Georg Heym

German, born Poland, 1887 - 1912

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The image shows an artistic depiction of a person lying down, appearing to be in a sleeping or resting position. The person is stylized and abstract, with minimal facial details and short hair. They are covered by a striped blanket or cloth. Beside them, there are geometric shapes resembling buildings or structures, suggesting an urban setting. The surroundings appear textured, possibly indicating a curtain or wall in the background. The text "HALBER SCHLAF" is above the image, and there is a German poem below it. The page number "36" is printed in the bottom left corner of the page.
Ernst Ludwig Kirchner, Georg Heym, Spamersche Buchdruckerei, Leipzig, Kurt Wolff, Halber Schlaf (Half Sleep) (headpiece, page 36) from Georg Heym: Umbra Vitae (Georg Heym: The Shadow of Life), 1924, woodcut from a bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper , Gift of Ruth Cole Kainen, 2012.92.41.29

Halber Schlaf (Half Sleep) (headpiece, page 36) from Georg Heym: Umbra Vitae (Georg Heym: The Shadow of Life)

Ernst Ludwig Kirchner, Georg Heym, Spamersche Buchdruckerei, Leipzig, Kurt Wolff · 1924 · woodcut from a bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper ·  Accession ID  2012.92.41.29

The image contains bold, angular lines and shapes creating an abstract winter landscape. A fragmented face appears on the left within undulating forms resembling trees or branches. The right side displays structures with slanting rooflines, possibly representing houses or sheds adorned with snow-like textures. The abstract elements evoke a winter scene, with the face suggesting indoor observation.
Ernst Ludwig Kirchner, Georg Heym, Spamersche Buchdruckerei, Leipzig, Kurt Wolff, Der Winter (The Winter) (headpiece, page 37) from Georg Heym: Umbra Vitae (Georg Heym: The Shadow of Life), 1924, woodcut from a bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper , Gift of Ruth Cole Kainen, 2012.92.41.30

Der Winter (The Winter) (headpiece, page 37) from Georg Heym: Umbra Vitae (Georg Heym: The Shadow of Life)

Ernst Ludwig Kirchner, Georg Heym, Spamersche Buchdruckerei, Leipzig, Kurt Wolff · 1924 · woodcut from a bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper ·  Accession ID  2012.92.41.30

This is a drawing of an abstract scene along with text. The image contains a black and white illustration above a poem or text titled "Der Krieg." The drawing features an abstract arrangement of figures and forms blending into one another, with dynamic elements suggesting movement. Below the illustration, the text is laid out in stanzas and is in German. The composition likely aims to evoke themes related to conflict, upheaval, or internal struggles. The use of black and white enhances the stark nature of the themes presented.
Ernst Ludwig Kirchner, Georg Heym, Spamersche Buchdruckerei, Leipzig, Kurt Wolff, Der Krieg (The War) (headpiece, page 3) from Georg Heym: Umbra Vitae (Georg Heym: Shadow of Life), 1924, woodcut from a bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper , Gift of Ruth Cole Kainen, 2012.92.41.7

Der Krieg (The War) (headpiece, page 3) from Georg Heym: Umbra Vitae (Georg Heym: Shadow of Life)

Ernst Ludwig Kirchner, Georg Heym, Spamersche Buchdruckerei, Leipzig, Kurt Wolff · 1924 · woodcut from a bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper ·  Accession ID  2012.92.41.7

This is a drawing of abstract natural forms with poetic text. The upper section features an abstract illustration with shapes that could be interpreted as stylized plants or flames, with a central arch or framework structure dividing the image. The lines are bold and the forms are simplified, creating a sense of movement or tension within the space. Below the image, there is a block of German text, appearing to be a poem or literary work. The typeface is bold and the text is evenly justified, giving it a structured appearance on the page. The title "DIE NACHT" is placed centrally above the illustration.
Ernst Ludwig Kirchner, Georg Heym, Spamersche Buchdruckerei, Leipzig, Kurt Wolff, Die Nacht (The Night) (headpiece, page 34) from Georg Heym: Umbra Vitae (Georg Heym: The Shadow of Life), 1924, woodcut from a bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper , Gift of Ruth Cole Kainen, 2012.92.41.27

Die Nacht (The Night) (headpiece, page 34) from Georg Heym: Umbra Vitae (Georg Heym: The Shadow of Life)

Ernst Ludwig Kirchner, Georg Heym, Spamersche Buchdruckerei, Leipzig, Kurt Wolff · 1924 · woodcut from a bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper ·  Accession ID  2012.92.41.27

The image displays bold, angular lines and contrasting shapes, forming an abstract depiction of a face. The facial features, such as the eyes and mouth, have been exaggerated with sharp lines, which blend into rectangular forms resembling crosses. The elements combine to create a visually intricate and abstract style.
Ernst Ludwig Kirchner, Georg Heym, Spamersche Buchdruckerei, Leipzig, Kurt Wolff, Judas (headpiece, page 59) from Georg Heym: Umbra Vitae (Georg Heym: The Shadow of Life), 1924, woodcut from a bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper , Gift of Ruth Cole Kainen, 2012.92.41.46

Judas (headpiece, page 59) from Georg Heym: Umbra Vitae (Georg Heym: The Shadow of Life)

Ernst Ludwig Kirchner, Georg Heym, Spamersche Buchdruckerei, Leipzig, Kurt Wolff · 1924 · woodcut from a bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper ·  Accession ID  2012.92.41.46

