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Paul Cézanne

Montagne Sainte-Victoire, from near Gardanne, c. 1887

Not on View

Medium

oil on canvas

Dimensions

overall: 67.2 x 91.3 cm (26 7/16 x 35 15/16 in.)

framed: 90.1 x 114.3 x 10.1 cm (35 1/2 x 45 x 4 in.)

Credit Line

Gift of the W. Averell Harriman Foundation in memory of Marie N. Harriman

Accession Number

1972.9.4

Artists / Makers

Paul Cézanne (artist) French, 1839 - 1906

Image Use

This image is in the public domain.
Read our full Open Access policy for images .

Provenance

(Jos Hessel, Paris). (Paul Rosenberg and Co., Paris). Dr. Gottlieb Friedrich Reber [1880-1959], Lausanne; sold 1931 to Marie N. Harriman [1903-1970] and W. Averell Harriman [1891-1986], New York [Marie Harriman Gallery];[1] W. Averell Harriman Foundation, New York; gift 1972 to NGA.

[1] According to Harriman collection records, in NGA curatorial records.

Associated Names

Harriman Foundation, W. Averell
Hessel, Jos
Marie Harriman Gallery
Reber, Gottlieb Friedrich, Dr.
Rosenberg & Co., Paul P.

Exhibition History

1933: A Century of Progress, Art Institute of Chicago, 1933, no. 315

1937: Constable and the Landscape, Marie Harriman Gallery, New York, 1937, no. 18

1937: Paul Cézanne: Exhibition of Paintings, Water-colors, Drawings and Prints, San Francisco Museum of Art, 1937, no. 20, repro.

1939: Cezanne Centennial Exhibition, Marie Harriman Gallery, New York, 1939, no. 8 or no. 10

1940: An Exhibition of Great Paintings in Aid of the Canadian Red Cross and of Small Pictures by Members of the Ontario Society of Artists, Art Gallery of Toronto, 1940, no. 101

1956: Pictures Collected by Yale Alumni, Yale University Art Gallery, New Haven, 1956, no. 115, repro.

1961: Exhibition of the Marie and Averell Harriman Collection, National Gallery of Art, Washington, 1961, unnumbered catalogue, repro. 14

1971: Cezanne: An Exhibition in Honor of the Fiftieth Anniversary of The Phillips Collection, The Phillips Collection, Washington; The Art Institute of Chicago; Museum of Fine Arts, Boston, 1971, no. 15, repro.

1982: Cézanne, Musée Saint-Georges, Liège, Belgium; Musée Granet, Aix-en-Provence, 1982, no. 16, incorrect repro.

1984: A Day in the Country: Impressionism and the French Landscape, Los Angeles County Museum of Art; Art Institute of Chicago; Grand Palais, Paris, 1984-1985

1990: Sainte-Victoire Cézanne 1990, Musée Granet, Aix-en-Provence, 1990, no. 36, repro.

1993: Extended loan for use by Ambassador Pamela Harriman, U.S. Embassy residence, Paris, France, 1993-1997.

1999: Around Impressionism: French Paintings from the National Gallery of Art, Los Angeles County Museum of Art, 1999, no cat.

1999: Masterpieces from the National Gallery of Art, Washington, Kyoto Municipal Museum of Art; Tokyo Metropolitan Art Museum, 1999, no. 53, repro.

2000: Cézanne: Vollendet - Unvollendet [Cézanne: Finished - Unfinished], Kunstforum Wien, Vienna; Kunsthaus Zürich, 2000, no. 92, fig. 11.

2017: Paul Cézanne., Fondation Pierre Gianadda Martigny, 2017, no. 51, repro., as La Montagne Sainte-Victoire vue du pont de Bayeux à Meyreuil.

Bibliography

1936: Venturi, Lionello. Cezanne, son art, son oeuvre. 2 vols. Paris, 1936.

1970: Orienti 1970, no.433.

1975: European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 64, repro.

1984: Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 507, no. 754, color repro.

1985: European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 83, repro.

1991: Kopper, Philip. America's National Gallery of Art: A Gift to the Nation. New York, 1991: 9, 296, color repro.

1996: Rewald, John. The Paintings of Paul Cézanne: a catalogue raisonné. 2 vols. New York, 1996:no. 574, repro.

1997: Southgate, M. Therese. The Art of JAMA: One Hundred Covers and Essays from The Journal of the American Medical Association. St. Louis, 1997: 56-57, color repro.

2001: Kropmanns, Peter, and Uwe Fleckner. "Von Kontinentaler Bedeutung: Gottlieb Freidrich Reber und seine Sammlungen." In Die Moderne und ihre Sammler. Andrea Pophanken and Felix Billeter, eds. Berlin, 2001: 387.