Nada (Nothing)

1810/1820

Francisco Goya

Associated Names
Francisco Goya
Artist, Spanish, 1746 - 1828
The artwork features an abstract composition with swirling, dark lines and shadows. In the foreground, a skeletal figure is depicted reclined with an outstretched arm holding a paper with the word "Nada." Behind the figure, a mass of faces and forms emerges, resembling a crowd. The background is filled with textured, smoky shapes that evoke a sense of movement, reminiscent of clouds or smoke. The overall effect is one of dynamic tension and abstraction.

Media Options

This object’s media is free and in the public domain. Read our full Open Access policy for images.

Artwork overview

  • Medium

    etching, aquatint and lavis with burnishing (proof) on laid paper

  • Credit Line

    Rosenwald Collection

  • Dimensions

    sheet: 22.2 × 32.1 cm (8 3/4 × 12 5/8 in.)
    plate: 15.3 × 19.5 cm (6 × 7 11/16 in.)

  • Accession Number

    1943.3.4718

  • Catalogue Raisonné

    Harris 1964, no. 189, State I(2) (working proof)

  • Series Title

    Los Desastres de la Guerra (plate 69)

Artwork history & notes

Exhibition History

1933

  • An Exhibition of Prints from the Collection of Lessing J. Rosenwald, Carnegie Institute, Pittsburgh, PA, 1933, no. 153.

1945

  • Prints from the Lessing J. Rosenwald Collection in the National Gallery of Art, Washington, John Herron Art Institute, Indianapolis, IN, 1945, no. 73.

1960

  • Fantasy in the Prints of Goya, Andrew Dickson White Museum of Art, Cornell University, Ithaca, NY, 1960, no. 39.

1965

  • Drolleries and Demons: Six Centuries of 'Fantastic' Prints, IBM Gallery, New York, NY, 1965, no. 46.

1982

  • Lessing J. Rosenwald: Tribute to a Collector, National Gallery of Art, Washington, 1982, no. 43, repro.

1983

  • Graphic Survey Show, National Gallery of Art, Washington, D.C., May 1983.

2021

  • Aquatint: From Its Origins to Goya, National Gallery of Art, Washington, 2021 - 2022.

Bibliography

1964

  • Harris, Tomás. Goya: engravings and lithographs. 2 vols. Oxford: Bruno Cassirer, 1964.

1982

  • Fine, Ruth E. Lessing J. Rosenwald: Tribute to a Collector. Washington, DC: National Gallery of Art, 1982, pp.131-132, no. 43.

2021

  • Hoisington, Rena. Aquatint: From Its Origins to Goya. Washington, 2021: 226, fig. 11.

Inscriptions

recto: along left edge in graphite in later hand: Nada Ello Dira Goya (KK 736) / X; verso: at bottom right in graphite in later hand: D 188 / II

Wikidata ID

Q64956713

You may be interested in

You may be interested in