Voltaire
1778
Artist, French, 1741 - 1828
Voltaire (François-Marie Arouet, 1694-1778) returned from exile in Switzerland to Paris in February 1778. A clamorous welcome awaited the eighty-four-year-old genius, admired by his contemporaries as a playwright, historian, poet, novelist, political and social commentator, and eloquent champion of human rights against oppression and intolerance. This portrait is one result of the encounter, on that last visit to Paris, between a brilliant intellectual and an artist of exalted stature. Voltaire sat for Houdon several times before the exertion and excitement of his journey took their toll; he died on 30 May 1778.
In a few sittings, Houdon grasped the expression that captivated contemporaries. The weary face, with its sagging neck and toothless mouth, nevertheless radiates intense mental and spiritual vitality. Penetrating observation, mocking humor, and sorrow show in the lined eyes, lifted brows, and compressed smile. Voltaire's face epitomizes the quality so often implied in eighteenth-century portraiture -- quick, biting wit.
Voltaire proved Houdon's most popular subject, both for his own sake and for the artist's satisfying characterization. Houdon produced famous seated statues of the writer (today at the Comédie Française, Paris, and the Hermitage, St. Petersburg), and from his studio came dozens of busts.
West Building Main Floor, Gallery 53
Artwork overview
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Medium
marble
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Credit Line
-
Dimensions
overall: 36.5 x 21.3 x 21.3 cm (14 3/8 x 8 3/8 x 8 3/8 in.)
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Accession
1963.10.240
Artwork history & notes
Provenance
Madame Denis de Dompierre, niece of the artist, Château d'Hornoy, near Amiens; by descent in her family; by inheritance to Madame Léonie de Dompierre d'Hornoy-de Glos, Château d'Hornoy;[1] (Jonce I. McGurk, New York); Percy A. Rockefeller, New York; (his estate sale, Parke-Bernet Galleries, New York, 20 November 1947, no. 25); Chester Dale [1883-1962], New York; bequest 1963 to NGA.
[1] Concerning the early provenance, see the entry in the 1947 Parke-Bernet sale catalogue, letter of 19 January 1965 from H.H. Arneson to Perry Cott, and staff notes, all in NGA curatorial files.
Associated Names
Exhibition History
1965
The Chester Dale Bequest, National Gallery of Art, Washington, D.C., 1965, unnumbered checklist.
1974
Nineteenth-Century Sculpture, National Gallery of Art, Washington, D.C., 1974, unnumbered checklist.
2017
Casanova: The Seduction of Europe, Kimbell Art Museum, Fort Worth; Legion of Honor, San Francisco; Museum of Fine Arts, Boston, 2017-2018.
Bibliography
1964
Réau, Louis. Houdon: Sa vie et son oeuvre. Paris, 1964: 44, no. 202, repro.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 159.
Eighteenth and Nineteenth Century Paintings & Sculpture of the French School in the Chester Dale Collection, National Gallery of Art, Washington, 1965: 144, repro.
1968
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 140, repro.
1992
National Gallery of Art, Washington. National Gallery of Art, Washington, 1992: 303, repro.
1994
Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1994: 110, repro.
1999
Norman Herz, Katherine A. Holbrow and Shelley G. Sturman. "Marble Sculture in the National Gallery of Art: a Provenance Study." In Max Schvoerer, ed. Archéomatériaux: marbres et autres roches: ASMOSIA IV, Bordeaux, France 9-13 october 1995: actes de la IVème Conférence international de l’Association pour l’étude des marbres et autres roches utilizes dans le passé. Talence, 1999: 101-110.
2006
Scherf, Guilhem. Houdon 1741-1828: Statues, portraits, sculptés... Paris, 2006: 70, 75.
Inscriptions
on truncations, proper right: HOUDON. 1778.
Wikidata ID
Q63854689