Overview
During the summer of 1916 George Bellows and his family vacationed in Camden, Maine, and Bellows began to experiment with plein air portraiture in which he attempted to integrate the human figure with the outdoors. He produced two nearly identical versions of a monumental portrait of his wife and two daughters that summer: My Family and Study of Emma and the Children (now at the Museum of Fine Arts, Boston). Although the relationship between the two is unclear, it is generally assumed that the Boston work is a preparatory study for the Gallery’s painting. Both versions are unfinished, possibly because Bellows could not resolve the relationship between his subjects and their surroundings, a problem that he addressed more successfully later that summer in the plein air portrait Emma in an Orchard (now at the Cummer Museum of Art and Gardens, Jacksonville, FL). While Bellows was certainly influenced by the French impressionists, most notably Pierre Auguste Renoir, Pierre Bonnard, and Edouard Vuillard, the emphasis on geometric forms in My Family suggests that he was also keenly aware of the example of Paul Cézanne.
Entry
From 1915 to 1920 George Bellows participated in four exhibitions organized by the National Association of Portrait Painters, a group that had been founded in 1912 for the purpose of avoiding “the tiresomely conventional and perfunctory portrait.”
Jane Myers has noted that in these two paintings “Bellows daringly evoked a range of European sources, from the English ‘conversation piece’ of the 18th century to the avant-garde, tapestry-like paintings of the French Nabis, Pierre Bonnard and Edouard Vuillard.”
Bellows may have abandoned the two family portraits because he was unable to resolve the relationship between his human figures and their natural surroundings. His family is almost completely overwhelmed by their environment and fail to stand out as the proper subject. The culmination of Bellows’s experimentation with the impressionist plein air portrait in Maine that summer is Emma in an Orchard
Bellows made a third version of My Family in the form of his 1916 lithograph Mother and Children
Robert Torchia
August 17, 2018
Provenance
The artist [1882-1925]; by inheritance to his wife, Emma S. Bellows [1884-1959]; her estate; purchased May 1967 through (H.V. Allison & Co., New York) by Paul Mellon, Upperville, Virginia; gift 1983 to NGA.
Exhibition History
- 1984
- George Bellows: The Personal Side, Museum of Arts and Sciences, Macon, Georgia, 1984, fig. 15.
- 1986
- Gifts to the Nation: Selected Acquisitions from the Collections of Mr. and Mrs. Paul Mellon, National Gallery of Art, Washington, D.C., 1986, unnumbered checklist.
Bibliography
- n.d.
- Peck, Glenn C. George Bellows' Catalogue Raisonné. H.V. Allison & Co. URL: http://www.hvallison.com. Accessed 16 August 2016.
- 1992
- American Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1992: 31, repro.
- 1992
- Quick, Michael, Jane Myers, Marianne Doezema, and Franklin Kelly. The Paintings of George Bellows. Exh. cat. Los Angeles County Museum of Art; Whitney Museum of American Art, New York; Columbus (Ohio) Museum of Art; Amon Carter Museum of American Art, Fort Worth, 1992-1993. New York, 1992: 201-202, fig. 29.