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Inscription

lower left: C. Pizarro. 1856. / Paris

Provenance

Antoine Melbye; Mme Melbye's nephew, Emmanuel Pichon, Le Pecq, France, by 1936 until at least 1939.[1] Mme Jules Joets, by 1956;[2] sold 1959 to (Wildenstein & Co., London, New York and Paris);[3] sold 1960 to Mr. Paul Mellon, Upperville; gift 1985 to NGA.

Exhibition History

1956
Exposition Camille Pissarro, Galerie Durand-Ruel, Paris, 1956, no. 1.
1957
Camille Pissarro, Kunstmuseum, Berne, 1957, no. 2.
2012
Carribbean: Crossroads of the World, El Museo del Barrio, New York; The Queens Museum, Flushing; The Studio Museum in Harlem; Pérez Art Museum, Miami, 2012-2014, not in catalogue (shown only at El Museo del Barrio and in Miami).
2014
Camille Pissarro - Der Vater des Impressionismus, Von der Heydt-Museum, Wuppertal, 2014-2015, unnumbered catalogue, repro.
2015
From San Juan to Paris and Back: Francisco Oller, His Caribbean, and the Era of Impressionism, The Jack S. Blanton Museum of Art, The University of Texas at Austin; Brooklyn Museum; Museo de Arte de Puerto Rico, San Juan, 2015-2016.
2016
The First Jewish Americans: Freedom and Culture in the New World, The New-York Historical Society, New York, 2016-2017, no catalogue.
2017
Pissarro. Between Danish Golden Age Painting and French Impressionism, Ordrupgaard, Copenhagen, 2017, fig. 146.

Bibliography

1936
Rewald, John. "L'Oeuvre de jeunesse de Camille Pissarro." L'Amour de l'Art XVII (1936):141
1939
Pissarro, Ludovic and Lionello Venturi. Camille Pissarro, son art, son oeuvre. 2 vols. Paris, 1939:1:78, no. 6, as Une Crique a Saint-Thomas (Antilles); 2:pl. 2.
2005
Pissarro, Joachim and Claire Durand-Ruel Snollaerts, Pissarro: Critical Catalogue of the Paintings, 3 vols., Milan, Paris and New York, 2005: II:16, repro.

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