Montagne Sainte-Victoire, from near Gardanne
c. 1887
Artist, French, 1839 - 1906
Artwork overview
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Medium
oil on canvas
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Credit Line
Gift of the W. Averell Harriman Foundation in memory of Marie N. Harriman
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Dimensions
overall: 67.2 x 91.3 cm (26 7/16 x 35 15/16 in.)
framed: 90.1 x 114.3 x 10.1 cm (35 1/2 x 45 x 4 in.) -
Accession
1972.9.4
Artwork history & notes
Provenance
(Jos Hessel, Paris). (Paul Rosenberg and Co., Paris). Dr. Gottlieb Friedrich Reber [1880-1959], Lausanne; sold 1931 to Marie N. Harriman [1903-1970] and W. Averell Harriman [1891-1986], New York [Marie Harriman Gallery];[1] W. Averell Harriman Foundation, New York; gift 1972 to NGA.
[1] According to Harriman collection records, in NGA curatorial records.
Associated Names
Exhibition History
1933
A Century of Progress, Art Institute of Chicago, 1933, no. 315
1937
Paul Cézanne: Exhibition of Paintings, Water-colors, Drawings and Prints, San Francisco Museum of Art, 1937, no. 20, repro.
Constable and the Landscape, Marie Harriman Gallery, New York, 1937, no. 18
1939
Cezanne Centennial Exhibition, Marie Harriman Gallery, New York, 1939, no. 8 or no. 10
1940
An Exhibition of Great Paintings in Aid of the Canadian Red Cross and of Small Pictures by Members of the Ontario Society of Artists, Art Gallery of Toronto, 1940, no. 101
1956
Pictures Collected by Yale Alumni, Yale University Art Gallery, New Haven, 1956, no. 115, repro.
1961
Exhibition of the Marie and Averell Harriman Collection, National Gallery of Art, Washington, 1961, unnumbered catalogue, repro. 14
1971
Cezanne: An Exhibition in Honor of the Fiftieth Anniversary of The Phillips Collection, The Phillips Collection, Washington; The Art Institute of Chicago; Museum of Fine Arts, Boston, 1971, no. 15, repro.
1982
Cézanne, Musée Saint-Georges, Liège, Belgium; Musée Granet, Aix-en-Provence, 1982, no. 16, incorrect repro.
1984
A Day in the Country: Impressionism and the French Landscape, Los Angeles County Museum of Art; Art Institute of Chicago; Grand Palais, Paris, 1984-1985
1990
Sainte-Victoire Cézanne 1990, Musée Granet, Aix-en-Provence, 1990, no. 36, repro.
1993
Extended loan for use by Ambassador Pamela Harriman, U.S. Embassy residence, Paris, France, 1993-1997.
1999
Masterpieces from the National Gallery of Art, Washington, Kyoto Municipal Museum of Art; Tokyo Metropolitan Art Museum, 1999, no. 53, repro.
Around Impressionism: French Paintings from the National Gallery of Art, Los Angeles County Museum of Art, 1999, no cat.
2000
Cézanne: Vollendet - Unvollendet [Cézanne: Finished - Unfinished], Kunstforum Wien, Vienna; Kunsthaus Zürich, 2000, no. 92, fig. 11.
2017
Paul Cézanne., Fondation Pierre Gianadda Martigny, 2017, no. 51, repro., as La Montagne Sainte-Victoire vue du pont de Bayeux à Meyreuil.
Bibliography
1936
Venturi, Lionello. Cezanne, son art, son oeuvre. 2 vols. Paris, 1936.
1970
Orienti 1970, no.433.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 64, repro.
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 507, no. 754, color repro.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 83, repro.
1991
Kopper, Philip. America's National Gallery of Art: A Gift to the Nation. New York, 1991: 9, 296, color repro.
1996
Rewald, John. The Paintings of Paul Cézanne: a catalogue raisonné. 2 vols. New York, 1996:no. 574, repro.
1997
Southgate, M. Therese. The Art of JAMA: One Hundred Covers and Essays from The Journal of the American Medical Association. St. Louis, 1997: 56-57, color repro.
2001
Kropmanns, Peter, and Uwe Fleckner. "Von Kontinentaler Bedeutung: Gottlieb Freidrich Reber und seine Sammlungen." In Die Moderne und ihre Sammler. Andrea Pophanken and Felix Billeter, eds. Berlin, 2001: 387.
Wikidata ID
Q20189870