Hidekatsu Takada

American, active 20th century

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The image shows geometric shapes and lines in blue with thin red lines intersecting throughout. Horizontal and diagonal lines crisscross the canvas, while rectangular and triangular shapes interlock to create an abstract composition. The overall design resembles a blueprint or technical drawing. The use of abstract design may evoke comparisons to architectural elements or mechanical components.
Richard Diebenkorn, Crown Point Press, Marcia Bartholme, Hidekatsu Takada, Lawrence J. Hamlin, Renée Bott, Green (working proof 3), 1986, spitbite aquatint in blue and drypoint in red on wove paper, Patrons' Permanent Fund, 2014.115.2

Green (working proof 3)

Richard Diebenkorn, Crown Point Press, Marcia Bartholme, Hidekatsu Takada, Lawrence J. Hamlin, Renée Bott · 1986 · spitbite aquatint in blue and drypoint in red on wove paper ·  Accession ID  2014.115.2

The image features a large green rectangle in the foreground with smaller geometric shapes at the top. Various abstract lines, forms, a semicircle, and triangular segments are also visible. A curved white shape appears near the bottom. Rectangular shapes in blue and brown are present at the top.
Richard Diebenkorn, Crown Point Press, Marcia Bartholme, Hidekatsu Takada, Lawrence J. Hamlin, Renée Bott, Green (working proof 5), 1986, color soapground aquatint and spitbite aquatint on wove paper, Gift of Kathan Brown, 2014.116.57

Green (working proof 5)

Richard Diebenkorn, Crown Point Press, Marcia Bartholme, Hidekatsu Takada, Lawrence J. Hamlin, Renée Bott · 1986 · color soapground aquatint and spitbite aquatint on wove paper ·  Accession ID  2014.116.57

The image displays thin intersecting lines and shapes on a white background, forming an abstract composition. The lines include a shape similar to an infinity symbol, along with triangular and rectangular shapes resembling a kite and a window pane.
Richard Diebenkorn, Crown Point Press, Marcia Bartholme, Hidekatsu Takada, Lawrence J. Hamlin, Renée Bott, Green (working proof 1), 1986, drypoint in black on wove paper, Gift of Kathan Brown, 2014.116.55

Green (working proof 1)

Richard Diebenkorn, Crown Point Press, Marcia Bartholme, Hidekatsu Takada, Lawrence J. Hamlin, Renée Bott · 1986 · drypoint in black on wove paper ·  Accession ID  2014.116.55

The image shows an abstract composition consisting of geometric shapes and lines in various shades of gray and white. The interplay of rectangles, triangles, and diagonal strokes creates a complex structure reminiscent of a blueprint or architectural plan. Some areas suggest window panes or building sections, while the repetition and layering of shapes add depth. Parts of the composition resemble folded paper corners, enhancing the abstract nature of the artwork.
Richard Diebenkorn, Crown Point Press, Marcia Bartholme, Hidekatsu Takada, Lawrence J. Hamlin, Renée Bott, Green (working proof 2), 1986, drypoint in black with gray wash and pasted-down elements on wove paper, Patrons' Permanent Fund, 2014.115.1

Green (working proof 2)

Richard Diebenkorn, Crown Point Press, Marcia Bartholme, Hidekatsu Takada, Lawrence J. Hamlin, Renée Bott · 1986 · drypoint in black with gray wash and pasted-down elements on wove paper ·  Accession ID  2014.115.1

This print displays geometric shapes with linear patterns and bold colors. It includes a large green shape in the center bordered by blue and gray sections, including a triangular curve near the lower left corner. There are also horizontal stripes of orange and tan and a small triangle of red. The print is surrounded by a border of off-white paper.
Richard Diebenkorn, Crown Point Press, Marcia Bartholme, Hidekatsu Takada, Lawrence J. Hamlin, Renée Bott, Green, 1986, color spitbite aquatint, soapground aquatint, and drypoint on Somerset paper, Eugene L. and Marie-Louise Garbáty Fund and Patrons' Permanent Fund, 1996.77.77

Green

Richard Diebenkorn, Crown Point Press, Marcia Bartholme, Hidekatsu Takada, Lawrence J. Hamlin, Renée Bott · 1986 · color spitbite aquatint, soapground aquatint, and drypoint on Somerset paper ·  Accession ID  1996.77.77

