Mrs. Richard Brinsley Sheridan
1785-1787
Artist, British, 1727 - 1788

Elizabeth Linley was a successful singer in London before marrying playwright Richard Brinsley Sheridan. Their union was not happy: Sheridan forbade her from performing professionally, and Linley lived mostly alone in the country. Meanwhile, Sheridan pursued his career — and affairs with other women — in the city.
Gainsborough’s painting of Linley reveals her emotional state. Her expression and the moody landscape behind her convey longing and sadness. Linley died at age 38, a few years after this work was finished.

West Building Main Floor, Gallery 59
Artwork overview
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Medium
oil on canvas
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Credit Line
-
Dimensions
overall: 219.7 x 153.7 cm (86 1/2 x 60 1/2 in.)
framed: 251.5 x 185.4 x 14 cm (99 x 73 x 5 1/2 in.) -
Accession
1937.1.92
Artwork history & notes
Provenance
The Hon. Mrs. Edward Bouverie [1750-1825, later Lady Robert Spencer], a friend of the sitter, Delapré Abbey, Northampton; by descent to her grandson, General Everard Bouverie [1789-1871]; (his estate sale, Christie, Manson & Woods, London, 2 March 1872, no. 110);[1] purchased by Alfred de Rothschild [1842-1918] for his father, Baron Lionel Nathan de Rothschild [1808-1879], Gunnersbury, Middlesex; by inheritance to his son, Nathaniel, 1st lord Rothschild [1840-1915]; by inheritance to his widow, Emma, Lady Rothschild; by inheritance to her nephew, Nathaniel Mayer Victor, called Victor, 3rd baron and later 3rd lord Rothschild [1910-1990];[2] sold 1936 to (Duveen Brothers, Inc., London, New York, and Paris); purchased 26 April 1937 by The A.W. Mellon Educational and Charitable Trust, Pittsburgh; gift 1937 to NGA.
[1] The painting was added to the sale the day before by Edward Playdell-Bouverie, General Bouverie's nephew and executor, and it does not appear in the printed catalogue. Michael Hall, curator to Edmund de Rothschild kindly provided this detail; see his "Rothschild Picture Provenances" from 1999 and letter of 27 February 2002, in NGA curatorial files.
[2] Details of the Rothschild family inheritance were kindly provided by Michael Hall (see note 1); he cites relevant documents in The Rothschild Archive, London.
Associated Names
- Bouverie, Edward, Mrs.
- Bouverie, Edward
- Bouverie, Everard William, General
- Christie, Manson & Woods, Ltd.
- Rothschild, Lionel Nathan de, Baron
- Rothschild, Nathaniel Mayer, 1st Baron
- Rothschild, Lionel Walter, 2nd Baron
- Rothschild, Nathaniel Mayer Victor, 3rd Baron
- Duveen Brothers, Inc.
- The A.W. Mellon Educational and Charitable Trust
Exhibition History
1786
Gainsborough's studio, Schomberg House, London, 1786.
1873
Works of the Old Masters, associated with Works of Deceased Masters of the British School. Winter Exhibition, Royal Academy of Arts, London, 1873, no. 35.
1886
Works by the Old Masters, and by Deceased Masters of the British School. Winter Exhibition, Royal Academy of Arts, London, 1886, no. 103.
1936
Gainsborough, Sir Philip Sassoon's, 45 Park Lane, London, 1936, no. 8 (illustrated souvenir, repro. 75).
1980
Thomas Gainsborough, Tate Gallery, London, 1980-1981, no. 129, repro., color repro. 125.
1981
Gainsborough, Grand Palais, Paris, 1981, no. 57, repro., color repro. 77.
1988
A Nest of Nightingales: Thomas Gainsborough, The Linley Sisters, Dulwich Picture Gallery, London, 1988, no. 3, repro., color repro. 44.
2002
Thomas Gainsborough, 1727-1788, Tate Britain, London; National Gallery of Art, Washington, D.C.; Museum of Fine Arts, Boston, 2002-2003, no. 166, repro.
2006
Citizens and Kings: Portraits in the Age of Revolution, 1760-1830, Galeries nationales du Grand Palais, Paris; Royal Academy of Arts, London, 2007, no. 135, repro. (shown only in London).
