Gordon Waverly Gilkey

American, 1912 - 2000

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The image depicts a seascape with swirling waves crashing. The horizon line is not prominent, suggesting an expansive ocean meeting tumultuous waves. The artwork utilizes dynamic brushstrokes or etching marks to convey movement and energy in the sea. The color scheme is monochromatic, with contrasting black and white shades highlighting textures and foamy spray. Dark elements resembling waves or rocks are depicted closely, contrasting with lighter areas resembling surf and spray further away. In the distance, the image fades into a dark sky or ocean, completing the moody seascape.
Gordon Waverly Gilkey, The Sea, Oregon Coast, 1993, etching and spitbite in black on wove paper, Gift of Ruth Cole Kainen, 2005.99.15

The Sea, Oregon Coast

Gordon Waverly Gilkey · 1993 · etching and spitbite in black on wove paper ·  Accession ID  2005.99.15

The image shows a complex arrangement of overlapping curved and angular lines forming a chaotic mesh across the canvas. The abstract composition is filled with shapes resembling fragments of puzzle pieces or shards of glass, interspersed with swirling patterns reminiscent of tangled ropes or vines. The shapes and lines converge and diverge, creating a sense of movement and depth within the artwork.
Gordon Waverly Gilkey, Formation, 1951, etching, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.2054

Formation

Gordon Waverly Gilkey · 1951 · etching ·  Accession ID  2008.115.2054

The image displays intersecting lines and shapes forming an intricate abstract composition. Curved and circular lines dominate the center, creating a sense of motion. A focal point resembles rings of a tree trunk or an onion cross-section. Geometric shapes like triangles and rectangles are seen in the surrounding area, some intertwined with vine-like lines. This suggests branches or web-like structures. The composition features textured patterns and layers, evoking natural elements in an abstract manner.
Gordon Waverly Gilkey, Informal Conclave, 1950-1951, etching, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.2055

Informal Conclave

Gordon Waverly Gilkey · 1950-1951 · etching ·  Accession ID  2008.115.2055

This is a drawing depicting the entrance to the RCA Building at Rockefeller Center. The image shows the building's architectural elements and sculptures. The drawing features detailed line work and stippling techniques for texture. In the foreground, two vintage cars are parked on the street. The building includes an NBC Studios sign, windows with cross-hatching, and classical sculptures. Street lamps and people walking towards the entrance are also portrayed in the urban realism style, with focus on architectural and decorative details.
Gordon Waverly Gilkey, Entrance to Radio City, Rockefeller Center, New York, 1937, etching, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.2053

Entrance to Radio City, Rockefeller Center, New York

Gordon Waverly Gilkey · 1937 · etching ·  Accession ID  2008.115.2053

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U.S. Goverment Building and Halls of Nations

Gordon Waverly Gilkey · 1939 · etching ·  Accession ID  2008.115.2086.24

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Electrical Products Building

Gordon Waverly Gilkey · 1939 · etching ·  Accession ID  2008.115.2086.15

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Radio Corp. of America Building

Gordon Waverly Gilkey · 1939 · etching ·  Accession ID  2008.115.2086.4

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Aviation Building

Gordon Waverly Gilkey · 1939 · etching ·  Accession ID  2008.115.2086.22

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Hall of Metals

Gordon Waverly Gilkey · 1939 · etching ·  Accession ID  2008.115.2086.6

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Eastern Railroad Building

Gordon Waverly Gilkey · 1939 · etching ·  Accession ID  2008.115.2086.19