Cristoforo di Geremia

Geremia, Cristoforo di

Roman, active 1456 - 1476

Explore selected works

See all 12 works of art
The sculpture is a sculpted medal with the profile of a man facing right. The man has medium-length hair and wears a detailed garment with ornate decorations, reliefs, and patterns. The sculpture is made of tarnished grayish metal, likely bronze or a similar alloy. There is an inscription in capital letters around the edge of the medal.
Cristoforo di Geremia, Alfonso V of Aragon, 1396-1458, King of Naples and Sicily 1443 [obverse], c. 1458, bronze, Samuel H. Kress Collection, 1957.14.804.a

Alfonso V of Aragon, 1396-1458, King of Naples and Sicily 1443 [obverse]

Cristoforo di Geremia · c. 1458 · bronze ·  Accession ID  1957.14.804.a

This is a photograph of a sculpted medallion. The medallion features an embossed design showcasing a seated figure in the center, flanked by other figures participating in a ceremonial crowning. The design has intricate details such as clothing folds and texture of the figures. Around the medallion's edge, inscriptions can be seen. It appears to be made of metal with traces of wear and patina. The craftsmanship shows classical influences, possibly from the Renaissance period.
Cristoforo di Geremia, Alfonso Crowned by Mars and Bellona [reverse], c. 1458, bronze, Samuel H. Kress Collection, 1957.14.804.b

Alfonso Crowned by Mars and Bellona [reverse]

Cristoforo di Geremia · c. 1458 · bronze ·  Accession ID  1957.14.804.b

The sculpture on this coin features a classical feminine figure. She stands with a draped cloth covering her body and holds a staff in her left hand. Her right arm is raised while she leans against a column. The sculpture has a bronze or copper finish, giving it a reddish-brown hue with a textured surface. The figure is detailed, emphasizing the fabric folds and body contours. Below the figure is the word "CONSTANTIA" inscribed.
Cristoforo di Geremia, Constancy Holding a Staff and Resting on a Column [reverse], c. 1470/1475, bronze, Samuel H. Kress Collection, 1957.14.808.b

Constancy Holding a Staff and Resting on a Column [reverse]

Cristoforo di Geremia · c. 1470/1475 · bronze ·  Accession ID  1957.14.808.b

The sculpture is a medallion featuring the profile of a man's head. The subject is an older male with a bald head and distinctive facial features, depicted in a profile view facing to the right. The material of the medallion is a metallic substance with a bronze-like coloration. Around the edge of the medallion, there is an inscription in a Latin-like language. The details of the face and the inscription suggest precise craftsmanship. The medallion is shown against a black background. The artwork, with its size similar to a large coin, seems reminiscent of historical commemorative pieces.
Cristoforo di Geremia, Paolo I Dotti of Padua, General of Militia of Vincenza 1289 [obverse], c. 1470/1475, bronze, Samuel H. Kress Collection, 1957.14.808.a

Paolo I Dotti of Padua, General of Militia of Vincenza 1289 [obverse]

Cristoforo di Geremia · c. 1470/1475 · bronze ·  Accession ID  1957.14.808.a

The sculpture is a medallion featuring the profile of a male figure with a laurel wreath in his hair. The material of the sculpture appears to be a dark, bronze-colored metal. The figure is shown in profile, facing to the right, with intricate detailing on the hair curls and facial features. The clothing depicted is detailed, with a toga fastened by a circular brooch on the shoulder. The edge of the medallion is inscribed with text. The sculptural relief protrudes slightly from the flat surface of the medallion.
Cristoforo di Geremia, Constantine the Great [obverse], c. 1468, bronze, Samuel H. Kress Collection, 1957.14.805.a

Constantine the Great [obverse]

