Claire Mahl Moore

Mahl, Claire
Millman, Claire Mahl
American, 1917 - 1988

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The image shows a large, curved shape resembling a hand with elongated fingers, intertwined with lines and triangular forms akin to building tips. This abstract composition fuses geometric shapes, creating a cityscape-like pattern. Rectangular blocks below hint at an urban landscape, leading to a skyline featuring cylindrical forms hinting at skyscrapers.
Claire Mahl Moore, Federal Art Project (New York City), Modern Times, 1940, lithograph in black on wove paper, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.3562

Modern Times

Claire Mahl Moore, Federal Art Project (New York City) · 1940 · lithograph in black on wove paper ·  Accession ID  2008.115.3562
This is a drawing of a surreal urban scene with buildings in the background and various figures and elements in the foreground. The scene depicts a person standing on a terrace surrounded by pots with blooming plants, against a backdrop of geometrically structured buildings. The sky is rendered in a stylized manner with flowing, swirling clouds. In the lower part of the drawing, three distinct faces and a spotted dog-like figure are present. The artwork employs a monochromatic palette, relying on contrasts between light and shadow to create depth and texture. The drawing captures a sense of whimsy combined with an urban and slightly theatrical atmosphere.
Claire Mahl Moore, The Prodigal Daughter, 1936, lithograph, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.3564

The Prodigal Daughter

Claire Mahl Moore · 1936 · lithograph ·  Accession ID  2008.115.3564
This is a drawing of abstract figures in a courtroom setting. There are two groups of figures: one group looking worried or distressed in the foreground, and another group with stern expressions behind a desk or barrier. The imagery uses bold black and white contrast to create drama and tension. The overall composition suggests a scene of judgement or authority overseeing a vulnerable group. The drawing style is reminiscent of expressionist works, characterized by emotional intensity and abstract form.
Claire Mahl Moore, The Authorities, 1936, wood engraving, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.3565

The Authorities

Claire Mahl Moore · 1936 · wood engraving ·  Accession ID  2008.115.3565
This is a drawing of a workplace scene. There is a central figure sitting elevated with a drawing board, surrounded by industrial elements and multiple faces. The background includes smokestacks, geometric shapes suggesting industrial buildings, and workshop tables with lamps illuminating them. The clock on the left suggests time is important. Numerous faces appear to emerge from the areas surrounding the central figure, suggesting a community or workplace environment. Some faces appear to be concentrating or engaged in discussion. The style is detailed and expressive, with fine shading and strong contrasts creating a dramatic and dynamic feel. There is a surreal element in the way these multiple faces and elements blend seamlessly into one another, creating a cohesive representation of a busy, industrious atmosphere.
Claire Mahl Moore, The Workplace, 1936, lithograph, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.3563

The Workplace

Claire Mahl Moore · 1936 · lithograph ·  Accession ID  2008.115.3563
The image depicts four abstract figures in a close arrangement. The central figure is seated, holding a baby, wearing a blue garment. The baby is fully visible. To the left, another smaller figure is partially visible, with pink hair and clothing. On the right, a larger standing figure is shown. Another large figure is in the background on the left. The background has muted tones of brown, yellow, and blue.
Claire Mahl Moore, The Family, c. 1936, screenprint, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.3561

The Family

Claire Mahl Moore · c. 1936 · screenprint ·  Accession ID  2008.115.3561
The image features angular lines and geometric shapes creating an abstract scene. Human-like figures with elongated and angular lines stand around a form on the ground. Blocky, rectangular structures in the background resemble buildings, with an abstracted ambulance on the right, suggesting urban architecture. The composition suggests urban environments with ambulant activity among architectural elements.
Claire Mahl Moore, Street Accident, c. 1935-1943, lithograph, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.3570

Street Accident

Claire Mahl Moore · c. 1935-1943 · lithograph ·  Accession ID  2008.115.3570
This is a drawing featuring several figures in a dramatic and chaotic scene against a backdrop of oil derricks. The composition includes menacing clouds above, with figures shown in motion and one struggling on the ground. In the background are oil rigs and rolling hills. The figures are drawn with exaggerated proportions and expressions. The style reflects emotion and social commentary, capturing urgency and unrest.
Claire Mahl Moore, Scene in Texas Slavery Days, c. 1935-1943, lithograph, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.3569

Scene in Texas Slavery Days

Claire Mahl Moore · c. 1935-1943 · lithograph ·  Accession ID  2008.115.3569
Four individuals, a family, are standing closely together. From left to right: an adult male with an elongated face, a young boy with short hair and large features, an older woman with an arm over her chest, and a young girl with a braid. The adult male has one arm on the boy's shoulder, who is shading his eyes with one hand. The boy is barefoot, the adult male and older woman wear plain clothing. The young girl is barefoot as well. In the background are rolling hills and sparse homes.
Claire Mahl Moore, Mortgaged, c. 1935-1943, lithograph in black on wove paper, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.3568

Mortgaged

Claire Mahl Moore · c. 1935-1943 · lithograph in black on wove paper ·  Accession ID  2008.115.3568
The image is a composition of angular and curved lines forming fragmented shapes. The scene features elongated, distorted figures intertwined and balanced precariously. One figure hovers horizontally from a column-like structure, while another swings downward from above. Below them is another figure curled or kneeling. In the background are rectangular shapes resembling brick walls or buildings, evoking an indoor gymnasium or circus setting.
Claire Mahl Moore, Henry's Acrobats, c. 1935-1943, lithograph in black on wove paper, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.3567

Henry's Acrobats

Claire Mahl Moore · c. 1935-1943 · lithograph in black on wove paper ·  Accession ID  2008.115.3567
The image shows various lines and geometric shapes interwoven to create a complex scene. It depicts large, elongated figures with exaggerated facial features over a smaller construction-like setting, with a crane in the background. These figures seem to interact with smaller, humanoid figures engaged in a construction or pipework activity. The shapes of buildings and industrial elements suggest a factory setting, while the crane carrying cylindrical objects indicates construction. The abstract image merges human forms with mechanical and architectural elements, conveying a bustling industrial atmosphere.
Claire Mahl Moore, People Who Work, 1934, lithograph, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.3560

People Who Work

Claire Mahl Moore · 1934 · lithograph ·  Accession ID  2008.115.3560