Robert Andrew Parker

American, 1927 - 2023

Explore selected works

See all 38 works of art
The image shows a pencil sketch of a man's head and shoulders in front of bookshelves filled with books. The man has one hand resting on his cheek. His facial features are detailed, with defined lines outlining his eyes, nose, and lips. His hair is combed back, and he is wearing a dark jacket and a tie with diagonal stripes. The background consists of bookshelves with various book titles visible, such as "My Silent War," "O Wilde," "Notebooks of Henry James," and "Ezra Pound." The books are detailed with titles scribbled in different directions and shaded to create depth. The image conveys a scholarly and introspective atmosphere.
Robert Andrew Parker, Graham Greene's Library, 1998, monotype, Reba and Dave Williams Collection, Gift of the Print Research Foundation, 2008.115.490

Graham Greene's Library

Robert Andrew Parker · 1998 · monotype ·  Accession ID  2008.115.490

The image consists of diffused, flowing lines moving vertically, with soft, uneven horizontal sections dividing the composition. The upper portion contains muted tones of red and blue blending seamlessly, while the lower half transitions into a paler, sandy hue. The overall impression is of a tranquil landscape encapsulated in abstract form, with colors and shapes that suggest both earth and sky.
Robert Andrew Parker, Tamarind Institute, County Clare, Eire IV, 1967, lithograph (aluminum and stone) in yellow, red, blue, and white on German Etching paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.508

County Clare, Eire IV

Robert Andrew Parker, Tamarind Institute · 1967 · lithograph (aluminum and stone) in yellow, red, blue, and white on German Etching paper ·  Accession ID  1984.34.508

The image shows a landscape with a low horizon, water, dark landmasses in the distance, textured rocky terrain, clouds in the sky, an impressionistic style, muted color palette, and a somber atmosphere.
Robert Andrew Parker, Tamarind Institute, County Clare, Eire, 1967, lithograph (aluminum and stone) in four grays on Copperplate Deluxe paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.509

County Clare, Eire

Robert Andrew Parker, Tamarind Institute · 1967 · lithograph (aluminum and stone) in four grays on Copperplate Deluxe paper ·  Accession ID  1984.34.509

This is a painting of a proboscis monkey. The image features an illustration of a proboscis monkey against an orange background. The monkey is depicted with its large nose, expressive eyes, and detailed fur. The words "PROBOSCIS MONKEY" are integrated into the design with a playful font.
Robert Andrew Parker, Tamarind Institute, Proboscis Monkey, 1967, lithograph (zinc and stone) in orange-yellow, light brown and black on Rives BFK paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.520

Proboscis Monkey

Robert Andrew Parker, Tamarind Institute · 1967 · lithograph (zinc and stone) in orange-yellow, light brown and black on Rives BFK paper ·  Accession ID  1984.34.520

The image shows a series of curved and jagged lines swirling across the canvas. In the upper portion, shapes and lines suggest the texture of windswept clouds in varying shades of blue and white, punctuated by darker, irregular forms resembling wisps or turbulent weather patterns. A band of golden-yellow stretches across the center. Beneath this, softer blue and pinkish hues converge and swirl, evoking flowing water or distant hills as they blend into overlapped shapes and patterns. Below, pale blue and off-white smudges and spots resemble mist or the frothy edges of a shoreline. The arrangement presents an abstract vision of natural elements merging together.
Robert Andrew Parker, Tamarind Institute, County Clare, Eire II, 1967, lithograph (aluminum and stone) in yellow, red, blue, and white on German Etching paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.506

County Clare, Eire II

Robert Andrew Parker, Tamarind Institute · 1967 · lithograph (aluminum and stone) in yellow, red, blue, and white on German Etching paper ·  Accession ID  1984.34.506

The image shows an abstract composition of dark shapes and lines spread across two panels. The left panel features rough lines and dark areas, while the right panel has softer, curved lines. The left panel may be interpreted as a shaggy animal, resembling a bear, while the right panel depicts a creature resembling a dog. The artwork captures the essence of a bear and a dog through expressive strokes.
Robert Andrew Parker, Tamarind Institute, Untitled, 1967, lithograph (stone) in black on white Arches paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.518

Untitled

Robert Andrew Parker, Tamarind Institute · 1967 · lithograph (stone) in black on white Arches paper ·  Accession ID  1984.34.518

This is a painting of a baboon sitting near a body of water. The baboon is depicted in a stylized manner, with a focus on texture and form. The baboon is gazing towards the viewer, with its body partly reflected in the water below. Surrounding the baboon are trees and earthy tones dominating the composition, providing a sense of habitat. The water in front of the baboon reflects the colors and shapes of the landscape, creating a mirrored effect. The style is suggestive of post-impressionistic or modernist influences.
Robert Andrew Parker, Tamarind Institute, Baboon, 1967, lithograph (zinc and stone) yellow-beige, blue, black and two browns on Rives BFK paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.524

Baboon

Robert Andrew Parker, Tamarind Institute · 1967 · lithograph (zinc and stone) yellow-beige, blue, black and two browns on Rives BFK paper ·  Accession ID  1984.34.524

The image shows a landscape from an elevated perspective, with the horizon dividing the sky and earth. The sky is filled with expressive cloud formations in blue, gray, and white. The earth below has browns and greens. Brushwork in the sky is loose and impressionistic, while the terrain appears textured.
Robert Andrew Parker, Tamarind Institute, County Clare, Eire XII, 1967, lithograph (zinc and stone) in transparent green, two blues, and brown on German Etching paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.516

County Clare, Eire XII

Robert Andrew Parker, Tamarind Institute · 1967 · lithograph (zinc and stone) in transparent green, two blues, and brown on German Etching paper ·  Accession ID  1984.34.516

The image shows a vast open landscape with land meeting the sky at the horizon in the middle of the image. The sky displays soft layers of clouds in pale blue, pink, gray, and muted cream. The clouds suggest movement and add texture and depth to the sky. The overall color palette includes soft pastels of cool blues, grays, warm pinks, and creams. The land closest to us appears as a flat, uniform expanse in pale blue-gray with subtle variations for texture. Brushwork emphasizes a painterly technique, creating visible marks for a dynamic and textured scene.
Robert Andrew Parker, Tamarind Institute, County Clare, Eire III, 1967, lithograph (aluminum and stone) in yellow, red, blue, and white on German Etching paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.507

County Clare, Eire III

Robert Andrew Parker, Tamarind Institute · 1967 · lithograph (aluminum and stone) in yellow, red, blue, and white on German Etching paper ·  Accession ID  1984.34.507

This is an image of a title page. The text on a textured, beige background reads "COUNTY CLARE EIRE Robert Andrew Parker." The background has a subtle gradient or texture, and a soft shadow is present. The design is minimalistic and focuses on the text.
Robert Andrew Parker, Tamarind Institute, County Clare, Eire, 1967, portfolio w/ 12 color lithographs (aluminum, stoneand zinc) on German Etching paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.505-516

County Clare, Eire

Robert Andrew Parker, Tamarind Institute · 1967 · portfolio w/ 12 color lithographs (aluminum, stoneand zinc) on German Etching paper ·  Accession ID  1984.34.505-516