Soap Bubbles
probably 1733/1734
Painter, French, 1699 - 1779
In European art, images of children blowing soap bubbles often suggest how frivolous and short our time on earth is. Life, like fragile bubbles, is fleeting. But Chardin paints this subject in a way that suggests more than simple morality. The young man and his companion are totally absorbed in their activity. The painting may be about how we gain knowledge of the world through experience — or even about the very nature of attention.
West Building Main Floor, Gallery 53
Artwork overview
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Medium
oil on canvas
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Credit Line
-
Dimensions
overall: 93 x 74.6 cm (36 5/8 x 29 3/8 in.)
framed: 116.2 x 97.8 x 11.4 cm (45 3/4 x 38 1/2 x 4 1/2 in.) -
Accession
1942.5.1
Artwork history & notes
Provenance
Probably Adolphe Eugéne Gabriel Roehn [1780-1867], Paris, by 1845.[1] Laurent Laperlier [1805-1878], Paris and Mustapha, Algeria, by 1860;[2] (his sale, Hôtel Drouot, Paris, 11-13 April 1867, 1st day, no. 10); purchased by Biesta. (Gimpel and Wildenstein, New York and Paris); sold 1905 to John Woodruff Simpson [1850-1920], New York;[3] by inheritance to his widow, Katherine Seney Simpson [d. 1943], New York; gift 1942 to NGA.
[1] See Pierre Rosenberg, Chardin, 1699-1779, Exh. cat., Grand Palais, Paris; Cleveland Museum of Art; Museum of Fine Arts, Boston, Cleveland, 1979: 205, for a discussion of the likely Roehn provenance. The painting is probably the one described as having been seen in the studio of "M. Roehn" in L'Artiste(5 August 1845): 72.
[2] Laperlier lent the painting to an exhibition in Paris in 1860. He was a member of the military administration in Algeria after the French colonization of that country, and was an art patron and collector.
[3] According to René Gimpel, Diary of an Art Dealer, trans. by John Rosenberg, New York, 1966: 300, discussing his father's sales for 1905. Dr. Diana Kostyrko, who completed her dissertation about René Gimpel for the Australian National University in 2007 and was given access by the Gimpel family to the original diaries, has kindly confirmed this diary passage and says that Gimpel was reading from an accounts book when he wrote the entry (e-mail to Anne Halpern, 14 April 2007, in NGA curatorial files). Armand Dayot and Léandre Vaillat, L'Oeuvre de J. B. S. Chardin et de J. H. Fragonard, Paris, 1907: 4, no. 12, list the painting as owned by Mrs. Simpson. Harry Brooks of Wildenstein & Co. gives differing information in a letter of 11 September 1978 to David Rust (in NGA curatorial files), which says their Paris office "found records to the effect that the picture was bought [by the Simpsons] in March, 1914."
Associated Names
Exhibition History
1739
Possibly Salon, Paris, 1739, no. 8.
1849
[loan exhibition], Association des Artistes, Galerie Bonne-Nouvelle, Paris, 1849, no. 8.
1860
Exposition de tableaux de l'école français, tirés de collections d'amateurs, Galerie Martinet, Paris, 1860, no. 352 in supplement to the catalogue.
1920
Loan Exhibition of Old Masters, M. Knoedler & Co., New York, 1920, no. 1.
1934
A Century of Progress Exhibition of Paintings and Sculpture, Art Institute of Chicago, 1934, no. 134.
1936
The Twentieth Anniversary Exhibition of the Cleveland Museum of Art, The Official Art Exhibit of the Great Lakes Exposition, Cleveland Museum of Art, 1936, no. 56, repro.
1939
Masterpieces in Art. European Paintings and Sculpture from 1300-1800, New York World's Fair, May-October 1939, no. 38, repro.
The Sources of Modern Painting, Museum of Fine Arts, Boston (organized by The Institute of Modern Art, Boston); Wildenstein & Co., New York, March-May 1939, no. 2, repro. (shown only in Boston).
1979
Chardin 1699-1779, Grand Palais, Paris; Cleveland Museum of Art; Museum of Fine Arts, Boston, 1979, no. 59, repro.
