Saint Anthony Abbot and Saint Bernardino of Siena

1459

Jacopo Bellini

Painter, Venetian, c. 1390/1400 - 1470/1471

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On View

West Building Main Floor, Gallery 13

Artwork overview

Artwork history & notes

Provenance

Possibly Gattamelata chapel, Basilica del Santo, Padua.[1] private collection, The Netherlands;[2] (sale, Sotheby's, London, 8 April 1981, no. 124, as by C. Crivelli). (Piero Corsini, New York);[3] private collection, New York, by 1984;[4] (P. & D. Colnaghi & Co., London and New York); sold 1989 to private collection;[5] gift (partial and promised) 1990 to NGA.
[1] This was the first chapel to the right entering the church, dismantled in 1651 when it was transformed into the chapel of the Sacrament (see Marcantonio Michiel, Notizia d'opere di disegno, 2nd rev. ed., ed. Gustavo Frizzoni, Bologna, 1884: 7-8). This earlier provenance is hypothetical; for a complete discussion see the NGA systematic catalogue entry by Miklòs Boskovits in Boskovits, Miklós, and David Alan Brown, et al., Italian Paintings of the Fifteenth Century. The Systematic Catalogue of the National Gallery of Art, Washington, D.C., 2003: 89-94.
[2] See Peter Humfrey, Gothic to Renaissance. European Painting 1300-1600, exh. cat., Colnaghi, London and New York, 1988: 26.
[3] See Colin Eisler, "'Saints Anthony Abbot and Bernardino of Siena' Designed by Jacopo and Painted by Gentile Bellini," Arte Veneta XXXIX (1985): 40, n. 6.
[4] According to a letter of 22 June 1984 from the collector to Miklòs Boskovits (copy in NGA curatorial files).
[5] Nicholas H.J. Hall, ed., Colnaghi in America: A Survey to Commemorate the First Decade of Colnaghi in New York, New York, 1992: 37.

Associated Names

Exhibition History

1988

  • Gothic to Renaissance: European Painting 1300-1600, P. & D. Colnaghi & Co. Ltd., London, 1988, unnumbered catalogue.

1991

  • Art for the Nation: Gifts in Honor of the 50th Anniversary of the National Gallery of Art, National Gallery of Art, Washington, D.C., 1991, 2-3, color repro.

Bibliography

1985

  • Boskovits, Miklós. "Per Jacopo Bellini pittore (Postilla ad un Colloquio)." Paragone 36, nos. 419-421-423 (January - May 1985):113-123, repro.

  • Eisler, Colin. "'Saints Anthony Abbot and Bernardino of Siena, Designed by Jacopo and Painted by Gentile Bellini." Arte Veneta 39 (1985):32-40

1986

  • Boskovits, Miklós. "Giovanni Bellini. Quelques suggestions sur ses débuts." La revue du Louvre 36, no. 6 (1986):386-393, repro.

1987

  • Christiansen, Keith. "Venetian Painting of the Early Quattrocento." Apollo (March 1987):166-177, fig. 8.

1989

  • Eisler, Colin. The Genius of Jacopo Bellini: The Complete Painting and Drawings. New York, 1989: 60, 136, 161, 252, 390, 517, fig. 48

  • Goffen, Rona. Giovanni Bellini. New Haven and London, 1989: 8-9.

  • Merkel, Ettore. “Venezia, 1430-1450.” In Mauro Lucco, ed. La pittura nel Veneto. Il Quattrocento. 2 vols. Milan, 1989-1990: 1(1989):64-65.

1990

  • Degenhart, Bernhard, and Annegrit Schmitt. Corpus der italienischen Zeichnungen 1300 -1450. Berlin, 1990: part 2, 5:14 n. 26, 104, 152, 156, 157, 169-170, 171, 172-175, 178 n. 13, 464, 524 n. 1, figs. 145, 167.

  • De Nicolò Salmazo, Alberta. “Padova.” In Mauro Lucco, ed. Pittura nel Veneto. Il Quattrocento. 2 vols. Milan, 1989-1990: 2(1990):526-528, fig. 612.

  • Humfrey, Peter. “Gentile Bellini.” In Mauro Lucco, ed. Pittura nel Veneto. Il Quattrocento. 2 vols. Milan, 1989-1990: 2(1990):734.

  • Lucco, Mauro. “Venezia.” In Mauro Lucco, ed. Pittura nel Veneto. Il Quattrocento. 2 vols. Milan, 1989-1990: 2(1990): 411-413.

  • Osano, Shigetoshi. “‘Johanes belinus me fecit,’ ipotesi per un altro Giovanni Bellini veneziano.” Verona illustrata no. 3 (1990): 11 n. 2, 12.

1991

  • Ballarin, Alessandro, and Davide Banzato, eds. Da Bellini a Tintoretto: dipinti dei Musei civici di Padova dalla metà del Quatrocento ai primi del Seicento. Rome, 1991: 64.

