Shoichi Ida

Japanese, 1941 - 2006

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The image shows a large black circle inside a square composed of abstract lines and shapes. The square is filled with intricate patterns, resembling a map or network of interconnected branches. The composition is in warm colors - predominately reds and oranges, suggesting an earthy vibe. Rectangular papers are placed around the main square in a random arrangement, enhancing the abstract and experimental nature of the artwork.
Shoichi Ida, Crown Point Press, Between Air and Water No. 6, 1992, one from a series of twelve prints: color soft and hardground etching, spitbite aquatint, and drypoint on gampi chine collé on Somerset White Textured paper, Gift of Kathan Brown, 1998.40.224

Between Air and Water No. 6

Shoichi Ida, Crown Point Press · 1992 · one from a series of twelve prints: color soft and hardground etching, spitbite aquatint, and drypoint on gampi chine collé on Somerset White Textured paper ·  Accession ID  1998.40.224

The image displays vertical rectangular shapes with a mix of solid and wavy black lines against a soft background. In the center, there is a rectangle with a simple, elongated organic form flanked by two dark textured panels. The central figure resembles a tree or plant with extending branches or leaves, and at the bottom, there is a smaller, lighter rectangle for contrast.
Shoichi Ida, Crown Point Press, Between Air and Water No. 11, 1992, one from a series of twelve prints: color softground etching, spitbite aquatint, and drypoint on gampi chine collé on Somerset White Textured paper, Gift of Kathan Brown, 1998.40.222

Between Air and Water No. 11

Shoichi Ida, Crown Point Press · 1992 · one from a series of twelve prints: color softground etching, spitbite aquatint, and drypoint on gampi chine collé on Somerset White Textured paper ·  Accession ID  1998.40.222

The image displays a variety of vertical and circular shapes. In the center is an abstract vertical panel with fluid lines and organic forms. On either side are blue vertical strips with cloud-like patterns. Below the center panel, there is a smaller segment with concentric circles. The composition combines abstract elements with recognizable objects such as plant stems and water ripples.
Shoichi Ida, Crown Point Press, Between Air and Water No. 12, 1992, one from a series of twelve prints: color softground etching, spitbite aquatint, and drypoint on gampi chine collé on Somerset White Textured paper, Gift of Kathan Brown, 1998.40.223

Between Air and Water No. 12

Shoichi Ida, Crown Point Press · 1992 · one from a series of twelve prints: color softground etching, spitbite aquatint, and drypoint on gampi chine collé on Somerset White Textured paper ·  Accession ID  1998.40.223

The image shows a vertical composition with various abstract shapes and lines. In the center is an elongated rectangle with a dark form resembling a tree or piece of driftwood, intersected by faint diagonal lines. It is flanked by two vertical strips of textured green patterns. Below the central rectangle is a smaller square with an abstract shape that could be a feather or a leaf. The artwork suggests natural forms using abstract elements.
Shoichi Ida, Crown Point Press, Between Air and Water No. 10, 1992, one from a series of twelve prints: color softground etching, spitbite aquatint, and drypoint on gampi chine collé on Somerset White Textured paper, Gift of Kathan Brown, 1998.40.221

Between Air and Water No. 10

Shoichi Ida, Crown Point Press · 1992 · one from a series of twelve prints: color softground etching, spitbite aquatint, and drypoint on gampi chine collé on Somerset White Textured paper ·  Accession ID  1998.40.221

The image showcases vertical and rectangular shapes with organic lines and splotches within. The central vertical panel displays thin, elongated lines against a soft bluish-gray background. Flanking this are two vertical orange-brown panels with an abstract pattern. Below these elements is a square section featuring an inkblot-like shape.
Shoichi Ida, Crown Point Press, Between Air and Water No. 9, 1992, one from a series of twelve prints: color softground etching, spitbite aquatint, and drypoint on gampi chine collé on Somerset White Textured paper, Gift of Kathan Brown, 1998.40.225

Between Air and Water No. 9

Shoichi Ida, Crown Point Press · 1992 · one from a series of twelve prints: color softground etching, spitbite aquatint, and drypoint on gampi chine collé on Somerset White Textured paper ·  Accession ID  1998.40.225

