Luca Ciamberlano

Italian, 1580 - 1641

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This is a drawing of various forearms and hands. The composition consists of several studies of forearms and hands, arranged creatively on the page. The largest element is a muscular forearm and hand positioned vertically. Above it is another hand holding a pair of drawing tools. To the left, multiple smaller studies of arms and hands are shown in different poses, each distinct in the portrayal of muscles and skin texture. The use of line and hatching creates a sense of depth and volume throughout the piece.
Luca Ciamberlano, Pietro Stefanoni, Print from Drawing Book, c. 1610/1620, engraving, Gift of Arthur and Charlotte Vershbow, 1977.66.1.27

Print from Drawing Book

Luca Ciamberlano, Pietro Stefanoni · c. 1610/1620 · engraving ·  Accession ID  1977.66.1.27

The image shows a person's back, captured from the waist up. The person faces away from the viewer with arms raised and bent at the elbows, hands pointing forward. The back of their head, featuring short, curly hair, is visible. The person is unclothed, displaying a muscular back. The background consists of cloud-like formations framing the scene. The setting is enclosed within a rectangular frame on an aged, textured background.
Luca Ciamberlano, Pietro Stefanoni, Print from Drawing Book, c. 1610/1620, engraving, Gift of Arthur and Charlotte Vershbow, 1977.66.1.34

Print from Drawing Book

Luca Ciamberlano, Pietro Stefanoni · c. 1610/1620 · engraving ·  Accession ID  1977.66.1.34

This is a drawing of a warrior in armor. The warrior is sitting on a cloud, wearing detailed armor, a helmet with a crest, holding a shield and a spear. The sketch is rendered with fine lines and shading to depict the warrior's muscular structure and clothing folds. The paper has a textured appearance, giving the artwork character.
Luca Ciamberlano, Pietro Stefanoni, Print from Drawing Book, c. 1610/1620, engraving, Gift of Arthur and Charlotte Vershbow, 1977.66.1.37

Print from Drawing Book

Luca Ciamberlano, Pietro Stefanoni · c. 1610/1620 · engraving ·  Accession ID  1977.66.1.37

This is a drawing of various studies of feet. The illustration shows sketches of feet from different angles and postures. The feet are intricately detailed with defined contours and shading to depict musculature and structure. The image uses cross-hatching and line work for depth and form. Each foot study is shown in a confined space, possibly for comparison or anatomical study. The artwork appears on aged paper, adding to the classical and academic feel of the study.
Luca Ciamberlano, Pietro Stefanoni, Print from Drawing Book, c. 1610/1620, engraving, Gift of Arthur and Charlotte Vershbow, 1977.66.1.30

Print from Drawing Book

Luca Ciamberlano, Pietro Stefanoni · c. 1610/1620 · engraving ·  Accession ID  1977.66.1.30

This is a drawing of detailed studies of various feet. The drawing consists of several anatomical studies, focusing on the intricate structures and forms of feet. Each foot is rendered with fine detail, highlighting the textures and contours of the skin, muscles, and bones. The use of line work and shading provides a sense of depth and three-dimensionality to the forms. The feet are presented from different angles and positions, showcasing a range of natural poses and anatomical exploration. The overall composition is dedicated to capturing the realism and subtle intricacies of the human feet.
Luca Ciamberlano, Pietro Stefanoni, Print from Drawing Book, c. 1610/1620, engraving, Gift of Arthur and Charlotte Vershbow, 1977.66.1.29

Print from Drawing Book

Luca Ciamberlano, Pietro Stefanoni · c. 1610/1620 · engraving ·  Accession ID  1977.66.1.29

The image shows a muscular person from the back seated with legs bent and hands resting on the ground. The person's head is turned towards the left and tilted upward. The background is plain with a textured appearance, similar to aged paper, framing the core illustration.
Luca Ciamberlano, Pietro Stefanoni, Print from Drawing Book, c. 1610/1620, engraving, Gift of Arthur and Charlotte Vershbow, 1977.66.1.35

Print from Drawing Book

Luca Ciamberlano, Pietro Stefanoni · c. 1610/1620 · engraving ·  Accession ID  1977.66.1.35

The image shows the upper body of a man in a three-quarter view, with his arms crossed over his chest. He has a contemplative expression, looking upward to his right. The man has a pronounced brow, a full beard, and curly hair. He wears a robe with large folds and a halo behind his head. The background features a simple, lined pattern implying divine illumination. The image is an engraving on textured paper.
Luca Ciamberlano, Pietro Stefanoni, Saint Francis of Assisi, c. 1610/1620, engraving, Gift of Arthur and Charlotte Vershbow, 1977.66.1.21

Saint Francis of Assisi

Luca Ciamberlano, Pietro Stefanoni · c. 1610/1620 · engraving ·  Accession ID  1977.66.1.21

The image shows an anatomical study of the lower body, focusing on the legs. The illustration displays detailed musculature and posture of the legs from mid-thigh to the feet. The legs are depicted in a standing stance; the left leg is slightly bent with the foot flat on the ground, while the right leg is extended with the toes pointing downwards. There are no facial features or hair depicted. The sketch emphasizes the anatomical structure and musculature of the legs, devoid of clothing. Annotations in the form of small lines and letters indicate specific parts of the leg muscles. The background is plain, and the image is presented on a page resembling an antique or classical anatomy book.
Luca Ciamberlano, Pietro Stefanoni, Print from Drawing Book, c. 1610/1620, engraving, Gift of Arthur and Charlotte Vershbow, 1977.66.1.31

Print from Drawing Book

Luca Ciamberlano, Pietro Stefanoni · c. 1610/1620 · engraving ·  Accession ID  1977.66.1.31

This is a photograph of a textured, aged surface. The image shows a surface that resembles an old book cover or a piece of parchment-like material. The dominant color is a muted beige or yellowish tone, with visible soft textures and scattered darker spots. Light linear marks and subtle curvature are visible on the surface, implying faint scratches or indentations. The overall feel is one of antiquity and subtle complexity.
Luca Ciamberlano, Pietro Stefanoni, Scuola perfetta per imparare a disegnare tutto il corpo humano cavata dallo studio, e disegni de Caracci novamente data alle stampe, c. 1610/1620, bound volume with 38 engravings (including title page without letters) printed in black and brown on laid paper, Gift of Arthur and Charlotte Vershbow, 1977.66.1.1-37

Scuola perfetta per imparare a disegnare tutto il corpo humano cavata dallo studio, e disegni de Caracci novamente data alle stampe

Luca Ciamberlano, Pietro Stefanoni · c. 1610/1620 · bound volume with 38 engravings (including title page without letters) printed in black and brown on laid paper ·  Accession ID  1977.66.1.1-37

This image portrays the head of an infant in profile, facing upwards. The child's face has full cheeks and a slightly open mouth. The short, curly hair frames the rounded features of the face. The infant's body is not visible beyond the shoulders. There are no visible clothing, objects, or jewelry. The background is plain with a halo-like effect of lines radiating out from the child's head. The drawing is placed at the center of a piece of paper, which shows signs of age with discoloration and spots around the edges.
Luca Ciamberlano, Pietro Stefanoni, Print from Drawing Book, c. 1610/1620, engraving, Gift of Arthur and Charlotte Vershbow, 1977.66.1.7

Print from Drawing Book

Luca Ciamberlano, Pietro Stefanoni · c. 1610/1620 · engraving ·  Accession ID  1977.66.1.7