  • Humfrey, Peter. Review of Colin Eisler_The Genius of Jacopo Bellini_. Italian Studies 46 (1991): 139.

1992

  • Hall, Nicholas H. J., ed. Colnaghi in America: A Survey to Commemorate the First Decade of Colnaghi, New York. New York, 1992: 37.

  • Bentini, Jadranka, ed. Pinacoteca Nazionale di Ferrara. Catalogo generale. Milan, 1992: 31.

  • Grassi, Luigi. “La ‘mano industriosa’ di Jacopo Bellini nei disegni dei suoi due libri.” Atti e memorie accademia clementina 30-31 (1992): 14.

  • Humfrey, Peter. Review of Degenhart and Schmitt, Corpus: part 2, 5 (1990). Renaissance Studies 6 (1992): 218.

1993

  • De Nicolò Salmazo, Alberta. Il soggiorno padovano di Andrea Mantegna. Venice, 1993: 95-96.

  • Dorigato, Attilia. Carpaccio, Bellini, Tura, Antonello e altri restauri quattrocenteschi della Pinacoteca del Museo Correr. Exh. cat. Museo Correr, Venice, 1993: 27-28.

  • Humfrey, Peter. The Altarpiece in Renaissance Venice. New Haven and London, 1993: 170, 174-177, 178, 180, 183, 186, 331 n. 19, 341, pls. 167, 170.

1994

  • Conti, Alessandro. “Giovanni nella bottega di Jacopo Bellini.” In Pierre Rosenberg, Cécile Scailliérez, and Dominique Thiébaut, eds. Hommage à Michel Laclotte. Études sur la peinture du Moyen Age et de la Renaissance. Milan and Pars, 1994: 263.

1996

  • Lehman-Brockhaus, Ursula. "Jacopo Bellini." and Hawkins Collinge, Lucinda. “Gentile Bellini.” In Jane Turner, ed. The Dictionary of Art. 34 vols. New York and London, 1996: 3:647, 655.

1997

  • Pelikan, Jaroslav. The Illustrated Jesus through the Centuries, New Haven & London, 1997, p. 117, repro.

  • Callegari, Raimondo. “Su due polittici di Giorgio Schiavone.” Arte Veneta 50 (1997): 30.

2003

  • Boskovits, Miklós, David Alan Brown, et al. Italian Paintings of the Fifteenth Century. The Systematic Catalogue of the National Gallery of Art. Washington, 2003: 89-94, color repro.

2006

  • Banzato, Davide. “L’evoluzione delle pala d’altare tra Padova e Venezia tra il Tardogotico e il primo Rinascimento.” In Davide Banzato, Alberta De Nicolò Salmazo, and Anna Maria Spiazzi, eds. Mantegna e Padova, 1445-1460. Exh. cat. Musei civici agli Eremitani, Padua. Milan, 2006: 104-105, fig. 18 (as part of the hypothetical reconstruction).

  • Salmazo, Alberta De Nicolò. “Andrea Mantegna e Padova. 1445-1460.” In Alberta De Nicolò Salmazo, and Anna Maria Spiazzi, eds. Mantegna e Padova, 1445-1460. Exh. cat. Musei civici agli Eremitani, Padua. Milan, 2006: 18, fig. 25.

  • Banzato, Davide, Alberta De Nicolò Salmazo, and Anna Maria Spiazzi, eds. Mantegna e Padova, 1445-1460. Exh. cat. Musei civici agli Eremitani, Padua. Milan, 2006: 288, 290, 292, 294.

2008

  • Bellosi, Luciano. “Giovanni Bellini et Andrea Mantegna.” In Giovanni Agosti and Dominique Thiébaut, eds. Mantegna 1431 - 1506. Exh. cat. Musée du Louvre, Paris, 2008: 103, fig. 17, 113, 115.

2011

  • Boskovits, Miklós, ed. The Alana Collection, Newark, Delaware, USA. Vol. II: Italian Paintings and Sculptures from the Fourteenth to Sixteenth Century. Florence, 2011: 76.

2019

  • Lucco, Mauro, Peter Humfrey, and Giovanni C.F. Villa. Giovanni Bellini: Catalogo ragionato. Treviso, 2019: 294-295, cat. 5.

  • Tempestini, Anchise. “La famiglia dei pittori Bellini. Precisazioni e novità.” Artibus et Historiae 40, no. 80 (2019): 28.

2023

  • Müller, Rebecca. Die Vivarini: Bildproduktion in Venedig 1440 bis 1505. Regensburg, 2023: 448.

  • Ahl, Diane Cole. Painting in Fifteenth-Century Italy: "This Splendid and Noble Art". New Haven and London, 2023: 22, fig. 1.7.

Inscriptions

around circumference of the disk held by Saint Bernardino: innomine.chri[sti omne] genuflectatur.coelestium.terrestriu.et.infernorum. (Philippians 2:10); center of the disk: YHS

Wikidata ID

Q20173770

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