The image shows a V-shaped formation composed of thick, dark lines intersecting with a horizontal line in the middle. Dotted arcs resembling a trail of bubbles or pearls are present, along with a circular shape and tuft that resembles a bush or fountain. The structure could be perceived as a funnel or a simplified depiction of a volcano.
Shoichi Ida, Crown Point Press, Between Vertical and Horizon -- Descended Triangle (E), 1987, softground etching, drypoint, spitbite aquatint, and chine collé of handmade Japanese Gampe on Somerset Satin paper, Gift of Kathan Brown, 1998.40.231

Between Vertical and Horizon -- Descended Triangle (E)

Shoichi Ida, Crown Point Press · 1987 · softground etching, drypoint, spitbite aquatint, and chine collé of handmade Japanese Gampe on Somerset Satin paper ·  Accession ID  1998.40.231

The image includes various shapes and lines against a plain background. There is an abstract circular pattern in the upper portion, a yellow circular shape with a vertical streak below it, a cross-hatched square, and an inverted yellow triangle with a dot underneath near the bottom. The composition is simplistic and minimalistic, drawing connections to familiar objects.
Shoichi Ida, Crown Point Press, Between Vertical and Horizon -- Descended Triangle (Well 3), 1987, one from a set of three prints: color softground etching, drypoint, spitbite aquatint, and chine collé of handmade Japanese Gampe on Somerset Satin paper, Gift of Kathan Brown, 1998.40.235

Between Vertical and Horizon -- Descended Triangle (Well 3)

Shoichi Ida, Crown Point Press · 1987 · one from a set of three prints: color softground etching, drypoint, spitbite aquatint, and chine collé of handmade Japanese Gampe on Somerset Satin paper ·  Accession ID  1998.40.235

The image displays a series of concentric circles made of textured, stippled marks across the upper portion of the canvas. A vertical streak of red paint descends from a central blot, resembling a drawn-out drip of liquid. Below the circles, intersecting straight lines and a square suggest a grid. Scattered throughout are blurred dot patterns. The lower section contains faint triangular and circular shapes, with sweeping horizontal lines across the bottom. The piece juxtaposes organic elements like droplets and fingerprints with geometric forms like grids and arrows.
Shoichi Ida, Crown Point Press, Between Vertical and Horizon -- Descended Triangle (Well 1), 1987, one from a set of three prints: color softground etching, drypoint, spitbite aquatint, and chine collé of handmade Japanese Gampe on Somerset Satin paper, Gift of Kathan Brown, 1998.40.233

Between Vertical and Horizon -- Descended Triangle (Well 1)

Shoichi Ida, Crown Point Press · 1987 · one from a set of three prints: color softground etching, drypoint, spitbite aquatint, and chine collé of handmade Japanese Gampe on Somerset Satin paper ·  Accession ID  1998.40.233

The image shows an abstract composition with a central blue droplet-like shape extending downward from a circular formation of smaller, textured circles at the top. Below this, intersecting lines form an abstract representation of a square, with a small blue triangle at the bottom hinting at an upward arrow.
Shoichi Ida, Crown Point Press, Between Vertical and Horizon -- Descended Triangle (Well 2), 1987, one from a set of three prints: color softground etching, drypoint, spitbite aquatint, and chine collé of handmade Japanese Gampe on Somerset Satin paper, Gift of Kathan Brown, 1998.40.234

Between Vertical and Horizon -- Descended Triangle (Well 2)

Shoichi Ida, Crown Point Press · 1987 · one from a set of three prints: color softground etching, drypoint, spitbite aquatint, and chine collé of handmade Japanese Gampe on Somerset Satin paper ·  Accession ID  1998.40.234

The image shows an abstract composition with a grid of two intersecting lines dividing the space into four quadrants on a beige background. In the upper left section, there is a circular shape with a drip extending downwards. Scattered across the right side of the image are smudges and oval shapes resembling fingerprint marks, along with smaller speckles.
Shoichi Ida, Crown Point Press, Between Vertical and Horizon San Pablo Avenue, No. 5, 1984, one from a series of seven prints: color spitbite etching and aquatint, with drypoint, and softgound etching on gampi chine collé on Fabriano Tiepolo paper, Gift of Kathan Brown, 1998.40.242

Between Vertical and Horizon San Pablo Avenue, No. 5

Shoichi Ida, Crown Point Press · 1984 · one from a series of seven prints: color spitbite etching and aquatint, with drypoint, and softgound etching on gampi chine collé on Fabriano Tiepolo paper ·  Accession ID  1998.40.242