Richard Diebenkorn

American, 1922 - 1993

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The image shows an abstract composition of lines, circles, and geometric shapes in black against a white background. The shapes resemble gears, bolts, or industrial machinery parts, creating a complex pattern. The design appears to be a mechanical blueprint or a disassembled engine.
Richard Diebenkorn, Renée Bott, The Barbarian [working proof 2], 1992, etching, aquatint reversal and drypoint with scraping and burnishing on Rives paper [working proof 2], Gift of Kathan Brown, 2024.132.284

The Barbarian [working proof 2]

Richard Diebenkorn, Renée Bott · 1992 · etching, aquatint reversal and drypoint with scraping and burnishing on Rives paper [working proof 2] ·  Accession ID  2024.132.284

The image shows bold, sweeping lines and sharp angles creating an intricate composition with geometric and organic shapes intermingling. Circular forms and linear patterns are featured, invoking a sense of chaotic machinery or a fragmented cityscape. It challenges the viewer to find patterns amidst the apparent randomness.
Richard Diebenkorn, Renée Bott, The Barbarian's Garden - Threatened [working proof 2], 1992, etching, aquatint reversal and drypoint with scraping and burnishing on Rives paper (WP 2 – black aquatint reversal of WP 1 with some changes) [working proof 2], Gift of Kathan Brown, 2024.132.286

The Barbarian's Garden - Threatened [working proof 2]

Richard Diebenkorn, Renée Bott · 1992 · etching, aquatint reversal and drypoint with scraping and burnishing on Rives paper (WP 2 – black aquatint reversal of WP 1 with some changes) [working proof 2] ·  Accession ID  2024.132.286

The image features various shapes and lines, including circles, crosses, and intersecting lines. The composition appears abstract, resembling a collage of mechanical parts or cosmic symbols. Circular forms with inner rings and crisscrossing lines suggest gears and dials, while crosses and angular lines evoke navigational symbols or coded messages. The overall composition is reminiscent of a mechanical blueprint or a celestial map, inviting curiosity about the significance of each form.
Richard Diebenkorn, Renée Bott, Flotsam [working proof 1], 1992, aquatint with drypoint on Rives paper [working proof 1], Gift of Kathan Brown, 2024.132.278

Flotsam [working proof 1]

Richard Diebenkorn, Renée Bott · 1992 · aquatint with drypoint on Rives paper [working proof 1] ·  Accession ID  2024.132.278

The image features swirling lines and shapes in black and white. Curved and angular lines intersect, with circular forms present throughout. The composition conveys a mechanical and industrial vibe, with abstract elements hinting at machinery and organization.
Richard Diebenkorn, Renée Bott, The Barbarian's Garden - Threatened [working proof 1], 1992, etching, aquatint reversal and drypoint with scraping and burnishing on Rives paper (WP 1 – black aquatint reversal) [working proof 1], Gift of Kathan Brown, 2024.132.285

The Barbarian's Garden - Threatened [working proof 1]

Richard Diebenkorn, Renée Bott · 1992 · etching, aquatint reversal and drypoint with scraping and burnishing on Rives paper (WP 1 – black aquatint reversal) [working proof 1] ·  Accession ID  2024.132.285

The image displays a complex arrangement of overlapping shapes and lines. The abstract artwork features a collage-like composition with familiar shapes such as circles, crosses, arrows, and what appears to be a section of a printed letter. The shapes are intertwined and layered like a puzzle, suggesting mechanical parts or gears. The abstract elements mimic the scattered appearance of a mechanical blueprint or a collection of assorted objects.
Richard Diebenkorn, Renée Bott, Flotsam [working proof 2], 1992, aquatint with drypoint on Rives paper [working proof 2], Gift of Kathan Brown, 2024.132.279

Flotsam [working proof 2]

Richard Diebenkorn, Renée Bott · 1992 · aquatint with drypoint on Rives paper [working proof 2] ·  Accession ID  2024.132.279

The image depicts an abstract composition featuring various shapes and lines. Circular, triangular, and cross-like forms are arranged throughout the piece. The arrangement resembles a mechanical blueprint or an ancient map, with objects such as stars, spirals, and lines intersecting in a dynamic manner. The design prompts viewers to draw connections to figures like clocks, compasses, and fragments of capital letters within the chaotic composition.
Richard Diebenkorn, Renée Bott, Flotsam [working proof 4], 1992, aquatint with drypoint on Rives paper [working proof 4], Gift of Kathan Brown, 2024.132.281

Flotsam [working proof 4]

Richard Diebenkorn, Renée Bott · 1992 · aquatint with drypoint on Rives paper [working proof 4] ·  Accession ID  2024.132.281

The image displays a variety of abstract shapes and lines mostly in black and white. These elements form a complex pattern with circular and linear features. The composition may suggest organized chaos, reminiscent of mechanical parts overlapping. Angular and circular shapes are present, resembling objects like clock faces or pressure gauges, contributing to an industrial aesthetic.
Richard Diebenkorn, Renée Bott, Flotsam [working proof 5], 1992, aquatint with drypoint on Rives paper [working proof 5], Gift of Kathan Brown, 2024.132.282

Flotsam [working proof 5]

Richard Diebenkorn, Renée Bott · 1992 · aquatint with drypoint on Rives paper [working proof 5] ·  Accession ID  2024.132.282

The image depicts an intricate composition of circular and angular shapes interspersed with thick, swirling lines. The overlapping forms and black and white contrasts contribute to an industrial aesthetic.
Richard Diebenkorn, Renée Bott, The Barbarian [working proof 1], 1992, etching, aquatint reversal and drypoint with scraping and burnishing on Rives paper [working proof 1], Gift of Kathan Brown, 2024.132.283

The Barbarian [working proof 1]

Richard Diebenkorn, Renée Bott · 1992 · etching, aquatint reversal and drypoint with scraping and burnishing on Rives paper [working proof 1] ·  Accession ID  2024.132.283

The image displays a collection of irregularly shaped lines and forms arranged on the canvas. The abstract artwork contains elements that suggest a mechanical or industrial theme, such as gears, dials, and arrows. Some lines connect to form pathways or circuitry, resembling a blueprint. Circular shapes resembling buttons or knobs are present, along with crosses and star-like shapes that contribute to the organized chaos of the design.
Richard Diebenkorn, Renée Bott, Flotsam [working proof 3], 1992, aquatint with drypoint on Rives paper [working proof 3], Gift of Kathan Brown, 2024.132.280

Flotsam [working proof 3]

Richard Diebenkorn, Renée Bott · 1992 · aquatint with drypoint on Rives paper [working proof 3] ·  Accession ID  2024.132.280

The image shows swirling lines, geometric shapes, and intersecting forms in black and white. Some shapes resemble arrows, wheels, gears, and organic textures, creating an abstract composition with a mix of structured and formless elements.
Richard Diebenkorn, Crown Point Press, The Barbarian's Garden - Threatened, 1992, ink-transfer aquatint and drypoint with scraping and burnishing in black on Rives heavyweight buff paper, Eugene L. and Marie-Louise Garbáty Fund and Patrons' Permanent Fund, 1996.77.95

The Barbarian's Garden - Threatened

Richard Diebenkorn, Crown Point Press · 1992 · ink-transfer aquatint and drypoint with scraping and burnishing in black on Rives heavyweight buff paper ·  Accession ID  1996.77.95

Bibliography

1993

  • Obituary, The Washington Post, 1 April 1993: C4.