Five Maya Indians

1855/1869

George Catlin

Associated Names
George Catlin

Artist, American, 1796 - 1872

The image shows a group of five people, four standing and one seated. They are standing upright and appear to be posing for the portrait. The person on the far left is a male with shoulder-length hair, wearing minimal clothing that covers his waist and hips, adorned with red paint on his body, and has several necklaces. The male next to him has longer hair and wears a wide-brimmed straw hat, a necklace, and holds a bow. The individual beside them is a female with long hair, wearing necklaces, a skirt, and also holds a basket and an arrow. In the background, a seated woman and a standing child can be seen with landscape elements like trees and foliage around them. The seated person wears a wide-brimmed hat and minimal clothing similar to others. The background suggests a natural setting with vegetation and a misty sky. The scene is framed in a circular format within a rectangular mat, bordered by a wide band with catalog numbers above and to the lower left.

Media Options

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During the mid-19th century, George Catlin created two large collections of paintings featuring portraits of Native Americans, genre scenes, and western landscapes. The first collection, which he called his "Indian Gallery," included more than 500 works completed during the 1830s. Most of the surviving paintings from this group are now at the Smithsonian American Art Museum in Washington, DC. During the 1850s and 1860s, Catlin created a second collection, numbering more than 600 works, which he called his "Cartoon Collection." The surviving works from this collection were acquired by the American Museum of Natural History in New York in 1912. Paul Mellon purchased more than 300 paintings from the Cartoon Collection when they were deaccessioned. In 1965, he gave 351 works from this collection to the National Gallery of Art.

When Catlin exhibited the Cartoon Collection in New York in 1871, he published a catalog listing all the works. The catalog entries often included additional information about the subject of each painting. Catlin's catalog entry for this painting follows.

"Cart. No. 116. Máya.

a. -- Ma-há-ta-níse (-----); a medicine man and orator.

b. -- Chóoxt (-----); a hunter, armed with his bow and arrows.

c. -- (-----); a Maya woman, wife of the hunter.

Remains of the once numerous tribe of Mayas of Yucatan. These Indians are supposed by some writers to have been the builders of the stupendous edifices now in ruins in Yucatan. 1855."


Artwork overview

  • Medium

    oil on card mounted on paperboard

  • Credit Line

    Paul Mellon Collection

  • Dimensions

    overall: 46.5 x 62.4 cm (18 5/16 x 24 9/16 in.)

  • Accession Number

    1965.16.174


Artwork history & notes

Provenance

George Catlin [1796-1872]; by descent to his daughters, Clara Gregory Catlin, Louise Catlin Kinney, and Elizabeth Wing Catlin; purchased 1912 from Elizabeth Wing Catlin by the American Museum of Natural History; sold 1959 through (Kennedy Galleries, New York) to Mr. Paul Mellon, Upperville, VA; gift 1965 to the NGA.

Associated Names

Bibliography

1970

  • American Paintings and Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1970: 34.

1980

  • American Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1980: 65, repro.

1992

  • American Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1992: 111, repro.

Wikidata ID

Q20188277

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