Anni Albers

American, born Germany, 1899 - 1994

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The image displays a rectangular composition filled with an intricate pattern of black and white triangles forming angular shapes and lines.
Anni Albers, Drawing IV, 1973, pen and ink with graphite on wove paper, Corcoran Collection (Gift of Olga Hirshhorn), 2014.136.229

Drawing IV

Anni Albers · 1973 · pen and ink with graphite on wove paper ·  Accession ID  2014.136.229

Anni Albers, Po II, 1973, color screenprint and photo-offset lithograph on wove paper, Corcoran Collection (Gift of Olga Hirshhorn), 2015.19.3337

Po II

Anni Albers · 1973 · color screenprint and photo-offset lithograph on wove paper ·  Accession ID  2015.19.3337

The image shows small triangular shapes arranged in a grid pattern on a light background. Dotted lines form each triangle, creating a pinwheel or windmill effect. The repetition and organization of the geometric forms convey movement and rhythm.
Anni Albers, Drawing V, 1973, pen and ink over graphite on wove paper, Corcoran Collection (Gift of Olga Hirshhorn), 2014.136.230

Drawing V

Anni Albers · 1973 · pen and ink over graphite on wove paper ·  Accession ID  2014.136.230

The image depicts a dense pattern of small triangles arranged in a grid-like fashion against a white background. The triangles vary in orientation and color, creating a tapestry of shapes.
Anni Albers, Stuart Henderson, Ron McPherson, Gemini G.E.L., TR II, started 1969, published 1970, color lithograph on Special Arjomari wove paper, Gift of Gemini G.E.L. and the Artist, 1981.5.141

TR II

Anni Albers, Stuart Henderson, Ron McPherson, Gemini G.E.L. · started 1969, published 1970 · color lithograph on Special Arjomari wove paper ·  Accession ID  1981.5.141

The image shows multiple small triangles arranged across a textured, golden background, creating a pattern of overlapping geometric shapes. The triangles are grouped to form larger triangular clusters resembling interconnected peaks or a tessellated mountain range, arranged in an orderly and intricate manner.
Anni Albers, George Page, Jeff Wasserman, Gemini G.E.L., TR III, started 1969, published 1970, screenprint in gold with embossing on Laurence Barker handmade paper, Gift of Benjamin B. Smith, 1985.47.1

TR III

Anni Albers, George Page, Jeff Wasserman, Gemini G.E.L. · started 1969, published 1970 · screenprint in gold with embossing on Laurence Barker handmade paper ·  Accession ID  1985.47.1

The image shows a dense pattern of small and large triangles lined up and intersecting in a grid-like arrangement. It features a vibrant orange palette with darker and lighter shades creating depth and dimension. The triangular shapes create a visual texture that appears complex and dynamic. The repetition of shapes conveys an intricate, tessellated pattern enhancing the abstract design.
Anni Albers, Stuart Henderson, Andrew Vlady, Gemini G.E.L., TR I, started 1968, published 1970, color lithograph on Special Arjomari wove paper, Gift of Gemini G.E.L. and the Artist, 1981.5.140

TR I

Anni Albers, Stuart Henderson, Andrew Vlady, Gemini G.E.L. · started 1968, published 1970 · color lithograph on Special Arjomari wove paper ·  Accession ID  1981.5.140

This is an elongated rectangular woven pattern with vertical and horizontal lines interlaced on a neutral canvas background. The design features vibrant orange and yellow threads, along with specks of blue and green, creating a lively appearance. The pattern resembles a basket weave texture.
Anni Albers, Sunny, 1965, weaving, Corcoran Collection (Gift of Olga Hirshhorn), 2015.19.4093

Sunny

Anni Albers · 1965 · weaving ·  Accession ID  2015.19.4093

The image shows elongated, winding lines twisting and curving against a dark background. The abstract design resembles tangled cords or looping strands, reminiscent of a loose rope or a meandering wire stretching across a textured surface. The interplay of light on the lines adds dimension, creating a visual effect similar to ripples or flows.
Anni Albers, Tamarind Institute, Tamarind Institute, Jeff Ruocco, I from Line Involvements, 1964, one from a portfolio of seven lithographs (including title page) on wove Arches paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.80.2

I from Line Involvements

Anni Albers, Tamarind Institute, Tamarind Institute, Jeff Ruocco · 1964 · one from a portfolio of seven lithographs (including title page) on wove Arches paper ·  Accession ID  1983.18.80.2

The image displays a complex network of intertwining lines in the center, surrounded by horizontal lines extending outward. The lines are set against a dark textured backdrop.
Anni Albers, Tamarind Institute, Tamarind Institute, Ernest Rosenthal, IV from Line Involvements, 1964, one from a portfolio of seven lithographs (including title page) on wove Arches paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.80.5

IV from Line Involvements

Anni Albers, Tamarind Institute, Tamarind Institute, Ernest Rosenthal · 1964 · one from a portfolio of seven lithographs (including title page) on wove Arches paper ·  Accession ID  1983.18.80.5

The image shows a detailed pattern of interwoven lines on a dark textured background. The design looks like a tangle of strings or cords, similar to knotted yarn or spaghetti. The artwork invites viewers to navigate its maze-like composition, connecting visually to everyday objects entwined in an artistic form.
Anni Albers, Tamarind Institute, Tamarind Institute, Thom O'Connor, V from Line Involvements, 1964, one from a portfolio of seven lithographs (including title page) on wove Arches paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.80.6

V from Line Involvements

Anni Albers, Tamarind Institute, Tamarind Institute, Thom O'Connor · 1964 · one from a portfolio of seven lithographs (including title page) on wove Arches paper ·  Accession ID  1983.18.80.6

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Bibliography

1994

  • "Anni Albers." The Washington Post (11 May 1994): B6.