Interieur mit Figuren (Figures in an Interior) [p. 26]

Max Beckmann

Associated Names
Max Beckmann

Artist, German, 1884 - 1950

The image shows a collection of bold, black lines and shapes crisscrossing and overlapping to create an abstract composition. Some lines resemble rough outlines of human figures or faces while others suggest parts of objects like chairs or musical instruments. The overall effect is chaotic yet intriguing, with the abstract lines prompting viewers to search for familiar forms within the scene.
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Artwork overview

  • Medium

    graphite

  • Credit Line

    Gift of Mrs. Max Beckmann

  • Dimensions

    sheet: 22.2 × 22.3 × 0.4 cm (8 3/4 × 8 3/4 × 3/16 in.)

  • Accession Number

    1984.64.25.18

  • Catalogue Raisonné

    Zeiller/Presler 2010, no. 12r

Associated Artworks

See all 25 artworks
The image depicts an abstract composition of interlocking shapes and lines resembling human faces and bodies in various orientations. The sketch, drawn in dark ink on a light background, includes forms suggesting heads and torsos viewed from different angles, creating a dynamic and crowded scene. These abstract forms hint at familiar objects such as faces with features like eyes, noses, and mouths, albeit with distorted proportions and perspectives, contributing to the image's abstract character.

Figuren in Interieur (Figural Group in Interior) [p. 1]

Max Beckmann

1884

This is an image showing the front cover of an old, worn notebook. The notebook has a plain, brown color with visible signs of wear such as creases and small stains. The left edge has a vertical black binding strip typical of a bound journal. The cover displays subtle textures and markings, giving it an aged appearance.

Beckmann Sketchbook 19

Max Beckmann

1917

The image shows a series of loosely drawn curves and lines overlapping to create an abstract composition. In the center, there are various looping and squiggly lines intertwined. Below, a wavy line extends across the page. The sparse linear elements in the background and periphery contribute to a sense of openness, leaving much of the space unadorned and giving focus to the central abstract forms.

Begonnene Skizze (Unfinished Sketch) [p. 3]

Max Beckmann

1884


Artwork history & notes

Provenance

Mrs. Max Beckman, Peoria; gift to NGA, 1984.

Associated Names

Exhibition History

1997

  • "Max Beckmann: Die Nacht", Kunstsammlung Nordrhein-Westfalen, Dusseldorf, 1997.

Bibliography

2010

  • Zeiller, Christiane, Gerd Presler.Max Beckmann : die Skizzenbücher = the sketchbooks. II. Ostifildern, 2010: 458-459, no. 12r

Wikidata ID

Q64609335

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