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Open 10:00 a.m.–5:00 p.m.

Visit
Open today 10:00 a.m.–5:00 p.m.
Admission is always free

6th and Constitution Ave NW
Washington, DC 20565

Sculpture Garden Extended Hours

Open late until 8:00 p.m. on select nights
Through September 5
Exhibitions & Events
America’s 250th

Celebrating American art and artists
Art & Artists
Open Call

Artists Reimagining the Collection
Meet the 50 makers selected from more than 1,600 submissions

Saint Anthony of Padua (Sant'Antonio de Padova))

1969

Pietro Parigi

Associated Names

Pietro Parigi

Artist, Italian, born 1892

The image shows a person holding a book and a lily branch, standing upright in a stylized manner. The person has a distinct angular face, short hair, and a halo. They wear a robe and sandals. The background includes a starburst, architectural structures, and a stylized flame. The image is depicted in a high-contrast black and white style resembling a woodcut print.

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Artwork overview

Medium

woodcut
Credit Line

Gift of Prof. Armando Nocentini, Il Presidente, Quarta Biennale Internazionale della Grafica d'Arte
Accession Number

1982.107.4

This is a drawing of a crucifixion scene with a building in the background. The image features a stylized depiction of a crucified figure with outstretched arms, centered in the composition. Behind the figure, there is a building with classical architectural elements, such as columns and an arched entrance. The sky is stylized with lines indicating light rays and clouds. The use of stark black and white contrast highlights the solemn and powerful nature of the scene, with the cross and figure occupying a dominant position in the foreground. — The Crucifixion by Cimabue (Il Crocefisso de Cimabue travolto dalle acque)

Pietro Parigi

1967

This is a photograph of a cream-colored background with two main text elements. The first element consists of cursive handwritten shapes and the words "Ti Parigi." The second element is typed text that reads "sette manifesti per santa croce." The composition focuses on typography and the contrast between the two texts. — Sette Manifesti per Santa Croce

Pietro Parigi

1966

This is a drawing of a figure with outstretched arms and a building with a pointed roof. The image shows a figure standing upon a geometric structure, draped in flowing robes. The figure is surrounded by a contrasting halo-like area. Beside the figure is a detailed architectural representation of a building, featuring linear patterns like a cross on a pointed roof and ornate windows. The artwork is dominated by strong contrasts of black and white. — The Resurrection of Christ (Il Cristo risorto)

Pietro Parigi

1970

Artwork history & notes

Wikidata ID

Q74039105

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