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inscribed by artist in pen and brown ink: on bag at bottom left, monogram "IL" joined by bar and cross (later altered by another hand to "HR") and dated; on two bags at bottom right "cehim" and "ongavi"


Francois II, Duke of Modena [1660-1694] (Lugt 1893); by descent (until 1797?); X.M.C. von Schönberg-Rothschönberg; (sale, E. Arnold Gallery, Dresden, 1858); Ludwig von Biegeleben; (sale, Wawra Vienna, 15 November 1886, no. 2657); by 1916: Moritz von Kuffner, Vienna; by descent; Artemis Fine Arts, Ltd., London, 1982; Robert H. and Clarice Smith, Bethesda (MD); gift to NGA in 1984.

Exhibition History

An Exhibition of Master Prints and Drawings, Artemis Fine Arts, Ltd., London, 1982, no. 13.
From Studio to Studiolo: FLorentine Draftsmanship under the First Medici Grand Dukes, Allen Memorial Art Museum, Oberlin College; Bowdoin College Museum of Art, Brunswick, Maine, 1991-1992, 26, 108-109, no. 21.
"Magnificenza! The Medici, Michelangelo, and the Art of Late Renaissance Florence" (L'ombra del genio: Michelangelo a l'arte a Firenze, 1537-1631), Palazzo Strozzi, Florence, 2002, no. 176.
The Poetry of Light - La poesia della luce: Venetian Drawings from the National Gallery of Art, Museo Correr, Venice, Venice, 2014 - 2015, no. 33.


Nagler, G. K. Die Monogrammisten. Munich and Leipzig, 1863, 3: 546-547, under no. 1398.
Peltzer, Rudolf Arthur. "Hans Rottenhammer." Jahrbuch der Kunsthistorischen Sammlungen es Allerhöchsten Kaiserhauses, 33 (1916): 298, 315, 360, fig. 1 (as Rottenhammer).
Voss, Hermann. Die Malerei der Spätrenaissance in Rom und Florenz. Berlin, 1920, 2: 422, pl. 165.
Thöne, Friedrich. "Jacopo Ligozzi (1542-1627)--Allegories of Envy and Vanity...," Old Master Drawings, 13, no. 50 (September 19380, 26.
exh. cat. De Triomf van het Maniërisme de Europese Stijl van Michelangelo tot El Greco, Rijksmuseum, Amsterdam, 1955, 119, under no. 210.
Bacci, Mina. "Jacopo Ligozzi e la sua posizione nella pittura fiorentina," Proporzioni, Studi di storia dell'Arte, 1963, 452.
Case, David. The Calumny of Apelles, A Study in the Humanist Tradition. New Haven and London, 1981: 149, n. 29.
exh. cat. Around 1610: The Onset of the Baroque, Matthiesen Fine Art Ltd, London, 1985, 27, under no. 5, repr. fig. 1.
Trudzinski, Meinolf. Die italienischen und französischen Handzeichnunben im Kupferstichkabinett der Landesgalerie. Hannover, 1987: 96, under no 53.
Viatte, Françoise. Inventaire général des dessins italiens, III, Dessins Toscans XVIe-XVIIIe siècles, Tome 1, 1560-1640. Paris, 1988, 135, under no. 235.
From Studio to Studiolo: Florentine Draftsmanship under the First Medici Grand Dukes. Exh. cat. Allen Memorial Art Museum, Oberlin, OH, 1991: 108-109.
exh. cat. Jacopo Ligozzi, Le vedute del sacro monte della verna, I dipinti di Poppi e Bibbiena. Castello dei Conti Guidi, Poppi, 1992: 28, 43, n. 106.a
Voss, Hermann. La Pittura del Tardo Rinascimento a Roma e a Firenze. Translated by Rossella Zeni. Rome, 1994: 267, pl. 165.
Voss, Hermann. Painting of the Late Renaissance in Rome and FlorenceII, The Diffusion and transformation of mannerism, 1570-1600. Translated and revised by Suzanne Pelzel. San Francisco, 1997: 110, fig. 165 (mislabeled as by Domenico Passignano).

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