I. Rice Pereira

Pereira, Irene Rice
American, 1902 - 1971

Explore selected works

The image shows a series of vertical and horizontal rectangular shapes and lines intersecting and overlapping. It features various shades of blue and a few red squares. The arrangement suggests a city skyline or musical notation. Different textures and gradients add depth to the artwork.
I. Rice Pereira, The Circumnavigation of the Sphering of the Poles, 1964, oil on canvas, Corcoran Collection (Gift of the Associates of the Corcoran, 1969), 2015.143.23

The Circumnavigation of the Sphering of the Poles

I. Rice Pereira · 1964 · oil on canvas ·  Accession ID  2015.143.23
The image shows concentric circular shapes with a central elongated oval. Varied shades of blue and green are used, giving the piece an abstract quality. Handwritten annotations and labels are present, connecting the shapes to concepts like "island," "lake," and "sky."
I. Rice Pereira, Study for "The Lapis", I. Image from Dream, 1954, watercolor with pen and ink on wove paper, Corcoran Collection (Gift of the artist, 1968), 2015.19.1579

Study for "The Lapis", I. Image from Dream

I. Rice Pereira · 1954 · watercolor with pen and ink on wove paper ·  Accession ID  2015.19.1579
Abstract composition with swirling lines, curves, bold brushstrokes forming organic shapes resembling trees on each side. Central blue oval resembling a human figure adorned with white linear outlines. Below is an ovular yellow shape that can be interpreted as a sun or pool of light. The composition includes vibrant greens and blues, suggesting a peaceful grove with a central figure as the focal point.
I. Rice Pereira, Study for "The Lapis", V. The Image in Perspective, 1954, watercolor with pen and ink on wove paper, Corcoran Collection (Gift of the artist, 1968), 2015.19.1583

Study for "The Lapis", V. The Image in Perspective

I. Rice Pereira · 1954 · watercolor with pen and ink on wove paper ·  Accession ID  2015.19.1583
The image displays concentric circular shapes with a central triangular form layered within colored bands: yellow, green, and various shades of blue. Handwritten text is dispersed on the image.
I. Rice Pereira, Study for "The Lapis", III. Vertical View of the Lapis from Above, 1954, watercolor with pen and ink on wove paper, Corcoran Collection (Gift of the artist, 1968), 2015.19.1581

Study for "The Lapis", III. Vertical View of the Lapis from Above

I. Rice Pereira · 1954 · watercolor with pen and ink on wove paper ·  Accession ID  2015.19.1581
The image displays concentric circles in blue, green, and yellow shades radiating from a central point, resembling ripples. In the center, a blue oval contains a human figure outline. Handwritten text accompanies the abstract composition, blurring lines between art and written communication.
I. Rice Pereira, Study for "The Lapis", II. The Lapis in a Vertical Position, 1954, watercolor with pen and ink on wove paper, Corcoran Collection (Gift of the artist, 1968), 2015.19.1580

Study for "The Lapis", II. The Lapis in a Vertical Position

I. Rice Pereira · 1954 · watercolor with pen and ink on wove paper ·  Accession ID  2015.19.1580
The image depicts a landscape viewed from an elevated perspective. The horizon is shown with a yellow landform and deep blue water bodies. Groups of trees frame the scene with expressive brushwork. The colors are vibrant, dominated by rich greens and blues. There is handwritten text integrated into the visual.
I. Rice Pereira, Study for "The Lapis", IV. Renaissance Image of the World-View, 1954, watercolor with pen and ink on wove paper, Corcoran Collection (Gift of the artist, 1968), 2015.19.1582

Study for "The Lapis", IV. Renaissance Image of the World-View

I. Rice Pereira · 1954 · watercolor with pen and ink on wove paper ·  Accession ID  2015.19.1582
The image shows overlapping rectangular shapes and bold, interconnected lines in various orientations. The composition suggests depth and complexity, resembling a maze or a city map viewed from above. The palette includes vibrant yellows, blues, reds, and oranges, with textures resembling watercolor patterns and spray techniques, creating a dynamic contrast.
I. Rice Pereira, Zenith, 1953, oil on canvas, Gift of Leslie Bokor and Leslie Dame, 1973.72.2

Zenith

I. Rice Pereira · 1953 · oil on canvas ·  Accession ID  1973.72.2
The image displays a swirling composition of lines and shapes forming an abstract border around a central text. The surrounding dark curves and jagged edges resemble twisted branches or swirling smoke, while the patterns within have an organic feel. At the top center, the word "Omega" is prominently displayed, leading into a handwritten poem beneath. This central focus is visually nested within the abstract border that frames the entire piece.
I. Rice Pereira, George Reavey, Anderson-Lamb, Morris Gallery, Omega from 21 Etchings and Poems, published 1960, etching with lift-ground from a portfolio of 10 etchings; six etching and aquatints; two engraving and etchings; two etching and drypoints; and one etching, aquatint, and drypoint on Rives paper, Prospero Foundation Fund, 1997.6.1.13

Omega from 21 Etchings and Poems

I. Rice Pereira, George Reavey, Anderson-Lamb, Morris Gallery · published 1960 · etching with lift-ground from a portfolio of 10 etchings; six etching and aquatints; two engraving and etchings; two etching and drypoints; and one etching, aquatint, and drypoint on Rives paper ·  Accession ID  1997.6.1.13
The artwork features a composition of geometric shapes and lines creating an abstract design. On the left side, there is a prominent green section filled with overlapping linear patterns in lighter green and white. Towards the center, bold red lines form angular shapes, intersecting with horizontal blue and yellow bands. The right side of the image displays a complex arrangement of blue, black, and orange shapes, with squares and rectangles layered atop textured backgrounds. The overall piece combines these elements into a dynamic and structured abstract landscape.
I. Rice Pereira, Green Mass, 1950, oil on canvas, Gift of Leslie Bokor and Leslie Dame, 1973.72.1

Green Mass

I. Rice Pereira · 1950 · oil on canvas ·  Accession ID  1973.72.1
The artwork "Transfluent Lines" features an arrangement of intersecting geometric shapes and lines, creating an abstract composition. Layers of transparent and opaque elements overlap, forming angular patterns. The interplay of vibrant colors, including reds, blues, yellows, and blacks, adds depth and movement to the piece. The use of a textured white border frames the central image, enhancing the layered effect.
I. Rice Pereira, Transfluent Lines, 1946, mixed media on corrugated glass and fiberboard, Gift of Mr. and Mrs. Burton Tremaine, 1973.71.2

Transfluent Lines

I. Rice Pereira · 1946 · mixed media on corrugated glass and fiberboard ·  Accession ID  1973.71.2