Alexander Hamilton
c. 1806
Painter, American, 1756 - 1843

Artwork overview
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Medium
oil on canvas
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Credit Line
-
Dimensions
overall: 77 x 61 cm (30 5/16 x 24 in.)
framed: 90.5 x 75.5 x 9.5 cm (35 5/8 x 29 3/4 x 3 3/4 in.) -
Accession
1940.1.8
Artwork history & notes
Provenance
Probably from David Hosack [1769-1835], New York, to his son, Nathaniel Pendleton Hosack [1806-1877], New York; his widow, Sophia Church Hosack [d. 1891].[1] Her niece, Mary Helen Church Gilpin;[2] by whom sold by (Stanislaus V. Henkels, Philadelphia, 15 May 1931, lot B, as by John Vanderlyn);[3] purchased by (M. Knoedler & Co., New York); sold 1 June 1931 to Andrew W. Mellon;[4] deeded 28 December 1934 to The A.W. Mellon Educational and Charitable Trust, Pittsburgh; gift 1940 to NGA.
[1] Sophia Hosack is the first recorded owner of the portrait (John Durand, "John Trumbull", American Art Review 2, second division (1881): 230, note). David Hosack died without a will; the inventory of his estate (Hosack Papers, The New-York Historical Society) included twenty-two "Oil Paintings in Gilt Frames" as well as "1 Marble Bust and stand (General Hamilton)." Family tradition stated that the portrait was painted for Hosack and was inherited by his son Nathaniel, who bequeathed it to his sister Mary Hosack Harvey (Mrs. Jacob Harvey, 1800-1872), who gave it to her sister-in-law; see Stanislaus V. Henkels, Historical Sale, Portraits and Autographs, Revolutionary and other Letters. The Alexander Hamilton Family Papers, Portrait of Hamilton from Life by Vanderlyn...May 15, 1931, Philadelphia, 1931, 12, lot B, repro. Since Mrs. Harvey predeceased her brother, her ownership is uncertain. On the Hosack family descendants see Christine Chapman Robbins, David Hosack, Citizen of New York, Philadelphia, 1964: 188-194, 198.
[2] Henkels 1931, 12, stated that Sophia Hosack willed the portrait to her brother Richard Church, who in turn left it to his daughter. However, in her will (Surrogate's Court, New York, New York; copy, NGA curatorial files) Mrs. Hosack bequeathed the articles that her husband received from his father to her sister-in-law Emily Hosack Rodgers and two nieces, Mary Harvey and Rebecca Harvey. Her brother is not mentioned. His daughters Mary Helen and Angelica were each bequeathed trust funds. The will mentions a memorandum distributing other property, which may have included the portrait. The will is discussed in Robbins 1964: 190, 192.
[3] According to a letter from Stan Henkels to M. Knoedler & Co., 11 May 1931 (copy, NGA curatorial files), research completed after the publication of the auction catalogue established that the painting was by Trumbull.
[4] Letter from Melissa De Medeiros, librarian, M. Knoedler & Co., New York, 10 April 1990 (NGA curatorial files).
Associated Names
Exhibition History
1932
Exhibition of Portraits of George Washington and His Associates, Corcoran Gallery of Art, Washington, 1932, no. 88.
1937
U.S. Constitution Sesquicentennial Commission, 1937-1938.
1943
Thomas Jefferson Bicentennial Exhibition, 1743-1943, National Gallery of Art, Washington, 1943, no. 22.
1947
Triennial Meeting of the Society of Cincinnati, Washington, 1947, no cat.
1948
American Heritage, Denver Art Museum, 1948, no. 7.
1949
From Colony to Nation: An Exhibition of American Painting, Silver and Architecture From 1650 to the War of 1812, Art Institute of Chicago, 1949, no. 122.
1950
From Plymouth Rock to the Armory, The Society of the Four Arts, Palm Beach, Florida, 1950, no. 20.
Makers of History in Washington 1800-1950 [An Exhibition Celebrating the Sesquicentennial of the Establishment of the Federal Government in Washington], National Gallery of Art, Washington, D.C., 1950, no. 4, repro.
The Face of American History, Columbia Museum of Art, South Carolina, 1950, no. 20.
1951
American Portraits From the National Gallery of Art, High Museum of Art, 1951, no. 17 (organized by the Atlanta Art Association).