The image shows an arrangement of geometric shapes, including rectangles and triangles, intersecting and overlaying in an abstract composition. The dominant colors are green, deep orange, and vivid blue. Lines and arcs of red and green weave throughout, creating an intricate network. At the bottom, a gentle arc cuts through the green against a gradient of colors.
Richard Diebenkorn, Crown Point Press, Marcia Bartholme, Hidekatsu Takada, Lawrence J. Hamlin, Renée Bott, Green (working proof 6), 1986, color drypoint, etching, spitbite aquatint, and soapground aquatint on wove paper, Gift of Kathan Brown, 2014.116.56

Green (working proof 6)

Richard Diebenkorn, Crown Point Press, Marcia Bartholme, Hidekatsu Takada, Lawrence J. Hamlin, Renée Bott · 1986 · color drypoint, etching, spitbite aquatint, and soapground aquatint on wove paper ·  Accession ID  2014.116.56

The image shows a composition of geometric shapes and intersecting lines forming a pattern. It features a large abstract field of green covering most of the canvas, bordered with blocks of vibrant blue and golden yellow at the top. A parallel strip of muted beige is at the lower edge, and a curve of dark indigo is at the bottom left. Fine lines weave throughout the image in diagonals and verticals.
Richard Diebenkorn, Crown Point Press, Marcia Bartholme, Hidekatsu Takada, Lawrence J. Hamlin, Renée Bott, Green (working proof 4), 1986, color spitbite aquatint, soapground aquatint, and drypoint with pasted-down elements on wove paper, Patrons' Permanent Fund, 2014.115.3

Green (working proof 4)

Richard Diebenkorn, Crown Point Press, Marcia Bartholme, Hidekatsu Takada, Lawrence J. Hamlin, Renée Bott · 1986 · color spitbite aquatint, soapground aquatint, and drypoint with pasted-down elements on wove paper ·  Accession ID  2014.115.3

The image features an array of abstract shapes and lines set against a backdrop of jagged black and gray forms. A red rectangle on the left contains a black X-like shape, with two ovoid forms, one green and one pink, above it. Above these shapes is a brown triangular form balanced with circular beige elements on either end. On the right, a peach-colored form with orange spiraled lines extends upwards, with a vertical red zigzag line in its center. Below, a mix of colorful shapes are stacked together, including a blue L-shaped form and a green rectangle with a yellow curl.
William Brice, Hidekatsu Takada, Crown Point Press, Untitled #4 (Pattern), 1985, color softground etching and aquatint on Somerset paper, Gift of Kathan Brown, 1998.40.34

Untitled #4 (Pattern)

William Brice, Hidekatsu Takada, Crown Point Press · 1985 · color softground etching and aquatint on Somerset paper ·  Accession ID  1998.40.34

The image features a mix of wavy and straight lines with various shapes. There are vertical wavy lines inside a tall rectangle on the left. In the center, there is a square filled with a blue swirling pattern, surrounded by yellow shaded bands. On the right, a curving red shape rises against a backdrop of black dots. Each element is outlined with black lines.
William Brice, Hidekatsu Takada, Crown Point Press, Untitled #2 (Three Elements), 1985, color softground etching, aquatint, and hardground etching on Somerset Satin paper, Gift of Kathan Brown, 1998.40.32

Untitled #2 (Three Elements)

William Brice, Hidekatsu Takada, Crown Point Press · 1985 · color softground etching, aquatint, and hardground etching on Somerset Satin paper ·  Accession ID  1998.40.32

The image contains an abstract composition of shapes and lines. There is a large grey textured area with circular patterns and curved lines. To the right, there is a structured abstract shape resembling a stylized figure with rectangular and oval shapes. Additionally, there are specks of yellow and blue areas in the design.
William Brice, Hidekatsu Takada, Crown Point Press, Untitled #1 (Grey Rock), 1985, color softground etching, soapground aquatint, and hardground etching on Somerset Satin paper, Gift of Kathan Brown, 1998.40.27

Untitled #1 (Grey Rock)

William Brice, Hidekatsu Takada, Crown Point Press · 1985 · color softground etching, soapground aquatint, and hardground etching on Somerset Satin paper ·  Accession ID  1998.40.27