Daniel Freeman

Freeman, Dan
Freeman, Daniel Barton

American, born 1868

Explore selected works

See all 139 works of art
The image features overlapping shapes and lines creating an intricate pattern. In the center is an astronaut filled with details like hoses and straps. There are rectangular shapes in the upper part, and grid-like patterns below. The overall composition suggests themes of space exploration and technology.
Robert Rauschenberg, Daniel Freeman, Andrew Vlady, Gemini G.E.L., White Walk, started 1969, published 1970, color lithograph with embossing on Special Arjomari wove paper, Gift of Gemini G.E.L. and the Artist, 1991.74.265

White Walk

Robert Rauschenberg, Daniel Freeman, Andrew Vlady, Gemini G.E.L. · started 1969, published 1970 · color lithograph with embossing on Special Arjomari wove paper ·  Accession ID  1991.74.265

This is a painting of a surreal landscape with a floating car and a thought bubble depicting a nude figure. The image features a cartoon-like depiction of a car hurtling off a cliff amidst rolling, abstract hills and buildings. Above the car is a series of thought bubbles leading to a cloud-like formation containing a stylized, nude figure with exaggerated proportions. The background has a gradient from dark pink at the top to lighter pinks towards the bottom, framed in bold yellow and black borders.
Ken Price, Kenneth Farley, Diana Kingsley, Claudio Stickar, Daniel Freeman, Mark Mahaffey, Gemini G.E.L., Don't Think About Her When You're Trying to Drive, started 1986, published 1990, color lithograph and screenprint on Arches 88 wove paper, Gift of Gemini G.E.L. and the Artist, 2017.54.86

Don't Think About Her When You're Trying to Drive

Ken Price, Kenneth Farley, Diana Kingsley, Claudio Stickar, Daniel Freeman, Mark Mahaffey, Gemini G.E.L. · started 1986, published 1990 · color lithograph and screenprint on Arches 88 wove paper ·  Accession ID  2017.54.86

The image features bold, angular lines and rectangular shapes contrasting against a lighter background. The central form resembles a three-dimensional box or a bench, with shadowy portions suggesting depth and volume. The surrounding area is filled with splattered textures and grid-like intersections.
Ronald Davis, Anthony Zepeda, Daniel Freeman, Gemini G.E.L., Black Vent Beam, 1975, lithograph on Arches Buff wove paper, Gift of Benjamin B. Smith, 1985.47.38

Black Vent Beam

Ronald Davis, Anthony Zepeda, Daniel Freeman, Gemini G.E.L. · 1975 · lithograph on Arches Buff wove paper ·  Accession ID  1985.47.38

Two large cans labeled "BALAM" are displayed on a flat surface. Their designs are visible on the shelves to the left and right. The color palette includes black, white, and shades of teal.
Jasper Johns, Daniel Freeman, Barbara Thomason, Serge Lozingot, Gemini G.E.L., Ale Cans [trial proof D], 1975, lithograph in black and green on Richard de Bas handmade paper [trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2008.136.149

Ale Cans [trial proof D]

Jasper Johns, Daniel Freeman, Barbara Thomason, Serge Lozingot, Gemini G.E.L. · 1975 · lithograph in black and green on Richard de Bas handmade paper [trial proof] ·  Accession ID  2008.136.149

This abstract image features a hand-drawn oval shape with intersecting diagonal lines over it in green, pink, and yellow tones. Below, there is a solid rectangular block containing two elongated forms.
Jasper Johns, Daniel Freeman, Anthony Zepeda, Gemini G.E.L., Ale Cans [working proof], 1975, lithograph in black with graphite and watercolor on newsprint paper [working proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2008.136.507

Ale Cans [working proof]

Jasper Johns, Daniel Freeman, Anthony Zepeda, Gemini G.E.L. · 1975 · lithograph in black with graphite and watercolor on newsprint paper [working proof] ·  Accession ID  2008.136.507

There is an X shape made up of two intersecting lines at the top of the composition. Below this X, there is a rectangular area containing two cylindrical forms standing upright with rounded tops. The arrangement and use of shading add a textured effect to the image.
Jasper Johns, Daniel Freeman, Anthony Zepeda, Gemini G.E.L., Ale Cans [trial proof], 1975, lithograph in black on Rives Roll wove paper [trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2008.136.508

Ale Cans [trial proof]

Jasper Johns, Daniel Freeman, Anthony Zepeda, Gemini G.E.L. · 1975 · lithograph in black on Rives Roll wove paper [trial proof] ·  Accession ID  2008.136.508

The image shows abstract shapes and lines arranged in two distinct sections on a textured background. The top section includes two vertically aligned oval forms with patterned interiors, framed by thick, dark rectangular shapes. Below this, the second section features mirrored black ink blots resembling a Rorschach test or an intricate gate or architectural motif. The composition evokes familiar objects, despite its abstract nature.
Jasper Johns, Daniel Freeman, Anthony Zepeda, Gemini G.E.L., Ale Cans [trial proof C], 1975, color lithograph on gray Jeff Goodman handmade paper [trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2008.136.136

Ale Cans [trial proof C]

Jasper Johns, Daniel Freeman, Anthony Zepeda, Gemini G.E.L. · 1975 · color lithograph on gray Jeff Goodman handmade paper [trial proof] ·  Accession ID  2008.136.136

The image shows two sets of abstract black shapes on a white background. The shapes contain repetitive curves and lines, forming symmetrical patterns. One set looks like oval frames or window panes, while the other set has a more intricate, mirrored design resembling ornate architectural details or stylized chess pieces. The patterns are abstract and invite curiosity with a balance of familiarity and imagination.
Jasper Johns, Daniel Freeman, Anthony Zepeda, Gemini G.E.L., Ale Cans [trial proof D], 1975, lithograph in black on Rives Roll wove paper [trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2008.136.137

Ale Cans [trial proof D]

Jasper Johns, Daniel Freeman, Anthony Zepeda, Gemini G.E.L. · 1975 · lithograph in black on Rives Roll wove paper [trial proof] ·  Accession ID  2008.136.137

The image displays an abstract composition with a black "X" shape at the top section of a light-colored canvas. Below the "X," there is a rectangular area filled with a dark, smudged texture, within which two vertical, cylindrical forms are seen, connected at the base with a horizontal line. The overall composition is minimalistic and uses simple shapes to create an abstract impression.
Jasper Johns, Daniel Freeman, Anthony Zepeda, Gemini G.E.L., Ale Cans [trial proof], 1975, lithograph in black on Jeff Goodman wove paper [trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2008.136.506

Ale Cans [trial proof]

Jasper Johns, Daniel Freeman, Anthony Zepeda, Gemini G.E.L. · 1975 · lithograph in black on Jeff Goodman wove paper [trial proof] ·  Accession ID  2008.136.506

The image displays two large cans with an abstract pattern and the words "BALZAC ALE." The color scheme is black and white. On the left, there is a shelf with cylindrical containers with similar markings, and on the right, there are shelves holding smaller objects.
Jasper Johns, Daniel Freeman, Barbara Thomason, Serge Lozingot, Gemini G.E.L., Ale Cans [trial proof A], 1975, lithograph in black on Richard de Bas handmade paper [trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2008.136.151

Ale Cans [trial proof A]

Jasper Johns, Daniel Freeman, Barbara Thomason, Serge Lozingot, Gemini G.E.L. · 1975 · lithograph in black on Richard de Bas handmade paper [trial proof] ·  Accession ID  2008.136.151