Paintings & Sculpture of the French School in the Chester Dale Collection. National Gallery of Art, Washington, 1965: 120, repro.
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 25, as Still Life.
1966
Cairns, Huntington, and John Walker, eds. A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 2:462, color repro., as Still Life.
1968
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 18, repro., as Still Life.
1970
Orienti 1970, no.781.
1973
Finley, David Edward. A Standard of Excellence: Andrew W. Mellon Founds the National Gallery of Art at Washington. Washington, 1973: 114 repro.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 60, repro.
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 496, no. 736, color repro., as Still Life.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 81, repro.
1991
Kopper, Philip. America's National Gallery of Art: A Gift to the Nation. New York, 1991: 5, color repro.
1992
Naubert-Riser, Constance. Cézanne. London, 1992, 100, repro., as Still-Life with Peppermint Bottle and Blue Rug.
1996
Rewald, John. The Paintings of Paul Cézanne: a catalogue raisonné. 2 vols. New York, 1996:no. 772, repro.
Tansey, Richard G. and Fred S. Kleiner. Gardner's Art Through the Ages. 10th ed. Fort Worth, 1996: 997, color fig. 76.73.
1997
Kelder, Diane. The Great Book of French Impressionism, 1997, no. 366, repro.
1999
Vogel, Carol. "Finding Fashion and History on th Edges: Museums Look Again at Their Picture Frames." New York Times (September 2, 1999): C1, repro.
Wikidata ID
Q20190377