Joe Funk

American, active late 20th century

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This is a drawing of an outdoor scene with structures and shadows. The drawing captures a scene with lightly sketched figures and structures against an expansive foreground. The drawing is done in a soft pencil tone. The majority of the composition is wide, empty areas which direct the eye to the detailed areas where the sketch marks depict figures standing near what appears to be a low wall or seating area. The environment is suggested with minimal detail, lending an atmospheric feel to the piece. The use of shading is delicate, highlighting the figures and the spaces around them in a subtle manner.
Harold Altman, Joe Funk, Tamarind Institute, Man, 1961, lithograph in brown on wove Arches paper, Rosenwald Collection, 1964.8.2034

Man

Harold Altman, Joe Funk, Tamarind Institute · 1961 · lithograph in brown on wove Arches paper ·  Accession ID  1964.8.2034

The image shows dense, overlapping lines forming an abstract pattern. In the center, there is a rectangular shape enclosing a circular void, resembling a tunnel or doorway.
Clinton Adams, Joe Funk, Tamarind Institute, Tablet VIII, 1961, lithograph in black on Arches wove paper, Rosenwald Collection, 1964.8.1979.8

Tablet VIII

Clinton Adams, Joe Funk, Tamarind Institute · 1961 · lithograph in black on Arches wove paper ·  Accession ID  1964.8.1979.8

The image shows bold rectangular and square shapes with heavily shaded areas and a bright, textured rectangular form in the center. This abstract composition creates a sense of depth and contrast. The central rectangle is detailed and rough in texture, set amidst a surrounding dark and subtly shaded background.
Clinton Adams, Joe Funk, Tamarind Institute, Tablet I, 1961, lithograph in black on Arches wove paper, Rosenwald Collection, 1964.8.1979.1

Tablet I

Clinton Adams, Joe Funk, Tamarind Institute · 1961 · lithograph in black on Arches wove paper ·  Accession ID  1964.8.1979.1

The image displays an abstract composition with irregular rectangles and amorphous forms layered inside a larger dark border. Varying shades of gray and black create a textured appearance. Scattered spots are present. The overall arrangement suggests a fragmented landscape seen from above, with light and shadow adding depth to the scene.
Clinton Adams, Joe Funk, Tamarind Institute, Tablet V, 1961, lithograph in black on Arches wove paper, Rosenwald Collection, 1964.8.1979.5

Tablet V

Clinton Adams, Joe Funk, Tamarind Institute · 1961 · lithograph in black on Arches wove paper ·  Accession ID  1964.8.1979.5

The image displays an abstract composition with a large circular shape at the top and a rectangular shape below it. The circle has radiating lines and a darker inner portion, resembling the sun or a celestial body. Below, the rectangular shape contains irregular stone-like forms, reminiscent of a mosaic or stone wall, bordered by a diffused edge that transitions into the surrounding area. The composition balances the circular and rectangular elements, evoking natural elements in an abstract way.
Clinton Adams, Joe Funk, Tamarind Institute, Tablet X, 1961, color lithograph on Arches wove paper, Rosenwald Collection, 1964.8.1979.10

Tablet X

Clinton Adams, Joe Funk, Tamarind Institute · 1961 · color lithograph on Arches wove paper ·  Accession ID  1964.8.1979.10

The image showcases a series of vertical and slightly diagonal lines forming an abstract composition against a light background. These lines create a pattern that can be interpreted as a group of figures or forms resembling people in motion. The arrangement suggests a connection to a crowded scene where individual shapes merge together.
Harold Altman, Joe Funk, Tamarind Institute, Figures, 1961, lithograph in brown on wove Nacre paper, Rosenwald Collection, 1964.8.2033

Figures

Harold Altman, Joe Funk, Tamarind Institute · 1961 · lithograph in brown on wove Nacre paper ·  Accession ID  1964.8.2033

The image shows horizontal rectangular shapes in varying shades of gray to black, stacked vertically with distinct separation lines in between. The layers have a gradual transition from dark to light, giving the impression of different densities. The softer edges and blending of tones enhance the abstract quality of the composition.
Clinton Adams, Joe Funk, Tamarind Institute, Tablet IV, 1961, lithograph in black on Arches wove paper, Rosenwald Collection, 1964.8.1979.4

Tablet IV

Clinton Adams, Joe Funk, Tamarind Institute · 1961 · lithograph in black on Arches wove paper ·  Accession ID  1964.8.1979.4

The image displays a large rectangle of deep burnt orange color, dominating the space in an abstract manner. The texture and shading variations on the surface resemble fabric or canvas, hinting at a textile representation. These elements add depth and movement to the design.
Clinton Adams, Garo Antreasian, Joe Funk, Tamarind Institute, Tablets, 1961, portfolio of ten lithographs with title page and colophon, Rosenwald Collection, 1964.8.1979.1-10

Tablets

Clinton Adams, Garo Antreasian, Joe Funk, Tamarind Institute · 1961 · portfolio of ten lithographs with title page and colophon ·  Accession ID  1964.8.1979.1-10

The image displays abstract shapes and patterns within a central rectangular form with a thick black border. The top of the interior rectangle is filled with small circular shapes and textured lines. Below this, a darker band with circular forms creates contrast. Beneath the rectangle are layers of irregular shapes resembling geological formations or rough stone textures.
Clinton Adams, Joe Funk, Tamarind Institute, Window Series II, 1960, color lithograph on Rives BFK wove paper, Rosenwald Collection, 1964.8.1989.2

Window Series II

Clinton Adams, Joe Funk, Tamarind Institute · 1960 · color lithograph on Rives BFK wove paper ·  Accession ID  1964.8.1989.2

The image contains rectangular and irregular shapes layered on top of each other, creating depth and texture. This abstract composition features lines and forms resembling stacked stones or bricks in a loosely organized manner. The shapes have varying textures like wood grain or rough concrete, offering a tactile visual experience. The arrangement suggests architectural elements, reminiscent of a fragmented wall or ancient ruin.
Clinton Adams, Joe Funk, Tamarind Institute, Broken Land I, 1960, lithograph in black on Rives BFK wove paper, Rosenwald Collection, 1964.8.1972

Broken Land I

Clinton Adams, Joe Funk, Tamarind Institute · 1960 · lithograph in black on Rives BFK wove paper ·  Accession ID  1964.8.1972