Admission is always free Directions
Open today: 10:00 to 5:00
Home » Collection » Miereveld, Michiel van
Constituent Image
Willem Jacobsz Delff after Sir Anthony van Dyck, Michel Miereveld, probably 1626/1641, engraving on laid paper, New Hollstein, no. 74, State viii/viii, National Gallery of Art, Washington, Gift of Arthur and Charlotte Vershbow, in Honor of the 50th Anniversary of the National Gallery of Art, 1990.125.1.64
Michiel van Miereveld
Dutch, 1567 - 1641
Miereveld, Michiel Jansz van , Mierevelt, Michiel van , Miereveldt, Michiel van
 

Copy-and-paste citation text:

Arthur K. Wheelock Jr., “Michiel van Miereveld,” NGA Online Editions, https://purl.org/nga/collection/constituent/1718 (accessed December 07, 2019).

 

Export as PDF


Export from an object page includes entry, notes, images, and all menu items except overview and related contents.
Export from an artist page includes image if available, biography, notes, and bibliography.
Note: Exhibition history, provenance, and bibliography are subject to change as new information becomes available.

PDF  
Related Content
Biography

Michiel van Miereveld was born in Delft on May 1, 1567. His father, Jan Michelz Miereveld (1528–1612), was a goldsmith. Although Michiel was to become one of Holland's leading exponents of formal portraiture during the first decades of the seventeenth century, his earliest training was as a history painter, working in the international late mannerist style. Karel van Mander wrote that Van Miereveld's first teacher was Willem Willemsz and that he then studied with "Augustijn at Delft" for some ten weeks before moving on at the age of about fourteen to the studio of Anthonie van Blocklandt (Netherlandish, c. 1533 - 1583) at Utrecht. There he remained for more than two years; following Blocklandt's death, Van Miereveld returned to Delft and began working as a portraitist.

Van Miereveld registered as a member of the Delft painters' guild in 1587 and served as its hoofdman on two occasions, from 1589 to 1590 and again from 1611 to 1612. He frequently traveled the short distance to The Hague to work at the court of the Stadholder, Prince Maurits of Orange. Van Miereveld entered that city's Guild of Saint Luke in 1625, but it is not clear whether he ever lived and worked in The Hague on a full-time basis. Both of his marriages took place in Delft, in 1589 and 1633 respectively, and he bought a house there in 1639. He died in Delft on June 27, 1641. Van Miereveld's work was extremely popular and brought him fame and fortune. At the time of his death, he owned two houses and various pieces of land and belonged “to the wealthiest stratum of the bourgeoisie in Delft.”[1] Sandrart claimed that Van Miereveld painted more than 10,000 portraits. While this figure must be an exaggeration, the artist's oeuvre is indeed very large and is further swelled by numerous repetitions and variations of his compositions executed by pupils and followers. Paulus Moreelse (Dutch, 1571 - 1638) and Anthonie Palamedesz (1601–1673) were his most notable pupils. Van Miereveld’s sons Pieter (1596–1623) and Jan (1604–1633) also became portraitists.

[1] John Michael Montias, Artists and Artisans in Delft: A Socio-Economic Study of the Seventeenth Century (Princeton, 1982), 129.

Arthur K. Wheelock Jr.

April 24, 2014

Bibliography
1604
Mander, Karel van. Het Schilder-boeck. Haerlem, 1604: 301.
1618
Mander, Karel van. Het Schlder-boek. 2nd ed. Amsterdam, 1618: 301.
1753
Houbraken, Arnold. De Groote Schouburgh der Nederlantsche Konstschilders en Schilderessen. 3 vols. in 1. The Hague, 1753 (Reprint: Amsterdam, 1976): 1:46-49.
1894
Havard, Henry. Michiel van Mierevelt et son genre. Paris, 1894.
1908
Bredius, Abraham. "Michiel Jansz. van Mierevelt." Oud Holland 26 (1908): 1-17.
1925
Sandrart, Joachim von. Joachim von Sandrarts Academie der Bau-, Bild, -und Mahlerey-Künste von 1675. Leben der berühmten Maler, Bildhauer und Baumeister. Edited by Alfred R. Peltzer. Abridged ed. Munich, 1925: 171-172, 179 (portrait).
1982
Montias, John Michael. Artists and Artisans in Delft: A Socio-Economic Study of the Seventeenth Century. Princeton, 1982.
1986
De Jongh, E. Portretten van echt en trouw - Huwelijk en gezin in de Nederlandse kunst van de zeventiende eeuw. Exh. cat. Frans Halsmuseum, Haarlem. Zwolle, 1986: 131-133.
1991
MacLaren, Neil. The Dutch School, 1600-1900. Revised and expanded by Christopher Brown. 2 vols. National Gallery Catalogues. London, 1991: 1:261.
1995
Wheelock, Arthur K., Jr. Dutch Paintings of the Seventeenth Century. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1995: 168-169.
2011
Jansen, Anita, Rudolf E.O. Ekkart, and Johanneke Verhave. De Portretfabriek van Michiel van Mierevelt (1566-1641). Exh. cat. Museum Het Prinsenhof, Delft. Zwolle, 2011.
2011
Overduin, Annekarijn. Meer Van Mierevelt: tentoonstellingsgids bij 'Portretfabriek Van Mierevelt. Ontdek de hand van de meester.' Exh. guide. Museum Het Prinsenhof, Delft, 2011.

Filter results by:

Works on View

Limit to works on view

Online Images

Limit to works with online images

Classification

Limit to works of classification:

Nationality

Limit to works of artist nationalities:

Online Editions

Limit to works belonging to editions:

Time Span

Limit to works created between:

–

Styles

Limit to works containing styles:

Photographic Process

Limit to works containing photographic processes:

Locations

Find works executed in:


Subjects

Find works containing subject terms:


Alternate Numbers

Find works with an alternate reference number (for example, Key Set number) containing:


  • Filters: