Paolo Boni

Italian, 1926-2017

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The image displays a series of faintly embossed lines and geometric shapes arranged in an abstract composition on a plain background.
Paolo Boni, Omaggio a Braccelli (1st state), 1968, dry impression to control the cut of two separate plates of support in zinc, Rosenwald Collection, 1980.45.190

Omaggio a Braccelli (1st state)

Paolo Boni · 1968 · dry impression to control the cut of two separate plates of support in zinc ·  Accession ID  1980.45.190

The image showcases geometric and angular shapes interconnecting to form an abstract composition. In the center, there are angular blocks suggesting two humanoid figures made of squares, rectangles, and circles. The shapes resemble robots with mechanical joints, bolts, and plates. The background includes tall, stacked rectangular forms, reminiscent of city skyscrapers or industrial structures. The composition conveys an abstract interpretation of urban life or machinery, combining mechanical elements artistically.
Paolo Boni, Omaggio a Braccelli (prova in nero), 1968, print in black with lower part inked by roller, Rosenwald Collection, 1980.45.197

Omaggio a Braccelli (prova in nero)

Paolo Boni · 1968 · print in black with lower part inked by roller ·  Accession ID  1980.45.197

The image depicts overlapping geometric shapes and lines in an intricate pattern. The forms resemble mechanical components or articulated figures, suggesting a connection to robotic or puppet-like structures. The angular lines and circular patterns create a sense of movement and articulation.
Paolo Boni, Omaggio a Braccelli (3rd state), 1968, impression in transparent dirty white; brass base added to zinc support; two superimposed personags in copper and brass screen, Rosenwald Collection, 1980.45.192

Omaggio a Braccelli (3rd state)

Paolo Boni · 1968 · impression in transparent dirty white; brass base added to zinc support; two superimposed personags in copper and brass screen ·  Accession ID  1980.45.192

The image displays overlapping geometric shapes and intricate lines, creating an abstract form. The central figures consist of polygonal sections resembling humanoid forms, made up of segments reminiscent of mechanical joints or armor. The shapes and angles suggest a connection to gears or robotic parts, forming stylized, abstract figures. The background includes linear elements and block shapes, evoking architectural structures or urban skylines.
Paolo Boni, Omaggio a Braccelli, 1968, collagraph in shades of brown, Rosenwald Collection, 1980.45.201

Omaggio a Braccelli

Paolo Boni · 1968 · collagraph in shades of brown ·  Accession ID  1980.45.201

The image displays various angular and geometric shapes arranged in an abstract composition. In the foreground, a humanoid figure composed of segment-like parts is depicted, with arms and legs articulated in angular forms. Surrounding the figure are additional abstract shapes that resemble stylized body suits or armor. In the background, vertical structures suggest tall buildings or architectural elements, adding to the abstract and urban ambiance of the image.
Paolo Boni, Omaggio a Braccelli, 1968, collagraph, Rosenwald Collection, 1980.45.5

Omaggio a Braccelli

Paolo Boni · 1968 · collagraph ·  Accession ID  1980.45.5

The image showcases a mix of geometric and irregular shapes intersecting to form a detailed pattern. The angular forms resemble mechanical parts, with some components resembling robotic elements. The interconnected circles and rectangles suggest limbs or armor. The solid and outlined segments create depth and an industrial aesthetic, giving the impression of a mechanical assembly.
Paolo Boni, Omaggio a Braccelli (5th state), 1968, impression of whole plate: dry printing with lowerfigures inked with roller of gray-tan ink, Rosenwald Collection, 1980.45.194

Omaggio a Braccelli (5th state)

Paolo Boni · 1968 · impression of whole plate: dry printing with lowerfigures inked with roller of gray-tan ink ·  Accession ID  1980.45.194

The image displays geometric shapes and lines that create structure and balance. Sharp angles and soft curves interact on the canvas. The abstract design resembles mechanical parts merged with humanoid forms, suggestive of robotic limbs or an industrial setting. The forms are layered and textured, providing depth and complexity to the surface and hinting at a connection to machinery or futuristic apparatuses.
Paolo Boni, Omaggio a Braccelli (prova a secco), 1968, blind print, with retouches and additions of two elements in lower figure to control whole composition, on gray paper, Rosenwald Collection, 1980.45.199

Omaggio a Braccelli (prova a secco)

Paolo Boni · 1968 · blind print, with retouches and additions of two elements in lower figure to control whole composition, on gray paper ·  Accession ID  1980.45.199

The image shows handwritten text on a sheet of paper. The text is in Italian and appears to be a list or a series of instructions, with each line numbered sequentially. The handwriting is clear and legible, with some words underlined. The paper has a textured appearance around its edges.
Paolo Boni, Omaggio a Braccelli (Justification Page), 1968, description of various proofs handwritten in blackink, Rosenwald Collection, 1980.45.189

Omaggio a Braccelli (Justification Page)

Paolo Boni · 1968 · description of various proofs handwritten in blackink ·  Accession ID  1980.45.189

The image displays angular black shapes with a marbled texture and white accents arranged against a neutral backdrop. The shapes suggest an abstract composition that may resemble a person in a reclining pose, with limbs and head depicted using geometric forms. The overall design suggests a deconstructed anatomy, eliciting recognition of human-like forms through stylized abstraction.
Paolo Boni, Omaggio a Braccelli, 1968, portfolio with 13 early and late proofs of the collagraph of the same title plus handwritten description of the various proofs, Rosenwald Collection, 1980.45.188-201

Omaggio a Braccelli

Paolo Boni · 1968 · portfolio with 13 early and late proofs of the collagraph of the same title plus handwritten description of the various proofs ·  Accession ID  1980.45.188-201

The image features embossed lines and geometric shapes on a textured sheet. The upper section displays jagged edges resembling city skylines or buildings. The lower section showcases interlocking circuitous and rectangular shapes, reminiscent of mechanical systems or skeletons. The overall design suggests urban architecture and machinery.
Paolo Boni, Omaggio a Braccelli (Title Folder), 1968, blind printed with two different variations from the collagraph plate, Rosenwald Collection, 1980.45.188

Omaggio a Braccelli (Title Folder)

Paolo Boni · 1968 · blind printed with two different variations from the collagraph plate ·  Accession ID  1980.45.188