Frank Brangwyn

Brangwyn, Frank
Brangwyn, Frank William Sir

British, 1867 - 1956

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The image is an etching of an individual shown from the upper torso upwards. The person is depicted in a seated or reclined position, with their head resting heavily on one hand. The facial features are furrowed, and the hair appears tousled. The person is clothed in layered, voluminous robes or garments with numerous folds and creases. There are no visible items of jewelry or objects being held by the figure. The background of the etching is simple, with a border. Alongside the figure are the words "Book of JoB" inscribed on the left and bottom right of the etching, with stylized text.
Frank Brangwyn, The Book of Job, 1948, bound volume with thirty-three etchings, Corcoran Collection, 2015.143.1427

The Book of Job

Frank Brangwyn · 1948 · bound volume with thirty-three etchings ·  Accession ID  2015.143.1427

This is a photograph of a title page of a publication. The page features the title "THE ETCHINGS OF FRANK BRANGWYN, R.A. A CATALOGUE RAISONNÉ BY W. GAUNT" prominently at the top. Below the title, it states "Published by arrangement with the Fine Art Society Ltd." in a smaller red font. There is a decorative emblem or logo centrally placed below this statement. At the bottom of the page, Roman numerals "MCMXXVI" are present. It mentions "The Studio, Limited, 44 Leicester Square, London." The page has a simple design, with an emphasis on informative text and a sparse layout.
Frank Brangwyn, W. Gaunt, The Etchings of Frank Brangwyn, R.A., published 1926, bound volume with nine photogravures, Corcoran Collection, 2015.143.1420.1-9

The Etchings of Frank Brangwyn, R.A.

Frank Brangwyn, W. Gaunt · published 1926 · bound volume with nine photogravures ·  Accession ID  2015.143.1420.1-9

This is an image of an illustrated book cover. The title is "The Girl and the Faun" by Eden Phillpotts, illustrated by Frank Brangwyn. The cover design features a faun surrounded by foliage. The publication details indicate it was published in London in 1916 by Cecil Palmer & Hayward. The color scheme is a light brown or sepia tone.
Frank Brangwyn, Eden Phillpotts, The Girl and the Faun, 1917, bound volume with four woodcut illustrations and woodcut border illustrations in light brown on all text pages, plus four color process prints tipped in, all on handmade laid paper, Corcoran Collection, 2015.143.1428

The Girl and the Faun

Frank Brangwyn, Eden Phillpotts · 1917 · bound volume with four woodcut illustrations and woodcut border illustrations in light brown on all text pages, plus four color process prints tipped in, all on handmade laid paper ·  Accession ID  2015.143.1428

The image depicts a drawing of a baby in two different positions on textured paper. The baby is shown from the upper torso upwards, lying on its back with its head turned to the side. The facial features are delicate, with closed eyes, a small nose, and slightly open lips. The baby's hair is fine, and the drawing is in red and white chalk, showing the contours and shading. The baby is wrapped in a cloth, suggested with light sketching. There are no visible jewelry or objects. The background is the textured paper.
Frank Brangwyn, A Sleeping Baby, c. 1917, red, black, and white chalk on gray flecked cardboard, Ailsa Mellon Bruce Fund, 2007.82.1

A Sleeping Baby

Frank Brangwyn · c. 1917 · red, black, and white chalk on gray flecked cardboard ·  Accession ID  2007.82.1

This is a drawing of a large ship shore scene. The composition depicts the side of a large sailing ship on the right, with its masts and rigging drawn with thick lines. On the lower left, a smaller boat is filled with figures rowing towards a shore bustling with activity. The shoreline is lined with cliffs and rolling hills, and multiple figures are gathered. The drawing conveys a sense of maritime exploration and historic ship landings.
Frank Brangwyn, The Historic Landing, 1913/1915, brush and black ink over black chalk on thin wove paper, Gift of William B. O'Neal, 1995.52.7

The Historic Landing

Frank Brangwyn · 1913/1915 · brush and black ink over black chalk on thin wove paper ·  Accession ID  1995.52.7

The image showcases an architectural structure, possibly a cathedral or church, from a lower angle. The building fills the composition, showcasing detailed architectural elements and a bell tower. The artwork employs fine etching lines, cross-hatching for shadows, and a monochromatic sepia color palette. Small figures and horse-drawn carts add scale to the scene. The sky in the background is depicted with sweeping strokes.
Frank Brangwyn, Notre Dame, Poictiers, 1912, etching and drypoint in black on wove paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1516

Notre Dame, Poictiers

Frank Brangwyn · 1912 · etching and drypoint in black on wove paper ·  Accession ID  2015.19.1516

This is a painting of an old building's facade with architectural details and a rustic atmosphere. The artwork depicts a large structure with a balcony in the upper left corner, intricately detailed with railing design and a thatched roof. The building walls are textured with visible wear and aging. The ground area includes piles of materials or debris. An arched doorway on the right introduces depth.
Frank Brangwyn, Old Houses, St. Cirq, 1910, etching in black, Rosenwald Collection, 1980.45.213

Old Houses, St. Cirq

Frank Brangwyn · 1910 · etching in black ·  Accession ID  1980.45.213

This is a drawing of a street scene with a view from a café terrace. The artwork shows an outdoor seating area with a table, a potted shrub, and a bench. The perspective leads the viewer down a narrow street lined with old buildings. The windows and roofs are captured in intricate line work. The scene feels tranquil, with a focus on the texture and detail of the architecture and foliage. The atmosphere is intimate, inviting the viewer to imagine city life and conversation. Deep shading and fine lines create a stark contrast, lending old-world charm to the drawing.
Frank Brangwyn, A Café, Furnes, 1908, etching in black on laid paper, Corcoran Collection (Museum Purchase, Mary E. Maxwell Fund, 1927), 2015.19.301

A Café, Furnes

Frank Brangwyn · 1908 · etching in black on laid paper ·  Accession ID  2015.19.301

The image shows a sketch of a man's head and shoulders in a three-quarter view facing to the left. The man has a full beard and mustache, with short hair combed back. His expression is in shadow, creating depth. He is wearing a garment with a collar suggesting a jacket. In the background, there are lighter outlines resembling a wall with faint sketch marks of a vase or similar object. Below the image, there is handwritten text that appears reflective or personal.
Frank Brangwyn, Self-Portrait at Forty-five, c.1912, black chalk on wove paper, Joseph F. McCrindle Collection, 2009.70.61

Self-Portrait at Forty-five

Frank Brangwyn · c.1912 · black chalk on wove paper ·  Accession ID  2009.70.61

The image shows a low perspective view of a rustic windmill. The windmill is centrally placed, obscuring the horizon with clouds in the background. The windmill extends upward with its sails slightly to the right. The artwork uses dark, etched lines to create a dramatic ambiance. The color palette is primarily sepia, giving the image a vintage feel. A cart filled with materials is on the right, and nearby mill machinery is intricately etched. In the distance, there are other structures and fluffy clouds for context.
Frank Brangwyn, Windmills, Bruges, 1906, etching in black on laid paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1517

Windmills, Bruges

Frank Brangwyn · 1906 · etching in black on laid paper ·  Accession ID  2015.19.1517