Terry Winters

American, born 1949

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American painter

Explore Selected Works

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Perfection, Way, Origin (La perfection, le chemin, l'origine)

Terry Winters, Jean Starobinski, Universal Limited Art Editions, Universal Limited Art Editions · 2001 · illustrated book with twenty-eight etchings on wove Lana Gravure paper, supplementary suite of ten etchings on wove Ruscombe Mill paper, and folio with original French text ·  Accession ID  2022.35.77.A-C

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Multiple Visualization Technique

Terry Winters, Jihong Shi, Craig Zammiello, Universal Limited Art Editions · 1998 · color sugarlift aquatint and open bite etching on wove paper ·  Accession ID  2015.19.3106

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Face Boundary

Terry Winters, Lorena Salcedo-Watson, Craig Zammiello, Universal Limited Art Editions · 1997 · etching and sugarlift aquatint in black on Arches En Tout Cas wove paper ·  Accession ID  2015.19.3066

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Picture Cell

Terry Winters, Universal Limited Art Editions, Lorena Salcedo-Watson, Jihong Shi, Bruce Wankel, Craig Zammiello · 1997 · etching and aquatint on Arches En Tout Cas wove paper ·  Accession ID  2015.19.3067

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Developmental Surface Model

Terry Winters, Universal Limited Art Editions, Douglas Volle, Jihong Shi, Lorena Salcedo-Watson, Craig Zammiello · 1997 · etching with sugarlift and spitbite aquatint on Arches En Tout Cas wove paper ·  Accession ID  2015.19.3051

Terry Winters, Composition, 1991, oil on linen, Gift of Harry W. and Mary Margaret Anderson, 2009.106.1

Composition

Terry Winters · 1991 · oil on linen ·  Accession ID  2009.106.1

Terry Winters, Universal Limited Art Editions, Universal Limited Art Editions, Keith Brintzenhofe, Douglas Volle, Untitled, 1987, lithograph, Gift of Neal T. Turtell and Thomas G. Klarner, 2022.35.76

Untitled

Terry Winters, Universal Limited Art Editions, Universal Limited Art Editions, Keith Brintzenhofe, Douglas Volle · 1987 · lithograph ·  Accession ID  2022.35.76

Six rounded and clustered organic shapes in shades of gray and beige stand out against a textured, mostly russet-brown background in this horizontal abstract painting. A strip up the left fifth of the painting has a lighter, eggshell-white background with seven cell-like, dark gray shapes spaced along its height. In the larger area to the right, the formation closest to the top of the painting is a spiral made up of bone-white pouches or ovals. A smaller gray form like those in the strip to the left floats next to this spiral. Moving down and to the right is a long, loaf-shaped form made up of more white pouches or cells. Below that is a wreath-like cluster of ash-brown, cup-like forms. Now moving left along the bottom of the composition are a caterpillar-like shape made of four dark gray ovals and, finally, an oval made of what appears to be parchment-brown kernels or scales.
Terry Winters, Bitumen, 1986, oil on linen, Richard S. Zeisler Fund, 2008.35.1

Bitumen

Terry Winters · 1986 · oil on linen ·  Accession ID  2008.35.1

Terry Winters, Theophrastus Garden 2, 1982, oil on linen, Corcoran Collection (Gift of the Women's Committee of the Corcoran Gallery of Art and Museum Purchase, by exchange: George Biddle), 2014.136.168

Theophrastus Garden 2

Terry Winters · 1982 · oil on linen ·  Accession ID  2014.136.168

Terry Winters, Novalis, 1960, lithograph, Gift of Neal T. Turtell and Thomas G. Klarner, 2022.35.75

Novalis

Terry Winters · 1960 · lithograph ·  Accession ID  2022.35.75