Cristoforo di Geremia · c. 1468 · bronze ·  Accession ID  1957.14.805.a

This is a photograph of an ancient coin featuring two robed figures facing each other. One figure holds a staff with a caduceus symbol, while the other holds a cornucopia overflowing with fruits and produce. The figures seem to be in a gesture of greeting or exchange. The perimeter of the coin is inscribed with word symbols or abbreviations. The coin shows wear and patina, and detailed artwork depicts rich textures in the clothing and features of the figures. The metal appears oxidized, giving it a rustic look.
Cristoforo di Geremia, Constantine and the Church [reverse], c. 1468, bronze, Samuel H. Kress Collection, 1957.14.805.b

Constantine and the Church [reverse]

Cristoforo di Geremia · c. 1468 · bronze ·  Accession ID  1957.14.805.b

The image shows a round coin-like sculpture with engravings. It is made of metal, with a brownish color and green patina patches. In the center, there is a design resembling a coat of arms with a shield, symmetrical floral and line patterns, and a wide-brimmed hat. The sculpture has a textured edge of small raised dots. It stands out against a black background, showcasing its intricate craftsmanship and historical significance.
Cristoforo di Geremia, Shield of Arms of Estouteville [reverse], 1461 or after, bronze, Samuel H. Kress Collection, 1957.14.807.b

Shield of Arms of Estouteville [reverse]

Cristoforo di Geremia · 1461 or after · bronze ·  Accession ID  1957.14.807.b

The sculpture is a profile relief of a man's head, wearing a garment with a visible layered collar, depicted on a circular medallion or coin. The man has short, neatly combed hair, a prominent nose, and a slightly open mouth, facing to the right side of the medallion. The sculpture is made of bronze, giving it a brownish metallic color with an aged and tarnished surface texture. Surrounding the profile are inscribed Latin letters forming a circular border around the edge of the medallion, with the letters appearing slightly raised from the surface. The medallion's design and the inscription indicate a formal or commemorative purpose. The profile depiction resembles traditional coinage artwork, and the sculpture is similar in size to a large coin or medallion, fitting comfortably within the palm of a hand.
Cristoforo di Geremia, Guillaume d'Estouteville, c. 1412-1483, Cardinal 1439, Archbishop of Rouen 1453, Bishop of Ostia 1461, 1461 or after, bronze, Samuel H. Kress Collection, 1957.14.807.a

Guillaume d'Estouteville, c. 1412-1483, Cardinal 1439, Archbishop of Rouen 1453, Bishop of Ostia 1461

Cristoforo di Geremia · 1461 or after · bronze ·  Accession ID  1957.14.807.a

This is a photograph of a bronze medal with engravings. The foreground of the medal depicts human figures and a structure resembling a temple. The upper part has the inscription "ECCLESIA RESTITVTA," and the lower part says "EXALTO." The medal shows signs of aging and has a patina. The design and inscriptions suggest historical significance, possibly related to a religious or political event.
Cristoforo di Geremia, Triumphal Procession [reverse], 1440, bronze, Samuel H. Kress Collection, 1957.14.806.b

Triumphal Procession [reverse]

Cristoforo di Geremia · 1440 · bronze ·  Accession ID  1957.14.806.b

The image shows a round medallion sculpture with a profile portrait of a man's head. The man is wearing a cap that fits closely around the head, leaving the face, ear, and neck exposed. The medallion is made of bronze, with a rich brown color and a slightly aged patina. The surface displays wear and small scratches typical of bronze artifacts. The border of the medallion has inscriptions circling the profile image. The sculpture demonstrates traditional craftsmanship with detailed facial features and inscriptions, hinting at a historical or commemorative significance.
Cristoforo di Geremia, Ludovico Trevisan, also known as Ludovico Scarampi (Mezzarota), died 1465, Patriarch of Aquileia December 1439, Cardinal July 1440 [obverse], 1440, bronze, Samuel H. Kress Collection, 1957.14.806.a

Ludovico Trevisan, also known as Ludovico Scarampi (Mezzarota), died 1465, Patriarch of Aquileia December 1439, Cardinal July 1440 [obverse]

Cristoforo di Geremia · 1440 · bronze ·  Accession ID  1957.14.806.a