Reynold Weidenaar

Weidenaar, Reynold Henry

American, 1915 - 1985

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The image shows an industrial scene with towering structures and cranes. The horizon is obscured by shadows and machinery. A steamboat is visible at the bottom, with its smoke blending into the atmosphere. The brushstrokes are rough and textured, adding to the industrial feel. The color palette is monochromatic, with black, grey, and white dominating the scene.
Reynold Weidenaar, The Bridge and the Storm, 1957, mezzotint in black, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.4993

The Bridge and the Storm

Reynold Weidenaar · 1957 · mezzotint in black ·  Accession ID  2008.115.4993

This image depicts a bridge under construction in a dramatic perspective. A small steamboat moves along the water, with people in small boats nearby. The scene shows large structures, cranes, and scaffolding covering the middle section. The bridge towers stretch upwards into the sky. The artwork uses a color palette of deep blacks, greys, and whites. The brushstrokes depict intricate details of the steel structures, smoke, and clouds, creating an industrial atmosphere.
Reynold Weidenaar, Society of American Graphic Artists, Bridge Builders, Mackinac Straits, 1956, mezzotint in black, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.4991

Bridge Builders, Mackinac Straits

Reynold Weidenaar, Society of American Graphic Artists · 1956 · mezzotint in black ·  Accession ID  2008.115.4991

The image shows a street-level view of a neighborhood with two main storefronts. Buildings and utility poles can be seen receding into the distance. The illustration features detailed linework capturing textures and details of the scene. The color palette is monochromatic, with various shades of sepia. People and dogs are seen on the sidewalk, with buildings in the background displaying elements such as balconies and signage. The background fades into the sky, with distant structures and utility lines creating a sense of depth.
Reynold Weidenaar, Neighborhood Hangout, 1952, etching in black on laid paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1459

Neighborhood Hangout

Reynold Weidenaar · 1952 · etching in black on laid paper ·  Accession ID  2015.19.1459

The image shows an array of vertical columns with intricate patterns and rounded arches, creating curved and linear shapes. The scene includes arches and a play between light and darkness. In the upper right, a large abstract form is suspended, and there are ladders and scaffolding. Figures interact with the structures.
Reynold Weidenaar, Darkness and Light, 1952, color mezzotint on laid paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1455

Darkness and Light

Reynold Weidenaar · 1952 · color mezzotint on laid paper ·  Accession ID  2015.19.1455

The image depicts a decaying architectural setting with a large archway. In the distance, there is a tower with a domed roof partially obscured by clouds against a dramatic sky. Near the archway, there is construction debris and a wooden framework. The brushstrokes show strong contrasts and attention to detail. The color palette is monochromatic with shades of black, white, and grey. In the background, there are distant mountains under overhanging clouds.
Reynold Weidenaar, Print Collectors' Club, Demolition in the Plaza del Toro, 1950, mezzotint in black, Rosenwald Collection, 1953.6.291

Demolition in the Plaza del Toro

Reynold Weidenaar, Print Collectors' Club · 1950 · mezzotint in black ·  Accession ID  1953.6.291

The image shows a person sitting in a curled position. The person has their legs folded and arms crossed over their bent knees, with the head resting on the arms. The facial features are obscured, and the person has wavy hair flowing down towards the shoulder. The person is unclothed, without any visible accessories. The background is dark and nondescript, highlighting the figure's contours and form.
Reynold Weidenaar, Associated American Artists, Nude, 1950, mezzotint in black on wove paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1461

Nude

Reynold Weidenaar, Associated American Artists · 1950 · mezzotint in black on wove paper ·  Accession ID  2015.19.1461

The image shows a man's upper body, depicting him from the mid-thigh upward. He is standing in a three-quarter pose, slightly facing to the left, with his gaze directed towards the viewer. The man has a chiseled face with distinct features, and his hair is short and neatly combed to the side. He is dressed in a formal suit with a tie, and his hand holds an artist's palette. The background features swirling clouds and a stark landscape, including bare trees and a small building. Details around him include a twisted tree and a stack of canvases or frames.
Reynold Weidenaar, Self, 1950, mezzotint in black on laid paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1462

Self

Reynold Weidenaar · 1950 · mezzotint in black on laid paper ·  Accession ID  2015.19.1462

This is a drawing of a cathedral interior undergoing repairs. The artwork depicts a grand, cavernous space with towering columns and high arched ceilings. Scaffolding and construction materials are scattered throughout the scene. Soft light filters in through unseen windows, casting shadows and illuminating dust particles in the air. The intricate architectural details, such as ornate carvings and a domed archway, emphasize the grandeur of the structure. The play of light and shadow gives the drawing a dramatic and atmospheric quality.
Reynold Weidenaar, California Society of Printmakers, Cathedral Repairs, 1949, mezzotint in black, Rosenwald Collection, 1951.10.217

Cathedral Repairs

Reynold Weidenaar, California Society of Printmakers · 1949 · mezzotint in black ·  Accession ID  1951.10.217

This is a drawing of powerful horses being driven energetically across a tumultuous landscape. The scene showcases a team of large, muscular horses in the foreground, their muscles clearly defined and heads held high, as they charge forward. The background is filled with dramatic, swirling clouds and twisted trees, enhancing the sense of motion and chaos within the scene.
Reynold Weidenaar, Print Club of Albany, Grain Thrashers, Old Mexico, 1949, mezzotint in black, Rosenwald Collection, 1953.6.290

Grain Thrashers, Old Mexico

Reynold Weidenaar, Print Club of Albany · 1949 · mezzotint in black ·  Accession ID  1953.6.290

This is a drawing consisting of six scenes, each created using a different method to draw on copper. In the center of a circular design, the phrase "Six Ways to Draw on Copper" is enclosed. The six triangular panels surrounding the circle depict detailed image scenes, with each segment corresponding to a different technique as listed at the bottom: softground, engraving, mezzotint, etching, aquatint, and drypoint. Various landscapes and seascapes are portrayed around the circle, featuring elements such as boats, buildings, mountains, and animals. This piece serves as an informative illustration of the effects achievable through different copper-drawing techniques.
Reynold Weidenaar, Six Ways to Draw on Copper II, 1948, softground etching, engraving, mezzotint, etching, aquatint, and drypoint in black, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.4992

Six Ways to Draw on Copper II

Reynold Weidenaar · 1948 · softground etching, engraving, mezzotint, etching, aquatint, and drypoint in black ·  Accession ID  2008.115.4992