Zigmunds Priede

American, born Latvia, 1935-2024

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This is a photograph of a triangular book titled "Tetrascroll" by Buckminster Fuller. The image shows a uniquely shaped book, which is triangular in form. The cover is a soft grey color with white text displaying the title "TETRASCROLL," the author's name, "BUCKMINSTER FULLER," and the publisher's mark. The overall composition features the geometric shape and design of the book cover against a plain white background.
R. Buckminster Fuller, John Lund, Keith Brintzenhofe, Bill Goldston, Zigmunds Priede, Universal Limited Art Editions, Tetrascroll, 1975-1977, book of twenty-one lithographs hinged and bound with Dacron polyester sailcloth in wood case, Corcoran Collection (Gift of Universal Limited Art Edition in Memory of Joseph Fearer), 2015.19.3044

Tetrascroll

R. Buckminster Fuller, John Lund, Keith Brintzenhofe, Bill Goldston, Zigmunds Priede, Universal Limited Art Editions · 1975-1977 · book of twenty-one lithographs hinged and bound with Dacron polyester sailcloth in wood case ·  Accession ID  2015.19.3044

The image consists of various shapes and lines. On the left side, four large white nails are stretched diagonally across a background of horizontal blue lines. In the center, red circles and dots disperse outward into the right side, where colors shift to horizontal green, yellow, and orange lines. On the far right, a rectangular shape filled with a light blue, crumpled paper texture suggests the form of a suitcase or a framed object.
James Rosenquist, Universal Limited Art Editions, Zigmunds Priede, Slip Stream, 1975, collograph, Gift of Neal T. Turtell and Thomas G. Klarner, 2022.35.53

Slip Stream

James Rosenquist, Universal Limited Art Editions, Zigmunds Priede · 1975 · collograph ·  Accession ID  2022.35.53

The image contains a mix of angular and curved shapes, along with letters and numbers. The composition includes printed letters, drawn lines, and painted shapes resembling objects. In the center, there is an outlined cylindrical object similar to a can. The color palette consists of earthy tones, blue, and red against a dark background. Overlapping letters add to the abstract nature of the piece, highlighting and concealing underlying layers.
Jasper Johns, Bill Goldston, James V. Smith, Zigmunds Priede, Steve Anderson, Universal Limited Art Editions, Decoy [working proof], 1971, lithograph, working proof with watercolor, paint and crayon additions on Rives BFK paper [working proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2006.136.7

Decoy [working proof]

Jasper Johns, Bill Goldston, James V. Smith, Zigmunds Priede, Steve Anderson, Universal Limited Art Editions · 1971 · lithograph, working proof with watercolor, paint and crayon additions on Rives BFK paper [working proof] ·  Accession ID  2006.136.7

The image features bold, sweeping black shapes and lines creating movement and depth. There are text and abstract forms layered throughout, with different fonts and incomplete letters giving an impression of printed material and overlapping letters. A central cylindrical object with a red and cream color scheme stands out against a textured backdrop with faded beige and blue tones. The composition combines text and a cylindrical form with dark colors and irregular outlines in an abstract manner.
Jasper Johns, Bill Goldston, James V. Smith, Zigmunds Priede, Steve Anderson, Universal Limited Art Editions, Decoy [trial proof], 1971, color lithograph on Rives BFK paper [trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2006.136.11

Decoy [trial proof]

Jasper Johns, Bill Goldston, James V. Smith, Zigmunds Priede, Steve Anderson, Universal Limited Art Editions · 1971 · color lithograph on Rives BFK paper [trial proof] ·  Accession ID  2006.136.11

This image displays bold black shapes with rough edges against a white background. The shapes frame a central white space, resembling an irregular cityscape or skyline with architectural-like forms. The abstract composition suggests various interpretations, such as mountain ranges or tree lines, through the contrast between the dark shapes and light background.
Jasper Johns, Bill Goldston, James V. Smith, Zigmunds Priede, Steve Anderson, Universal Limited Art Editions, Decoy [proof], 1971, lithograph in black on Rives BFK paper [proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2006.136.15

Decoy [proof]

