Scene from the Steeplechase: The Fallen Jockey
1866, reworked 1880-1881 and c. 1897
Painter, French, 1834 - 1917

It isn’t always easy to realize your vision. Degas often struggled with finishing his paintings, reworking them in his quest for perfection. This one proved especially challenging.
Degas originally painted this in 1866 but returned to it at least twice decades later. He made significant changes each time. Bits of the original blue sky peek through at the top of the canvas. And we can still see the rump and raised tail of a horse that has since disappeared. Rather than hiding the evidence, Degas leaves it exposed, allowing us to track the evolution of this painting.

West Building Main Floor, Gallery 83
Artwork overview
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Medium
oil on canvas
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Credit Line
-
Dimensions
overall: 180 × 152 cm (70 7/8 × 59 13/16 in.)
framed: 202.57 × 173.67 × 6.67 cm (79 3/4 × 68 3/8 × 2 5/8 in.) -
Accession
1999.79.10
Artwork history & notes
Provenance
(Atelier Degas, first sale, Galerie Georges Petit, 6-8 May 1918, no. 19, as Aux Courses: le jockey blessé); (Joseph Durand-Ruel, Paris); (Ambrose Vollard [1867-1939], Paris); Jacques Seligmann, Paris; (his sale, American Art Galleries, New York, 27 January 1921, no. 70); purchased by (William W. Seaman, American Art Association) for Gari Melchers [1860-1932], Fredericksburg, Virginia; by inheritance to his wife, Corinne Lawton Mackall Melchers [1880-1955, Mrs. Gari Melchers], Richmond, Virginia; her residuary legatee, Lawton Mackall;[1] (Wildenstein & Co., Inc., New York); purchased June 1960 by Mr. and Mrs. Paul Mellon, Upperville, Virginia; bequest 1999 to NGA.
[1] This is possibly Mrs. Melchers's brother, Alexander Lawton Mackall.
Associated Names
Exhibition History
1866
Annual Salon, Paris, 1866, no. 530, as Scène de steeple-chase.
1941
Loan to display with permanent collection, Virginia Museum of Fine Arts, Richmond, 1941.
1947
Works by Edgar Degas, Cleveland Museum of Art, 1947, no. 28, repro., as The Dead Jockey (Aux courses: le jockey blessé).
1960
Loan Exhibition: Degas, Wildenstein & Co., Inc., New York, 1960, no. 11, repro.
1966
French Paintings from the Collections of Mr. and Mrs. Paul Mellon and Mrs. Mellon Bruce, National Gallery of Art, Washington, D.C., 1966, no. 48, repro.
1998
Degas at the Races, National Gallery of Art, Washington, D.C., 1998, no. 16, repro.
1999
An Enduring Legacy: Masterpieces from the Collection of Mr. and Mrs. Paul Mellon, National Gallery of Art, Washington, D.C., 1999-2000, no cat.
2010
Degas, Yokohama Museum of Art, 2010, no. 19, repro.
2011
Impressionist and Post-Impressionist Masterpieces from the National Gallery of Art, The Museum of Fine Arts, Houston; The National Art Center, Tokyo; Kyoto Municipal Museum of Art, 2011, no. 14, repro.
2013
Degas' Method, Ny Carlsberg Glyptotek, Copenhagen, 2013, no. 140, fig. 3.
2015
Loan for display with permanent collection, Art Institute of Chicago, 2015-2016.
2016
Unfinished: Thoughts Left Visible, The Met Breuer, New York, 2016, no. 110, repro.
Degas: A New Vision, National Gallery of Victoria, Melbourne; The Museum of Fine Arts, Houston, 2016-2017, unnumbered catalogue (shown only in Houston).
Bibliography
1966
Goldwater, Robert. "The Glory that was France." Art News 65 (March 1966): 86.
1982
Isaacson, Joel. "Impressionism and Journalistic Illustration." Arts Magazine 56, no. 10 (June 1982): 103, repro.
1991
Kopper, Philip. America's National Gallery of Art: A Gift to the Nation. New York, 1991: 274.
1993
Rachlum, Stephanie. The Sam Spiegel Collection. Exh. cat. The Israel Museum. Jerusalem, 1993: 24, under no. 11.
1996
Roos, Jane Mayo. Early Impressionism and the French State (1866-1874). Cambridge, 1996: 60-61, fig. 50.
1998
Degas at the Races. Exh. cat. National Gallery of Art, Washington, 1998: no. 16.
2004
Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 374-375, no. 306, color repro.
2017
Hoenigswald, Ann, and Kimberly A. Jones. "The Question of Finish in the Work of Edgar Degas." In Degas, Daphne Barbour and Suzanne Quillen Lomax, eds. Facture. Conservation, Science, Art History 3 (2017): 20-49, esp. 26-30, 41, figs. 3 and 5 (infrared reflectogram).
Inscriptions
lower right, vente stamp: Degas
Wikidata ID
Q20188683