Louie H. Ewing

Ewing, Louis H.

American, 1908 - 1983

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See all 22 works of art
The image shows a rustic wooden chair with a ladder back design and a worn seat, against a plain beige background. The chair is primarily brown, displaying light and dark wood shades with some weathered areas. It is positioned centrally with its legs and rungs evenly spaced, providing a full front view of the chair.
Louie H. Ewing, Side Chair, 1950, watercolor, gouache and graphite on paperboard, Index of American Design, 1943.8.2879

Side Chair

Louie H. Ewing · 1950 · watercolor, gouache and graphite on paperboard ·  Accession ID  1943.8.2879

The image displays a series of interlocking diamond shapes in dark blue, brown, green, and pink hues. The design creates an abstract pattern resembling stylized mountains or staircases. The stepped edges of the diamonds give the impression of a woven or knitted textile, like a tapestry or rug.
Louie H. Ewing, Plate 9, 1940-1943, one from a portfolio of 15 color screenprints on wove paper, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.1661.12

Plate 9

Louie H. Ewing · 1940-1943 · one from a portfolio of 15 color screenprints on wove paper ·  Accession ID  2008.115.1661.12

The image shows a textile design with geometric shapes and lines. Bold zigzag patterns create triangular motifs on the fabric, forming an abstract composition. The triangles are similar to mountain peaks or rooftops. Cross shapes are also present, resembling star-like figures across the background. The alternating colors of pink, blue, and beige enhance the dynamic nature of the design, resembling a traditional woven blanket or rug.
Louie H. Ewing, Plate 8, 1940-1943, one from a portfolio of 15 color screenprints on wove paper, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.1661.11

Plate 8

Louie H. Ewing · 1940-1943 · one from a portfolio of 15 color screenprints on wove paper ·  Accession ID  2008.115.1661.11

The image displays a pattern of bold zigzag shapes and smaller, parallel diagonal lines running horizontally across a flat surface. These sharp, triangular motifs are arranged in a repeating sequence. The zigzags in the pattern may resemble peaks of mountains or jagged edges of a lightning bolt, leading to a dynamic visual representation. The design appears intricate, modern, and timeless.
Louie H. Ewing, Plate 12, 1940-1943, one from a portfolio of 15 color screenprints on wove paper, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.1661.13

Plate 12

Louie H. Ewing · 1940-1943 · one from a portfolio of 15 color screenprints on wove paper ·  Accession ID  2008.115.1661.13

The image shows a traditional woven textile. The textile has a pattern of zigzag lines created using geometric shapes in navy blue, white, and red. Thin horizontal stripes in tan separate the zigzag bands. The edges of the textile have fringe details. The overall presentation gives a sense of precision and symmetry typical of traditional weaving techniques.
Louie H. Ewing, Plate 4, 1940-1943, one from a portfolio of 15 color screenprints on wove paper, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.1661.8

Plate 4

Louie H. Ewing · 1940-1943 · one from a portfolio of 15 color screenprints on wove paper ·  Accession ID  2008.115.1661.8

This image contains a variety of shapes and lines that converge to create a central figure that has elements of both mechanical and organic forms. On the left, there is a spotted creature with a pointed head and long limbs. In the center, there is a symmetrical, bird-like structure with wing-like shapes extending outward and a zigzagging border line at the bottom. The image is predominantly in muted earthy tones with pops of red, yellow, and blue.
Louie H. Ewing, Pueblo Pictograph, 1940-1943, etching, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.5215

Pueblo Pictograph

Louie H. Ewing · 1940-1943 · etching ·  Accession ID  2008.115.5215

The image displays three individuals from the knees up, actively engaged in a dance. The two individuals at the forefront, appearing to be male, are shirtless, wearing decorative headpieces with multicolored feathers, long black hair, turquoise necklaces, and wraps around their waists decorated with black, orange, white, and hints of green. They hold greenery in their hands and have greenery tied around their ankles. Their feet are clad in moccasin-like footwear with fur accents. Another individual, appearing to be female and positioned slightly to the side and behind the two dancers, wears a dark dress with colorful bands near the hem and a tall, intricate headdress. She holds a round rattle in one hand and greenery in the other. The background features an adobe structure with a tall ladder leaning against its wall, emphasizing a Southwestern architectural style.
Louie H. Ewing, Corn Dance, c. 1940-1950, screenprint, Reba and Dave Williams Collection, Gift of the Print Research Foundation, 2008.115.376

Corn Dance

Louie H. Ewing · c. 1940-1950 · screenprint ·  Accession ID  2008.115.376

This is a photograph of a textile with geometric patterns. The textile features a design with a dominant red background. The patterns consist of zigzag and triangular shapes in white and dark blue hues, creating a dynamic contrast. Two large cross-like motifs in muted blue-gray are symmetrically positioned near the top and bottom centers. These motifs are set against vertical zigzag lines. The textile is symmetrical on each side, with intricate triangle patterns aligning vertically. The edges of the textile are bordered with thin lines in darker shades.
Louie H. Ewing, Plate 11, 1940-1943, one from a portfolio of 15 color screenprints on wove paper, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.1661.3

Plate 11

Louie H. Ewing · 1940-1943 · one from a portfolio of 15 color screenprints on wove paper ·  Accession ID  2008.115.1661.3

This is a painting of a woven textile with horizontal stripes. It features an arrangement of alternating red and beige bands interspersed with narrow yellow and blue lines. The edges have a dark blue border, and there are decorative tassels at each corner. The overall aesthetic emphasizes texture and color contrast within the striped design. The style is similar to Agnes Martin.
Louie H. Ewing, Plate 5, 1940-1943, one from a portfolio of 15 color screenprints on wove paper, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.1661.9

Plate 5

Louie H. Ewing · 1940-1943 · one from a portfolio of 15 color screenprints on wove paper ·  Accession ID  2008.115.1661.9

The image shows a zigzag pattern composed of lines with a step-like, edge-design in alternating bands of colors including red, blue, yellow, and beige. The pattern forms a series of sharp, repeating angles across the fabric resembling interwoven lightning zigzags or mountainous landscapes. The overall effect is that of a vibrant woven tapestry or textile with a geometric, rhythmic structure.
Louie H. Ewing, Plate 13, 1940-1943, one from a portfolio of 15 color screenprints on wove paper, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.1661.4

Plate 13

Louie H. Ewing · 1940-1943 · one from a portfolio of 15 color screenprints on wove paper ·  Accession ID  2008.115.1661.4