2010
Thomas Gainsborough and the Modern Woman, Cincinnati Art Museum; San Diego Museum of Art, 2010-2011, pl. 10 (shown only in Cincinnati).
2011
Presiding Genius: A Masterpiece a Month for a Very Special Year, Dulwich Picture Gallery, London, 2011, no catalogue.
Bibliography
1785
Morning Herald, 30 March 1785.
Public Advertiser, 13 April 1785.
1786
Morning Herald, 30 December 1786.
1856
Fulcher, George Williams. Life of Thomas Gainsborough, R.A.. 2d rev. ed. London, 1856: 226.
1880
Graves, Henry, & Company. Engravings from the Works of Thomas Gainsborough, R.A. London [c. 1880]: no. 100 (mezzotint by James Scott, published 1878).
1898
Armstrong, Sir Walter. Gainsborough & His Place in English Art. London, 1898: 202, pl. 31; popular ed., London, 1904: 279, repro. opp. 164.
1915
Whitley, William T. Thomas Gainsborough. London, 1915: 201-202, 238-239, 257, 260, 265, repro. opp. 265.
1928
Whitley, William T. Artists and Their Friends in England 1700-1800. 2 vols. London, 1928: 2: 181.
1941
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 70-71, no. 92.
Duveen Brothers. Duveen Pictures in Public Collections of America. New York, 1941: nos. 285-286, repros.
1942
Book of Illustrations. National Gallery of Art, Washington, 1942: 241, repro. 15.
1944
Cairns, Huntington, and John Walker, eds. Masterpieces of Painting from the National Gallery of Art. New York, 1944: 130, color repro.
1946
Favorite Paintings from the National Gallery of Art Washington, D.C.. New York, 1946: 55-57, color repro.
1949
Paintings and Sculpture from the Mellon Collection. National Gallery of Art, Washington, 1949 (reprinted 1953 and 1958): 113, repro.
1958
Waterhouse, Sir Ellis. Gainsborough. London, 1958: no. 613, pl. 256.
1960
Cooke, Hereward Lester. British Painting in the National Gallery of Art. Washington, D.C., 1960 (Booklet Number Eight in Ten Schools of Painting in the National Gallery of Art, Washington, D.C.): 16, color repro.
1963
Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 218, repro.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 54.
1966
Cairns, Huntington, and John Walker, eds. A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 2:354, color repro.
The Women I Love: These Lovely Immigrants Are Part of Our National Treasure.” This Week Magazine (January 9, 1966): 10, color repro.
1968
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 47, repro.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 142, repro.
Walker, John. National Gallery of Art, Washington. New York, 1975: no. 494, color repro.
Paulson, Ronald. Emblem and Expression: Meaning in English Art of the Eighteenth Century. London, 1975: 218, 228, pl. 151.
1982
Hayes, John. The Landscape Paintings of Thomas Gainsborough. 2 vols. London and New York, 1982: 1:167, pl. 202.
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 354, no. 492, color repro.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 163, repro.
1992
Hayes, John. British Paintings of the Sixteenth through Nineteenth Centuries. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1992: 103-106, color repro. 105.
National Gallery of Art. National Gallery of Art, Washington. New York, 1992: 152, repro.
1993
Miles, Ellen G., ed. The Portrait in Eighteenth-Century America. Newark, 1993: fig. 7.
1995
Stokstad, Marilyn. Art History. New York, 1995: 942, fig. 26-19.
1997
Asfour, Amal and Paul Williamson. Gainsborough's Wit, Indiana, 1997, no. 6, repro.
1999
Stokstad, Marilyn. Art History. 2 vols. Revised ed. New York, 1999: 934, fig. 26-2.
2004
Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 274-275, no. 221, color repro.
2012
Secrest, Meryle. "Looking at Art: 18th Century Fox." Art News 111, no. 7 (Summer 2012): 76-77, color repro.
2013
Christiansen, Carol, and Eleonora Luciano. "The evolution of Gainsborough's portrait of Elizabeth Sheridan." The Burlington Magazine 155, no. 1321 (April 2013): 238-242, figs. 24, 25, 30-32.
Wikidata ID
Q6929863