This is a drawing of an abstract architectural cityscape. The image consists of bold, black lines forming an abstract representation of a city with buildings and infrastructure. The piece features sharp angles and curves creating a dynamic interplay of shapes and forms. The drawing is accompanied by German text.
Ernst Ludwig Kirchner, Georg Heym, Spamersche Buchdruckerei, Leipzig, Kurt Wolff, Die Nebelstädte (The Misty Cities) (headpiece, page 43) from Georg Heym: Umbra Vitae (Georg Heym: The Shadow of Life), 1924, woodcut from a bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper , Gift of Ruth Cole Kainen, 2012.92.41.36

Die Nebelstädte (The Misty Cities) (headpiece, page 43) from Georg Heym: Umbra Vitae (Georg Heym: The Shadow of Life)

Ernst Ludwig Kirchner, Georg Heym, Spamersche Buchdruckerei, Leipzig, Kurt Wolff · 1924 · woodcut from a bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper ·  Accession ID  2012.92.41.36

This is a drawing of architectural forms and two figures. The image features large, blocky shapes, potentially representing buildings or walls, with two stylized figures in the foreground, one of which appears to be bending over a structure. The drawing has the text "DIE NEUEN HÄUSER" (The New Houses) above it. The structures depicted have a raw, minimalist style, with flat surfaces and sharp edges. Below the illustration is a German poem, starting with "Im grünen Himmel, der manchmal knallt..." which translates to descriptions of a cold evening scene. The style of the drawing invokes a sense of surrealism and abstraction through its use of simple shapes and minimal detail.
Ernst Ludwig Kirchner, Georg Heym, Spamersche Buchdruckerei, Leipzig, Kurt Wolff, Die Neuen Häuser (The New Houses) (headpiece, page 40) from Georg Heym: Umbra Vitae (Georg Heym: The Shadow of Life), 1924, woodcut from a bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper , Gift of Ruth Cole Kainen, 2012.92.41.33

Die Neuen Häuser (The New Houses) (headpiece, page 40) from Georg Heym: Umbra Vitae (Georg Heym: The Shadow of Life)

Ernst Ludwig Kirchner, Georg Heym, Spamersche Buchdruckerei, Leipzig, Kurt Wolff · 1924 · woodcut from a bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper ·  Accession ID  2012.92.41.33

This is a drawing of a stylized urban scene. The monochromatic drawing depicts tall buildings with several silhouetted figures in the foreground. The central figure appears more detailed, with facial features and a patterned garment. Below the drawing, there is a block of text, which seems to be a poem in German.
Ernst Ludwig Kirchner, Georg Heym, Spamersche Buchdruckerei, Leipzig, Kurt Wolff, Die Höfe Luden Uns Ein... (The Yards Invited Us...) (headpiece, page 42) from Georg Heym: Umbra Vitae (Georg Heym: The Shadow of Life), 1924, woodcut from a bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper , Gift of Ruth Cole Kainen, 2012.92.41.35

Die Höfe Luden Uns Ein... (The Yards Invited Us...) (headpiece, page 42) from Georg Heym: Umbra Vitae (Georg Heym: The Shadow of Life)

Ernst Ludwig Kirchner, Georg Heym, Spamersche Buchdruckerei, Leipzig, Kurt Wolff · 1924 · woodcut from a bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper ·  Accession ID  2012.92.41.35

This is a photograph of a page from a book. The page contains a poem titled "Die Vögel," which is German for "The Birds." At the top, there is a black and white illustration featuring stylized birds in flight amidst swirling clouds or waves. The text of the poem is printed below the illustration in a clear, classic typeface. The poem describes scenes of nature, involving birds and atmospheric imagery.
Ernst Ludwig Kirchner, Georg Heym, Spamersche Buchdruckerei, Leipzig, Kurt Wolff, Die Vögel (The Birds) (headpiece, page 45) from Georg Heym: Umbra Vitae (Georg Heym: The Shadow of Life), 1924, woodcut from a bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper , Gift of Ruth Cole Kainen, 2012.92.41.38

Die Vögel (The Birds) (headpiece, page 45) from Georg Heym: Umbra Vitae (Georg Heym: The Shadow of Life)

Ernst Ludwig Kirchner, Georg Heym, Spamersche Buchdruckerei, Leipzig, Kurt Wolff · 1924 · woodcut from a bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper ·  Accession ID  2012.92.41.38

The image is a rectangular artwork composed of sharp, angular lines and shapes. Abstract human-like figures are depicted, hinting at a gathering of people. One central figure appears to have extended arms. The composition is contained within a black background contrasting with light areas, creating depth.
Ernst Ludwig Kirchner, Georg Heym, Spamersche Buchdruckerei, Leipzig, Kurt Wolff, Die Morgue (The Morgue) (headpiece, page 5) from Georg Heym: Umbra Vitae (Georg Heym: The Shadow of Life), 1924, woodcut from a bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper , Gift of Ruth Cole Kainen, 2012.92.41.8

Die Morgue (The Morgue) (headpiece, page 5) from Georg Heym: Umbra Vitae (Georg Heym: The Shadow of Life)

Ernst Ludwig Kirchner, Georg Heym, Spamersche Buchdruckerei, Leipzig, Kurt Wolff · 1924 · woodcut from a bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper ·  Accession ID  2012.92.41.8