British 19th Century

British 19th Century

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This painting is a portrait of a woman from the chest up. She is in a profile view, facing towards the right side. She has a very pale complexion, dark arched eyebrows, a pointed nose, high cheekbones, and red lips in a neutral expression. Her dark hair is styled in a voluminous bun on top of her head. She is wearing a high-collared garment with gray sleeves and a large black bow or ruffle at the neck over a section of white ruffles. The background is a dark reddish-brown tone on the right, with an area of cream and light gray on the left.
American 19th Century, British 19th Century, American 20th Century, British 20th Century, Madame G, c. 1900, oil on canvas, Chester Dale Collection, 1963.10.64

Madame G

American 19th Century, British 19th Century, American 20th Century, British 20th Century · c. 1900 · oil on canvas ·  Accession ID  1963.10.64

American 19th Century, British 19th Century, Little Girl in White, probably c. 1895, oil on canvas, Chester Dale Collection, 1963.10.71

Little Girl in White

American 19th Century, British 19th Century · probably c. 1895 · oil on canvas ·  Accession ID  1963.10.71

This is a painting of a scene in a fencing academy. The image shows a lively interior of a fencing school where several figures are engaged in and observing a swordfight. The room is filled with fencing-related items, such as masks and foils, and portraits decorating the walls. The composition captures the energy and movement of the duelists while emphasizing the elaborate attire of the spectators. This is in the style of Thomas Rowlandson, known for his humorous and satirical depictions of social scenes.
British 19th Century, Mr. H. Angelo's Fencing Academy, 1887, hand-colored etching, Rosenwald Collection, 1945.5.632

Mr. H. Angelo's Fencing Academy

British 19th Century · 1887 · hand-colored etching ·  Accession ID  1945.5.632

British 19th Century, Gateway Lanercost Priory, August 1882, albumen silver print, Gift of Charles Isaacs and Carol Nigro, 2025.97.10

Gateway Lanercost Priory

British 19th Century · August 1882 · albumen silver print ·  Accession ID  2025.97.10

The image is a painting of a river crossing with a barge carrying a horse-drawn cart and passengers. The perspective is elevated, showing the scene from a high angle. The sky is visible at the top with wispy clouds. The painting uses watercolor with soft, flowing brushstrokes blending colors. The color scheme includes soft greens, light blues, earthy browns, and patches of colorful foliage. Hills in different shades of green and brown are depicted beyond the river, leading to a serene mountain range in the background.
British 19th Century, Crossing the James River, 1878, watercolor on wove paper, Corcoran Collection (Museum Purchase, Membership Association Fund), 2015.19.788

Crossing the James River

British 19th Century · 1878 · watercolor on wove paper ·  Accession ID  2015.19.788

The image shows a woman seated on the floor in a kneeling position. She is captured from the waist up. The woman has smooth facial features, dark hair styled neatly, and is dressed in a traditional striped kimono with an obi tied at the back. In her hands, she holds a piece of paper with calligraphy. Surrounding her are several wooden lacquered boxes of varying sizes. In the background, there is a decorative screen with painted fans and parts of a wooden cabinet. The setting is indoors, and the floor is covered with a woven mat.
British 19th Century, Writing Letter, c. 1880, albumen silver print with applied color, Gift of Charles Isaacs and Carol Nigro Ph.D, 2018.23.34

Writing Letter

British 19th Century · c. 1880 · albumen silver print with applied color ·  Accession ID  2018.23.34

British 19th Century, Kenilworth from the Bridge, 1870s, albumen silver print, Gift of Charles Isaacs and Carol Nigro, 2025.97.11

Kenilworth from the Bridge

British 19th Century · 1870s · albumen silver print ·  Accession ID  2025.97.11

The image shows a landscape with mountain ranges in the distance and a warm sky. The painting includes detailed architectural elements and vegetation. Two figures in dark attire are conversing in the foreground, with a church and other buildings partially hidden by foliage.
British 19th Century, Church of Santa Barbara, late 19th century, watercolor over graphite on wove paper, Corcoran Collection (Museum Purchase, Membership Association Fund), 2015.19.790

Church of Santa Barbara

British 19th Century · late 19th century · watercolor over graphite on wove paper ·  Accession ID  2015.19.790

The image shows a view from an elevated point, looking at rugged cliffs by the sea. The cliffs dominate the scene, receding into softer hills in the background. The horizon is visible above the cliffs, emphasizing the open sky. The brushstrokes are delicate, defining the texture of the cliffs and sea. The color palette is muted with earthy tones. The sea is depicted as rocky and turbulent with small boats. Structures are seen on the cliffs in the distance.
British 19th Century, The Laying of the Atlantic Cable at Foilhommerum Bay, Ireland, 1865, pen and black ink and brush and gray wash with white gouache over graphite on wove paper, Anonymous Gift, 1988.37.1

The Laying of the Atlantic Cable at Foilhommerum Bay, Ireland

British 19th Century · 1865 · pen and black ink and brush and gray wash with white gouache over graphite on wove paper ·  Accession ID  1988.37.1

The image shows an ornate, golden object with a circular, starburst design and a central glass or crystal element, supported by a detailed pedestal. The color palette includes gold, blue, red, green, and purple. The object is centrally positioned against a plain, light background.
British 19th Century, A Monstrance, c. 1860, watercolor over graphite on wove paper, Gift of William B. O'Neal, 1995.52.10

A Monstrance

British 19th Century · c. 1860 · watercolor over graphite on wove paper ·  Accession ID  1995.52.10