Marshman Going to Cut Schoof-Stuff

1886

Peter Henry Emerson and T.F. Goodall

Associated Names
T.F. Goodall

Artist, British, 1857 - 1944

Peter Henry Emerson

Artist, British, born Cuba, 1856 - 1936

The image is captured from a ground-level point of view, focusing on a figure standing next to a boat on the edge of a water body. The horizon line is placed high in the image, dividing the sky from the wetlands that stretch into the distance. The photographic style employs soft, grainy textures suggesting a vintage technique, emphasizing the scene's moodiness. The color palette is monochrome grayscale. Closest to us, the individual is dressed in heavy clothing and stands with their back to the viewer, seemingly preparing the boat. A pile of hay or reeds lies to the left, and the muddy path is marked by wet tracks. Beyond the figure and boat, the reeds extend across the water, fading into dense layers. In the distance, the horizon separates the land and sky.

Media Options

This object’s media is free and in the public domain. Read our full Open Access policy for images.

Artwork overview

Associated Artworks

See all 39 artworks
This muted, celestial blue, wide book cover has gold text and a drawn illustration of marshlands and sailboats. The text is oriented at an angle between the lower left and upper right corners. It reads, “Life and Landscape on the NORFOLK BROADS BY P.H. EMERSON and T.F. GOODALL.” In dark brown, cattails rise along the left edge, near the book’s tan-colored spine, and two boats sail away from us toward a harbor town to the right. The spine and cover are worn and scuffed, and there are a few stains.

Life and Landscape on the Norfolk Broads

T.F. Goodall, Peter Henry Emerson

1886

Coming Home from the Marshes

Peter Henry Emerson, T.F. Goodall

1886

The image shows two men working with bundles of reeds. One man is on a stack of reeds, while the other is in a rowboat filled with reeds. A sailboat with a large sail is visible in the background, along with another smaller boat docked beside it. The scene is set in a waterway with flat fields in the distance. The sky is overcast with thick clouds, giving the image a black and white vintage look.

Ricking the Reed

Peter Henry Emerson, T.F. Goodall

1886


Artwork history & notes

Provenance

Harvey S. Shipley Miller and J. Randall Plummer, Fort Washington, PA; gift (partial and promised) to NGA, 1995.

Associated Names

Exhibition History

1991

  • NGA Anniversary 1991 (plate XXI only).

1995

  • Recent Acquisitions of Works of Art on Paper, National Gallery of Art, Washington, 1995 (plate XXI only).

Inscriptions

on interleaving tissue, printed in black ink: PLATE XXII. / MARSHMAN GOING TO CUT SCHOOF-STUFF

Wikidata ID

Q64158767

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