Jasper Johns, Bill Goldston, James V. Smith, Zigmunds Priede, Steve Anderson, Universal Limited Art Editions · 1971 · lithograph in black on Rives BFK paper [proof] ·  Accession ID  2006.136.15

The image shows thick black brushstrokes and lighter, textured areas shaping an irregular frame around a white square in the center. Sections of text are visible, partially obscured or mirrored. The composition may evoke a cityscape against a bright sky, and the interplay of positive and negative space invites exploration of further abstractions.
Jasper Johns, Bill Goldston, James V. Smith, Zigmunds Priede, Steve Anderson, Universal Limited Art Editions, Decoy [misc. proof], 1971, lithograph in black on wove paper [misc. proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2006.136.14

Decoy [misc. proof]

Jasper Johns, Bill Goldston, James V. Smith, Zigmunds Priede, Steve Anderson, Universal Limited Art Editions · 1971 · lithograph in black on wove paper [misc. proof] ·  Accession ID  2006.136.14

The image displays an arrangement of overlapping shapes and lines in different directions, with prominent vertical and horizontal strokes. The background features dark areas with teal and beige hues, along with scattered letters that appear to form partial words. A rectangular element resembling a can sketch is at the center. The composition combines abstract and recognizable elements, creating a visually engaging scene.
Jasper Johns, Bill Goldston, James V. Smith, Zigmunds Priede, Steve Anderson, Universal Limited Art Editions, Decoy [working proof], 1971, color lithograph with additions in crayon, wash, color pencil, paint and chalk on Rives BFK paper [working proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2006.136.9

Decoy [working proof]

Jasper Johns, Bill Goldston, James V. Smith, Zigmunds Priede, Steve Anderson, Universal Limited Art Editions · 1971 · color lithograph with additions in crayon, wash, color pencil, paint and chalk on Rives BFK paper [working proof] ·  Accession ID  2006.136.9

The image shows a variety of shapes, including irregular blotches and geometric forms, with bold lines intersecting the canvas. The abstract composition incorporates elements resembling familiar objects, such as a tin can in the center with a label and scattered letters. Patchy colors and textured layers create depth, drawing attention to the can and lettering surrounding it on a dark background.
Jasper Johns, Zigmunds Priede, Steve Anderson, Bill Goldston, James V. Smith, Universal Limited Art Editions, Decoy, 1971, 19-color lithograph (stone and aluminum) on Rives BFK paper, Gift of the Woodward Foundation, Washington, D.C., 1976.56.98

Decoy

Jasper Johns, Zigmunds Priede, Steve Anderson, Bill Goldston, James V. Smith, Universal Limited Art Editions · 1971 · 19-color lithograph (stone and aluminum) on Rives BFK paper ·  Accession ID  1976.56.98

The image contains a vertical line intersecting with several three-dimensional geometric shapes arranged in a column. The shapes resemble floating blocks and can be seen as parts of an architectural structure or letters from a modernistic alphabet. The lines are clean and distinct, with slight curves adding movement and playfulness. The simplicity and starkness of the shapes emphasize their resemblance to familiar objects, like oversized pieces from a minimalist sculptural installation. A small, wavy line at the lower right corner balances the rigidity of the main forms, enhancing the abstract nature of the artwork.
Jasper Johns, Zigmunds Priede, Bent "Blue" [trial proof], 1971, lithograph in black on laid cream paper [trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2006.136.3

Bent "Blue" [trial proof]

Jasper Johns, Zigmunds Priede · 1971 · lithograph in black on laid cream paper [trial proof] ·  Accession ID  2006.136.3

The image shows a series of angular, linear shapes cascading down a vertical line on the canvas. The composition features geometric forms that resemble three-dimensional letters or elements hanging along a dividing line. The shapes display varying orientations and perspectives, giving the impression of tumbling blocks or architectural components becoming detached from a central axis. These forms create an interplay between balance and imbalance, with segments extending into space similar to beams or ledges.
Jasper Johns, Zigmunds Priede, Bent "Blue" [trial proof], 1971, lithograph in black on Murillo paper [trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2006.136.4

Bent "Blue" [trial proof]

Jasper Johns, Zigmunds Priede · 1971 · lithograph in black on Murillo paper [trial proof] ·  Accession ID  2006.136.4