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Count Mastiani, Florence.[1] Charles Fairfax Murray [1849-1919], London and Florence. Andrea di Robilant, Venice;[2] (his sale, Galleria Bellini, Florence, 22-27 May 1933, no. 30, as by Andrea Verrochio); probably purchased by (Count Alessandro Contini Bonacossi, Florence); purchased July 1934 by the Samuel H. Kress Foundation, New York; gift 1939 to NGA.

Exhibition History
Sculpture of the Italian Renaissance, A.S. Drey Galleries, New York, 1935, no. 16, as by Andrea del Verrocchio.
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 238, no. A-37, as by Verrocchio.
Book of Illustrations. National Gallery of Art, Washington, 1942: 254, repro. 238, as by Verrocchio.
Swarzenski, Georg. "Some Aspects of Italian Quattrocento Sculpture in the National Gallery." Gazette des Beaux-Arts 6th series, 24 (November 1943): 297 fig. 12, 298.
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 173, as by Verrocchio.
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 153, repro., as by Verrocchio.
Middeldorf, Ulrich. Sculptures from the Samuel H. Kress Collection: European Schools XIV-XIX Century. London, 1976: 41.
Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1994: 84, repro.
Pisani, Linda. "Maestro di Pio II (?). 21. Madonna col Bambino." In Andrea De Marchi and Gabriele Fattorini, eds. La collezione Salini: Addenda Pittura e scultura (secoli XIV-XVI). Vol. 3 of 4 vols. Florence, 2015: 174, as a late work.
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