They Gave Us Freedom, Colonial Williamsburg and the College of William and Mary, 1951, no. 63.
1952
[Opening exhibition], Mint Museum of Art, Charlotte, North Carolina, 1952, no. cat.
Opening Exhibition of The George Thomas Hunter Gallery of Art, Chattanooga Art Association, Tennessee, 1952, unnumbered.
[Opening exhibition of new art gallery], Randolph-Macon Woman's College, Lynchburg, Virginia, 1952-1953, no cat.
1957
Alexander Hamilton Bicentennial Exhibition, U.S. Department of Treasury, Washington, D.C., 1957-1958.
1966
Paintings by American Masters, Art Center, Kalamazoo Institute of Arts, 1966, no. 7.
1969
Art in Miniature [International Philatelic Exhibition in conjunction with San Diego's 200th Anniversary], San Diego Community Concourse; Fine Arts Gallery of San Diego, 1969, no cat.
1975
The Face of Liberty, Amon Carter Museum of Western Art, Fort Worth, 1975-1976, 142, pl. 38.
1987
The American Solution: The Origins of the United States Constitution, Library of Congress, Washington, 1987, no cat. [See the checklist of the exhibition, Dept. of Exhibits, Library of Congress].
Bibliography
1881
Durand, John. "John Trumbull." American Art Review 2, part 2 (1881): 230, note.
1901
Weir, John F. John Trumbull. New York, 1901: 75.
1931
Bolton, Theodore, and Harry Lorin Binsse. "Trumbull, `Historiographer' of the Revolution." The Antiquarian 17, no. 1 (July 1931): 54, repro. 18.
1932
Exhibition of Portraits of George Washington and His Associates. Exh. cat. Corcoran Gallery of Art, Washington, 1932: no. 88.
1941
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 199, no. 494.
1942
Book of Illustrations. National Gallery of Art, Washington, 1942: 249, repro. 10.
1943
Thomas Jefferson Bicentennial Exhibition, 1743-1943. Exh. cat. National Gallery of Art, Washington, 1943: no. 22.
1948
American Heritage. Exh. cat. Denver Art Museum, 1948: no. 7.
Sizer, Theodore. "A Tentative 'Short-Title' Check List of the Works of Col. John Trumbull." Part II. Art Bulletin 30, no. 4 (December 1948): 266.
1949
From Colony to Nation: An Exhibition of American Painting, Silver and Architecture From 1650 to the War of 1812. Exh. cat. The Art Institute of Chicago, 1949: no. 122.
Paintings and Sculpture from the Mellon Collection. National Gallery of Art, Washington, 1949 (reprinted 1953 and 1958): 143, repro.
1950
Makers of History in Washington 1800-1950. Exh. cat. National Gallery of Art, Washington, 1950: no. 4.
The Face of American History. Exh. cat. Columbia Museum of Art, South Carolina, 1950: no. 20.
1951
American Portraits From the National Gallery of Art. Exh. cat. Atlanta Art Association, High Museum of Art, Atlanta, 1951: no. 17.
They Gave Us Freedom. Exh. cat. Colonial Williamsburg and the College of William and Mary, 1951: no. 63.
1952
Opening Exhibition of the George Thomas Hunter Gallery of Art. Exh. cat. Chattanooga Art Association, 1952: unnumbered.
1953
Campbell, T. Moody. "A Rare Exhibit of Portraits and Prints," Alumnae Bulletin, Randolph-Macon Woman's College 46, no. 2 (February 1953): 7.
1963
Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 321, repro.
1966
Paintings by American Masters. Exh. cat. Art Center, Kalamazoo Institute of Arts, 1966: no. 7.
1967
Sizer, Theodore. The Works of Colonel John Trumbull. New Haven, 1950: 29; Rev. ed. 1967: 37-38.
1970
American Paintings and Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1970: 116, repro.
1975
The Face of Liberty: Founders of the United States. Exh. cat. Amon Carter Museum of Western Art, Fort Worth, 1975-1976: 142, pl. 38.
1980
American Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1980: 249, repro.
1991
Kopper, Philip. America's National Gallery of Art: A Gift to the Nation. New York, 1991: 67.
1992
American Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1992: 369, repro.
1995
Miles, Ellen G. American Paintings of the Eighteenth Century. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1995: 308-312, repro. 311.
Wikidata ID
Q20182014