Dutch Ships near the Coast

early 1650s

Willem van de Velde the Elder

Painter, Dutch, 1611 - 1693

Created with fine black lines of paint and ink against a white background on this horizontal wood panel, this seascape showing several large ships and dozens of rowboats looks like a black and white print at first glance. The horizon line where the choppy water meets the nearly cloudless sky comes about a quarter of the way up the composition. The ship closest to us is angled into the distance to the right of center, and its masts reach three-quarters of the way up the panel. Another large ship has nearly pulled alongside it to our right, and a third ship appears near the left edge. Canons poke out of open flaps along the sides of the ships, and most of the sails are furled. More than a dozen smaller masted ships and rowboats are spaced around and behind these larger vessels, extending into the deep distance. Flags and pennants with three horizontal stripes hang from many of the ships. Closest to us, dark dolphin fins cut through rippling waves, and a few rounded jugs float in the water. People stand along a shoreline in the distance to our right, where two horse-drawn carriages wade between the beach and rowboats. The artist’s name is written on a wooden panel floating in the water near the lower right corner, “W.V. Velde.”

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Willem van de Velde the Elder was a master draughtsman whose numerous pen drawings of the Dutch fleet were in high demand during his lifetime. The admiralty repeatedly requested that he accompany the fleet to create a visual record of its actions. Van de Velde combined a solid grasp of the complex movements of ships in the midst of battle with such unerring accuracy that historians have been able to identify many of the individual ships and specific sea battles that he depicted over the course of his prolific career.

Aside from being renowned as a draughtsman, Van de Velde pioneered a new technique in the early 1650s called pen painting (penschilderij), which he used to create this work. Finished pen paintings, usually executed on panel but also on canvas, resemble elaborately worked-out, detailed pen drawings made on paper. Much more durable than a drawing on paper, however, a pen painting could be framed for hanging, and the conceit that the artist had created a painting that looked like a drawing further enhanced its appeal. In this pen painting, several large ships flying Dutch flags are at anchor in choppy waters near a broad, sandy beach, while travelers (or crew members) are making their way from the shore to the ships in wooden rowboats.

The international prestige of the Dutch Republic in the seventeenth century was based on its global dominance in maritime trade and transport. Advanced technology, skilled sailors, and a government that promoted commerce had turned the Dutch merchant fleet into an economic engine and the nation’s navy into the efficient protector of that engine. The booming economy generated a level of wealth that turned this period into the country’s Golden Age. A modern shipbuilding industry produced efficient vessels that could carry much cargo yet required smaller crews compared to the boats built by the country’s chief competitors, particularly Spain, England, and Sweden. Dutch ships fished the waters of the North Sea and carried cargo to and from the Baltic region, the Mediterranean, and the Atlantic coastline of Europe. Large merchant ships came back from the Far East and West Indies loaded with exotic commodities.

On View

West Building Main Floor, Gallery 50-B


Artwork overview

  • Medium

    oil and ink on panel

  • Credit Line

    Gift of Lloyd M. Rives

  • Dimensions

    overall: 59.4 x 83.5 cm (23 3/8 x 32 7/8 in.)
    framed: 68.6 x 93.4 x 3.2 cm (27 x 36 3/4 x 1 1/4 in.)

  • Accession

    1994.61.1

More About this Artwork


Artwork history & notes

Provenance

(Sale, Frederik Muller, Amsterdam, 25 April 1911, no. 198). Whitney Warren [1864-1943]; by inheritance to his daughter, Mrs. Reginald B. Rives [née Gabrielle Warren, 1895-1971]; by inheritance to her son, Lloyd M. Rives [1921-2011], Newport;[1] gift 1994 to NGA.
[1] The provenance in the donor's family was provided by Mr. Rives in his letter to Arthur Wheelock of 9 September 1986, in NGA curatorial files.

Associated Names

Exhibition History

2018

  • Water, Wind, and Waves: Marine Paintings from the Dutch Golden Age, National Gallery of Art, Washington, D.C., 2018, unnumbered brochure.

Bibliography

1990

  • Robinson, Michael Strang. Van de Velde: A Catalogue of the Paintings of the Elder and the Younger Willem van de Velde. 2 vols. Greenwich, 1990: 1:156, no. 644.

Inscriptions

lower right: W.V.Velde

Wikidata ID

Q20177295


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