1990
Masterpiece in Focus: Soap Bubbles by Jean Siméon Chardin, Los Angeles County Museum of Art; The Metropolitan Museum of Art, New York; National Gallery of Art, Washington, 1990-1991, unnumbered brochures for LA and NGA. NGA exhibition title differed slightly.
2003
The Age of Watteau, Chardin, and Fragonard: Masterpieces of French Genre Painting, National Gallery of Canada, Ottawa; National Gallery of Art, Washington, D.C.; Altes Museum, Berlin, 2003-2004, no. 33, repro.
2010
Chardin: il pittore del silenzio, Palazzo dei Diamanti, Ferrara; Museo Nacional del Prado, Madrid, 2010-2011, no. 31, repro.
Bibliography
1845
Hédouin, Paul. L'Artiste (5 August 1845): 72.
1860
Burger, W. "Exposition de tableaux de l'école français, tirés de collections amateurs." Gazette des Beaux-Arts 1st ser., 8 (1860): 234.
1863
Goncourt, Edmond de, and Jules de Goncourt. "Chardin." Gazette des Beaux-Arts. 1st ser., vol 15 (1863): 524.
1864
Goncourt, Edmond de, and Jules de Goncourt. "Chardin." Gazette des Beaux-Arts. 1st ser., vol 16 (1864): 151.
1867
"Vente Laperlier." Chronique des Arts. no. 181 (21 April 1867):122.
1869
"Exposition de 1739," in Collection des livrets des anciennes expositions. 43 vols. Paris, 1869.
1880
Goncourt, Edmond de, and Jules de Goncourt. L'art du dix-huitième siècle. 2 vols. Paris, 1880-1884: 1:120.
1899
Dilke, Emilia F.S., Lady. "Chardin et ses oeuvres à Potsdam et à Stockholm." Gazette des Beaux-Arts. 3rd ser., vol. 22 (September 1899):181
Dilke, Emilia F.S., Lady. French Painters of the XVIIIth Century. London, 1899:114-115
1907
Dayot, Armand, and Léandre Vaillat. L'oeuvre de J.-B.-S. Chardin et de J.-H. Fragonard. Paris, 1907: iv, pl. 12.
Dayot, Armand, and Jean Guiffrey. J.-B. Siméon Chardin, avec un catalogue complete de l'oeuvre du maître par Jean Guiffrey. Paris, 1907: 44,46, 60, 70; in catalogue: 28, 37, 54, 75, 90, 100.
1931
Pascal, André, and Roger Gaucheron. Documents sur la vie et l'oeuvre de Chardin. Paris, 1931: 72.
1933
Wildenstein, Georges. Chardin. Paris, 1933: 68, 166-167, no. 134, repro.
1939
The Sources of Modern Painting. Exh. cat. Boston Museum of Fine Arts, 1939:19, no. 2, repro.
Frankfurter, Alfred M. "The Sources of Modern Painting: A Concrete Exposition by the Boston Institute of Modern Art." Art News 37 (11 March 1939): 10, repro.
1942
"Collectors Continue Enriching the Nation." Art Digest 16 (August 1942):6, repro.
Richardson, E.P. "Soap Bubbles by Chardin." The Art Quarterly 5 (Autumn 1942):349, repro. 348
1946
"The Dutch Then: Still Life and Genre." Art News 45 (March 1946):51, repro.
1948
Wildenstein and Company. French XVIII Century Paintings. New York, 1948: 4.
1950
Denvir, Bernard. Chardin, New York, 1950: repro. 17
1951
King, Marian. Portfolio Number 3. National Gallery of Art, Washington, 1951: no. 6, color repro.
1956
Einstein, Lewis. "Looking at French Eighteenth Century Pictures in Washington." Gazette des Beaux-Arts 6th ser., 47, no. 1048-1049 (May-June 1956): 234, repro. 231.
1963
Wildenstein, Georges. Chardin. Zurich, 1963: no. 74, repro.
Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 317, repro.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 26.
1966
Gimpel, René. Diary of an Art Dealer. Translated by John Rosenberg. New York, 1966:
1968
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 19, repro.
