Nymph of the Woods
1915
Artist, Italian, active early 20th century

West Building Ground Floor, Gallery G45
Artwork overview
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Medium
marble
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Credit Line
-
Dimensions
overall: 168.3 × 58.3 × 50.8 cm, 504 lb. (66 1/4 × 22 15/16 × 20 in., 228.613 kg)
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Accession
1975.101.2
Artwork history & notes
Provenance
Antonio Frilli, Florence;[1] purchased 1915 in San Francisco by Frank Duncan MacPherson Strachan [1871-1931], Brunswick, Georgia; by inheritance in the Strachan family until 1966; moved after January 1966 to Strachan summer house, St. Simon's Island, Georgia;[2] purchased with the house August 1966 by the Hon. William S. Stuckey, Jr., St. Simon's Island, Georgia, and Washington, D.C.;[3] gift 1975 to NGA.
[1] Nymph of the Woods, along with Nymph of the Fields (NGA 1975.101.1), were exhibited by Mr. Frilli at the 1915 Panama-Pacific International Exposition in San Francisco. A photograph (copy in NGA curatorial files) that illustrates the two marbles on display was used in a number of "Daily Programs" for the exposition. Mr. Frilli advertised as being "the largest exporter of Marble Statuary in the world." He was a member of the International Jury of Awards for the exposition, and thus could not display any of the marbles for competition.
[2] The inheritance in the Strachan family probably went from Frank Duncan MacPherson Strachan, Sr., to his son, who was named after his father and who died in 1966, and then to the son's widow. It was apparently after the death of F.D.M. Strachan, Jr., in January 1966, that the two sculptures were moved from the Strachan house in Brunswick to the garage of the family's summer house on St. Simon's Island, because no one in the family wanted them. The house on St. Simon's Island was purchased from Mrs. F.D.M. Strachan, Jr., and her daughter, Mary B. Strachan (Mrs. William A.) Dunn. (See the memorandum recording a phone conversation of 6 May 1980 between Doug Lewis and Frank G. Strachan, nephew of the senior F.D.M. Strachan, in NGA curatorial files.)
[3] Mr. Stuckey was a Congressman from Georgia. When he offered the two sculptures to the NGA, they were on the patio of his residence in Washington, D.C. (See the letter of 15 January 1975 to Doug Lewis, in NGA curatorial files.)
Associated Names
Exhibition History
1915
Italian Section of the Palace of Manufactures and Varied Industries, Panama-Pacific International Exposition, San Francisco, 1915.
Bibliography
1980
Berman, Harold. Bronzes: Sculptors & Founders 1800-1930. 5 vols. Chicago, 1974-1981: 4(1980): no. 3148, repro.
1981
Southgate, M. Therese. "The Cover: Carlo Pittaluga, Nymph of the Fields." Journal of the American Medical Association 245, no. 11 (20 March 1981): 1160.
1994
Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1994: 175, repro.
1999
Norman Herz, Katherine A. Holbrow and Shelley G. Sturman. "Marble Sculture in the National Gallery of Art: a Provenance Study." In Max Schvoerer, ed. Archéomatériaux: marbres et autres roches: ASMOSIA IV, Bordeaux, France 9-13 october 1995: actes de la IVème Conférence international de l’Association pour l’étude des marbres et autres roches utilizes dans le passé. Talence, 1999: 101-110.
Inscriptions
on base, outside edge under proper left foot: PITTALUGA
Wikidata ID
Q63854572