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Inscription

on wax near back right hoof: Degas

Provenance

The artist [1834-1917]; his heirs;[1] Adrien-Aurélien Hébrard [1865-1937], Paris;[2] his daughter, Nelly Hébrard [1904-1985], Paris;[3] consigned 1955 to (M. Knoedler & Company, Inc., New York); purchased May 1956 by Paul Mellon, Upperville, Virginia; bequest 1999 to NGA.

Exhibition History
1955
Edgar Degas 1834-1917: Original Wax Sculptures, M. Knoedler & Company, Inc., New York, 1955, no. 6, repro.
1956
Sculpture by Degas, Virginia Museum of Fine Arts, Richmond, 1956.
1991
Art for the Nation: Gifts in Honor of the 50th Anniversary of the National Gallery of Art, National Gallery of Art, Washington, D.C., 1991, unnumbered catalogue, repro.
1998
Degas at the Races, National Gallery of Art, Washington, D.C., 1998, no. 120, repro.
1999
An Enduring Legacy: Masterpieces from the Collection of Mr. and Mrs. Paul Mellon, National Gallery of Art, Washington, D.C., 1999-2000, no cat.
Bibliography
1949
Borel, Pierre. Les Sculptures inédites de Degas. Geneva, 1949: n.p., repro.
1949
Fevre, Jeanne. Mon oncle Degas. Geneva, 1949: repro. opp. 128.
1956
Rewald, John. Degas Sculpture: The Complete Works. Translated by John Coleman and Noel Moulton. New York, 1956: no. VI.
1976
Millard, Charles W. The Sculpture of Edgar Degas. Princeton, 1976: 99, fig. 60.
1991
Pingeot, Anne. Degas Sculptures. Paris, 1991: no. 41, repro.
1995
Campbell, Sara. "A Catalogue of Degas' Bronzes." Apollo 142 (August 1995): 33, no. 47.
2002
Czestochowski, Joseph S., and Anne Pingeot. Degas--Sculptures. Catalogue Raisonné of the Bronzes. Memphis, 2002: 81, 213, fig. 16, repro.
2010
Lindsay, Suzanne Glover, Daphne S. Barbour, and Shelley G. Sturman. Edgar Degas Sculpture. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 2010: no. 13, 102-105, color repro.
2017
Lomax, Suzanne Quillen, Barbara H. Berrie, and Michael Palmer. "Edgar Degas's Wax Sculptures: Characterization and Comparison with Contemporary Practice." In Degas, Daphne Barbour and Suzanne Quillen Lomax, eds. Facture. Conservation, Science, Art History 3 (2017): 50-77, esp. 71.
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