1969
Wildenstein, Georges. Chardin: catalogue raisonné. Revised by Daniel Wildenstein; translated by Stuart Gilbert. Oxford, 1969: no. 74, repro.
1971
Held, Julius Samuel, and Donald Posner. 17th and 18th Century Art: Baroque Painting, Sculpture, Architecture. New York, 1971: 317, repro.
Stuffmann, Margret, in Keller, Harald, Die Kunst des 18. Jahrhunderts. Berlin, 1971:391, repro. pl. 370.
1973
Snoep-Reitsma, Ella. "Chardin and the Bourgeois Ideals of his Time." Nederlands Kunsthistorisch Jaarboek 24 (1973): 217, repro.
1975
Paulson, Ronald. Emblem and Expression: Meaning in English Art of the Eighteenth Century. London, 1975: 106.
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 66, repro.
Walker, John. National Gallery of Art, Washington. New York, 1975: 325, repro.
1976
Brenninkmeyer-De Rooij, Beatrijs. "De schilderijengalerij van Prins Willem V op het Buitenhof te Den Haag (2)." Antiek (1976):156, repro. 146
1978
King, Marian. Adventures in Art: National Gallery of Art, Washington, D.C. New York, 1978: 63, pl. 35.
1980
Fried, Michael. Absorption and Theatricality: Painting and Beholder in the Age of Diderot. Berkeley, 1980:46-53, repro. 51 fig. 29.
1983
Rosenberg, Pierre. Chardin: New Thoughts. Kansas, 1983:53, 68.
Rosenberg, Pierre. L'opera completa di Chardin. Milan, 1983: no. 97A, repro.
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 323, no. 427, color repro.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 85, repro.
1986
Conisbee, Philip. Chardin. Oxford, 1986: 133-137, 140, pl. 125.
1990
Johnson, Dorothy. "Picturing Pedagogy: Education and the Child in the Paintings of Chardin." Eighteenth-Century Studies 24 no.1 (Fall, 1990): 47-68, repro. 58 fig. 4.
1992
Hall, Nicholas H. J., ed. Colnaghi in America. New York, 1992: 22, under fig. 22.
National Gallery of Art. National Gallery of Art, Washington. New York, 1992: 168, repro.
1994
Roland Michel, Marianne. Chardin. Paris, 1994: 33, 122, 126, 193, 197-198, 223 nn. 13-15, 240, 242, color repro. 194.
1995
Edizel, Gerar. "Jean-Siméon Chardin: Seeing, Playing, Forgetting, and the Practice of Modern Imitation." Ph.D. diss., Cornell University, 1995:16, 153-166, 190, fig. 2.
Jollet, Etienne. Chardin: La vie silencieuse. Paris. 1995: 26, color repro.
Stokstad, Marilyn. Art History. New York, 1995: 812, fig. 19-83.
1998
Douthwaite, Julia V. "Private Life In the Public Eye: Rousseau's Autobiography and Eighteenth-Century Painting." Studies on Voltaire and the Eighteenth Century, no. 358 (1998):145, repro. fig. 2.
1999
Rosenberg, Pierre, and Renaud Temperini. Chardin. Paris, 1999: 106, repro., 107, 234, no. 98a.
2000
Kirsh, Andrea, and Rustin S. Levenson. Seeing Through Paintings: Physical Examination in Art Historical Studies. Materials and Meaning in the Fine Arts 1. New Haven, 2000: 194-195, fig. 208.
2009
Conisbee, Philip, et al. French Paintings of the Fifteenth through the Eighteenth Century. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 2009: no. 12, 63-69, color repro.
Gariff, David, Eric Denker, and Dennis P. Weller. The World's Most Influential Painters and the Artists They Inspired. Hauppauge, NY, 2009: 83, color repro.
2011
Weber, Nicholas Fox. "Making the Quotidian Sacred." Art News 110, no. 6 (June 2011): 72, 73, color repro.
2016
Kennicott, Philip. "Important Piece of The City's Art Puzzle." Washington Post 139, no. 97 (March 11, 2016): 19, color repro.
Inscriptions
lower left on windowsill in dark brown paint: J. S. Chardin
Wikidata ID
Q20177882