Henry Rushbury

Rushbury, Henry George

British, 1889 - 1968

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The image is an etching of a European port city. The scene depicts a busy harbor with various activities and structures. The viewpoint is elevated, showing vehicles, pedestrians, and buildings along the quay. In the background, there is a cluster of historic buildings with a church spire rising above. The etching captures details of the cityscape, architecture, and water. The color scheme is monochromatic, using shades of sepia and brown. Sailboats are visible in the harbor waters.
Henry Rushbury, Old Port, Marseilles, 1930, drypoint in black, Rosenwald Collection, 1943.3.7529

Old Port, Marseilles

Henry Rushbury · 1930 · drypoint in black ·  Accession ID  1943.3.7529

This drawing shows an architectural scene of a grand, classical building. The building has tall Corinthian columns and ornate sculptures at the top, detailed and symmetrical. In the foreground, there are stone steps leading to an entrance with figures around a horse-drawn carriage leaving the building. The walls have windows and carvings, with more figures on the right. The artwork focuses on precision and hatching techniques for depth and texture.
Henry Rushbury, Lothbury Court, Bank of England, 1929, drypoint and engraving in black, Rosenwald Collection, 1943.3.7537

Lothbury Court, Bank of England

Henry Rushbury · 1929 · drypoint and engraving in black ·  Accession ID  1943.3.7537

The viewpoint is from a lower perspective, looking across a street towards a hillside with architectural structures. The horizon is high, marked by buildings on the hill, showing various styles and heights. The historical buildings are detailed with etching lines. The composition uses fine lines and cross-hatching for depth and texture. The color palette is monochromatic, with sepia and brown shades. People walk along the street, and carriages are visible. In the distance, a bridge goes over the water, connecting to more structures on the right.
Henry Rushbury, Monte Aventino, Rome, 1929, drypoint in black, Rosenwald Collection, 1943.3.7516

Monte Aventino, Rome

Henry Rushbury · 1929 · drypoint in black ·  Accession ID  1943.3.7516

The image displays a landscape portraying various architectural structures on rocky terrain. The elevated view captures the structures extending towards the horizon, with fine brushstrokes defining the ancient buildings, stone surfaces, and foliage. The predominantly sepia color palette lends an antiquated, monochromatic effect to the scene, emphasizing detail and providing a timeless quality. Closest to the viewer are rich textures of vegetation and architecture, gradually becoming less detailed in the distance.
Henry Rushbury, Viterbo, 1929, drypoint in black, Rosenwald Collection, 1943.3.7528

Viterbo

Henry Rushbury · 1929 · drypoint in black ·  Accession ID  1943.3.7528

The image depicts a perspective view within an enclosed courtyard surrounded by grand architectural structures. The horizon is not distinctly visible due to the tall buildings surrounding the courtyard. The buildings exhibit classic architectural features such as detailed brickwork, arched and rectangular windows, and columns. The style of rendering employs sharp lines to create depth and geometric clarity. The color palette is monochromatic with sepia tones, creating a vintage look. The paved courtyard in the foreground leads the eye towards the intricate building facades in the background.
Henry Rushbury, Governor's Court, Bank of England, 1929, drypoint and engraving in black, Rosenwald Collection, 1943.3.7538

Governor's Court, Bank of England

Henry Rushbury · 1929 · drypoint and engraving in black ·  Accession ID  1943.3.7538

The image shows a street scene with historic buildings lining a narrow alleyway. The horizon line is not visible, and the urban landscape extends into the distance. On the left, there is an aged brick building with a large arched doorway and signs of construction work. The right side is bordered by more buildings that frame the alley. The drawing features detailed lines and washes, creating an intricate look. The color palette is earthy with shades of brown and beige. In the foreground, there are figures in period clothing walking or conversing, and in the distance, a group is gathered around a horse-drawn cart down the street.
Henry Rushbury, House of Knights of Malta, 1928, pen and brown ink with brown and gray wash over graphite on paperboard, Rosenwald Collection, 1943.3.7506

House of Knights of Malta

Henry Rushbury · 1928 · pen and brown ink with brown and gray wash over graphite on paperboard ·  Accession ID  1943.3.7506

The image depicts a landscape with a vast sky filled with light clouds. The horizon shows distant mountains, an ancient aqueduct, hills, and scattered buildings. In the foreground, there are golden wheat fields, and a haystack with sticks protruding. The color palette consists of earthy tones, pale blues, and grays.
Henry Rushbury, From the Appian Way, 1928, graphite and watercolor, Rosenwald Collection, 1943.3.3126

From the Appian Way

Henry Rushbury · 1928 · graphite and watercolor ·  Accession ID  1943.3.3126

The image is an etching of an urban scene, showing a street leading towards Notre Dame Cathedral in the distance. Parisian architecture lines the street, and figures are depicted near a riverbank with bookstalls. The etching has a monochrome color palette and detailed, delicate lines.
Henry Rushbury, Bookstalls, Paris, 1928, drypoint in black, Rosenwald Collection, 1943.3.7526

Bookstalls, Paris

Henry Rushbury · 1928 · drypoint in black ·  Accession ID  1943.3.7526

The image shows a coastal town scene overlooking a harbor. Buildings line the horizon, with a prominent tower. Sailboats with tall masts are anchored in the harbor. The artwork features detailed linework, resembling an etching. The monochromatic color palette adds a vintage feel. The precise lines and shading create depth, guiding the viewer's eye.
Henry Rushbury, Low Tide, La Rochelle, 1927, drypoint in black, Rosenwald Collection, 1943.3.7535

Low Tide, La Rochelle

Henry Rushbury · 1927 · drypoint in black ·  Accession ID  1943.3.7535

The image shows an urban scene with a church-like building at the center. The viewpoint is slightly elevated, looking across a construction site and a bustling cityscape. Various building structures dominate the background with mainly vertical lines. The tower of the central building is intricately detailed, showcasing a mix of architectural styles. Meticulous, fine etching techniques are used to render the scene, with thin, cross-hatched lines providing texture and depth. The color palette is monochromatic, using shades of brown and beige to create contrasts and highlights. Workers are visible under a tent at the building, surrounded by wooden planks and scaffolding. The cityscape extends further into the image, with buildings of different heights.
Henry Rushbury, Saint Olave's, Tooley Street, 1927, drypoint in black, Rosenwald Collection, 1943.3.7524

Saint Olave's, Tooley Street

Henry Rushbury · 1927 · drypoint in black ·  Accession ID  1943.3.7524