Giovanni Bernardi

Bernardi da Castel Bolognese, Giovanni
Bernardi, Giovanni Desiderio
Castel Bolognese, Giovanni Bernardi da
Castelbolognese, Giovanni da
Giovanni da Castelbolognese

Bolognese, 1494 - 1553

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The sculpture depicts a scene carved into a round medallion. The subject includes human figures engaged in a battle or hunt. The figures are shown in dynamic poses, some on foot and others on horseback. The texture of the sculpture indicates that the figures are in relief. The piece is made of bronze with a reddish-brown patina. The figures and their arrangement suggest attention to detail and composition.
Giovanni Bernardi, A Boar Hunt [obverse], c. 1544, bronze//Medium brown patina (thin casting); Blunt cast, Samuel H. Kress Collection, 1957.14.525.a

A Boar Hunt [obverse]

Giovanni Bernardi · c. 1544 · bronze//Medium brown patina (thin casting); Blunt cast ·  Accession ID  1957.14.525.a

The sculpture depicted on the medallion features a scene with multiple human figures intricately carved in relief. The figures are arranged in a group, some standing and others engaging in conversation or interaction, while others are raised on a platform. The sculpture is crafted from a material with an earthy brown coloration, likely bronze. The surface shows a patina, adding texture and depth to the image. The relief carving captures a moment from a historical or mythical scene. The medallion is circular with a hole at the top. The figures are proportionate to the size of the medallion and detailed given the relief constraints. Overall, the sculpture provides a glimpse into a narrative scene preserved in a small, wearable form.
Giovanni Bernardi, Eliezer and Rebecca at the Well, c. 1540, bronze, Gift of Roger Arvid Anderson, 1991.146.3

Eliezer and Rebecca at the Well

Giovanni Bernardi · c. 1540 · bronze ·  Accession ID  1991.146.3

The sculpture is an intricately carved relief depicting multiple figures in various states of movement and interaction. The background includes architectural elements like columns and an arched dome. The material is a clear substance, allowing light to pass through. Set in an oval metal frame, the artifact is meticulously detailed, showing a dynamic scene of figures engaging in a struggle or dance.
Giovanni Bernardi, Christ Expelling the Moneychangers from the Temple, c. 1540/1549, engraved rock crystal, Gift of David Edward Finley and Margaret Eustis Finley, 1984.5.1

Christ Expelling the Moneychangers from the Temple

Giovanni Bernardi · c. 1540/1549 · engraved rock crystal ·  Accession ID  1984.5.1

The sculpture depicted on the circular golden plaque features a scene with numerous human figures. The figures are dressed in classical garments and helmets. Some figures stand, while a few kneel. The background includes a large, rounded structure resembling a wall or tower. The material of the sculpture is a type of metal, as indicated by the golden hue and sheen. The figures are small and intricate, showcasing detailed craftsmanship in a miniature format.
Giovanni Bernardi, The Rape of the Sabines, 1535 or before, bronze//Light brown patina, Samuel H. Kress Collection, 1957.14.519

The Rape of the Sabines

Giovanni Bernardi · 1535 or before · bronze//Light brown patina ·  Accession ID  1957.14.519

The sculpture is an oval-shaped relief depicting a dynamic scene with multiple figures. At the top, there is a chariot drawn by four horses. Below this central scene, three human figures are raising their arms upwards. Additionally, a reclining figure is positioned at the bottom left corner of the relief. The color of the sculpture is a uniform bronze tone.
Giovanni Bernardi, The Fall of Phaeton, 1533 or after, bronze//Medium brown patina, Samuel H. Kress Collection, 1957.14.515

The Fall of Phaeton

Giovanni Bernardi · 1533 or after · bronze//Medium brown patina ·  Accession ID  1957.14.515

The sculpture depicts a figure with wings engaged in an aerial struggle or movement. The figure has long hair and is partially draped. The wings are expansive and detailed. The sculpture has a dark, metallic appearance, likely made from bronze or a similar metal, with areas of lighter highlights. The background suggests swirling clouds. This is an oval, bas-relief sculpture.
Giovanni Bernardi, The Rape of Ganymede, 1532 or after, bronze//Dark brown patina (rubbed on exposed surfaces), Samuel H. Kress Collection, 1957.14.516

The Rape of Ganymede

Giovanni Bernardi · 1532 or after · bronze//Dark brown patina (rubbed on exposed surfaces) ·  Accession ID  1957.14.516

The sculpture depicts two human figures, one holding a pan flute. Both figures are nude, highlighting their detailed anatomies. The material appears to be a golden metal. The image is a flat, circular medallion-like form. The figures are closely positioned, with etched details providing a sense of depth and movement within the circular frame.
Giovanni Bernardi, Pan and Syrinx, mid 16th century, bronze, Gift of Douglas Lewis, 1996.82.5

Pan and Syrinx

Giovanni Bernardi · mid 16th century · bronze ·  Accession ID  1996.82.5

The sculpture depicts a historical scene in relief. Figures are shown in various postures and attire. One figure is seated on a raised platform under an architectural structure, possibly signifying authority, holding what appears to be a staff. Other individuals surround this central figure, including soldiers with helmets, armor, spears, and shields. Some figures are in bowing or kneeling positions. The sculpture is made of light-colored stone, giving it a textured appearance. The intricately carved figures have detailed clothing, armor, and facial features. The scene suggests a narrative or event from a past era, possibly wartime or ceremonial. A theme of hierarchy and order is prominent.
Giovanni Bernardi, The Justice of Brutus, lead, Samuel H. Kress Collection, 1957.14.513

The Justice of Brutus

Giovanni Bernardi · · lead ·  Accession ID  1957.14.513

The relief in the image shows a group of human figures engaged in a scene. Approximately ten figures are depicted, with two seated on a platform and the rest standing around them. The figures seem to be interacting. The oval sculpture is made of a gray metal, possibly silver. The composition portrays a scene with figures in dynamic poses wearing flowing garments, suggesting movement and interaction. The background includes architectural elements like columns. At the bottom, there is an inscription "I0.BER.F."
Giovanni Bernardi, The Continence of Scipio, lead, Samuel H. Kress Collection, 1957.14.520

The Continence of Scipio

Giovanni Bernardi · · lead ·  Accession ID  1957.14.520

This oval relief sculpture depicts multiple people wearing helmets and armor. A large group of people in the center walk towards the left, where a single person with a bare chest stands or sits with their face turned away from the armored group. This person holds a long object in one hand and raises it up above the group. In the background, on the left and right sides, are two decorated arches. The sculpture has a light bronze or gold color, with a darker patina in some areas. Some of the details are hard to make out. There is a small hole near the top of the sculpture.
Giovanni Bernardi, The Continence of Scipio [reversed sense], bronze, Widener Collection, 1942.9.181

The Continence of Scipio [reversed sense]

Giovanni Bernardi · · bronze ·  Accession ID  1942.9.181

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