Marcantonio Raimondi

Roman, c. 1480 - c. 1534

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16th-century Italian engraver and printmaker

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School of Marcantonio Raimondi, Marcantonio Raimondi, Allegory of Love, c. 1540, engraving on laid paper, Ailsa Mellon Bruce Fund, 2016.47.1

Allegory of Love

School of Marcantonio Raimondi, Marcantonio Raimondi · c. 1540 · engraving on laid paper ·  Accession ID  2016.47.1

Marcantonio Raimondi, Hercules and Antaeus, after 1520, engraving, Gift of W.G. Russell Allen, 1941.1.69

Hercules and Antaeus

Marcantonio Raimondi · after 1520 · engraving ·  Accession ID  1941.1.69

Marcantonio Raimondi, Woman Pulling Her Hair, 1520/1525, etching and engraving, Andrew W. Mellon Fund, 1976.49.2

Woman Pulling Her Hair

Marcantonio Raimondi · 1520/1525 · etching and engraving ·  Accession ID  1976.49.2

Marcantonio Raimondi, Hercules and Antaeus, after 1520, engraving, Rosenwald Collection, 1943.3.7348

Hercules and Antaeus

Marcantonio Raimondi · after 1520 · engraving ·  Accession ID  1943.3.7348

Printed with black lines on cream-white paper, twenty-four people gather on a hilltop that incongruously curves over a door and door jamb in this horizontal engraving. The men all wear voluminous robes and most have crowns of laurel leaves. The women wear gowns or togas that drape to their feet, and their wavy hair is rolled back, sometimes in a turban-like cloth. At the upper center, a muscular man, Apollo, sits on an earthen mound. His long curling hair falls around one bare shoulder. He strums a lyre with his right hand, on our left. In groups of four or five, men and women stand in conversation or lounge in repose around him. Faint cursive writing, added with pen, above most of their heads identify them. Around a spindly tree in the lower left are "Plato," "Plutrache," "Plinio," and "Cicero." A bareheaded man, "Luciano," writes as he looks up at "Danto," "Homero," and "Virgilio" to our left of Apollo. Immediately around Apollo are "Clio," "Euterpo," "Melpomene," "Erania," "Terpischore," "Polimia," and "Talia." Two women, reclining to each side of Apollo, are not labeled, and four tall trees grow up amid this group. To our right are "Marcobaro," "Seneca," and "Pitagora" around two more trees. Finally, "Socrates," "Ovidius," and "Aristitolus" gather along the right edge. The tops of the trees almost touch the top of the print. Five winged, baby-like cherubs, each holding leaf diadems in both hands, float between the tree canopies above. A piece of paper seems to be affixed to the doors below, at the bottom center of the composition. It reads, “RAPHAEL PINXIT IN VATICANO,” above a monogram with the conjoined initials “MAF.”
Marcantonio Raimondi, Apollo on Parnassus, 1515/1520, engraving, Ailsa Mellon Bruce Fund, 1972.31.1

Apollo on Parnassus

Marcantonio Raimondi · 1515/1520 · engraving ·  Accession ID  1972.31.1

Marcantonio Raimondi, The Vision of Saint Helena, 1515-1520, engraving, Gift of W.G. Russell Allen, 1941.1.77

The Vision of Saint Helena

Marcantonio Raimondi · 1515-1520 · engraving ·  Accession ID  1941.1.77

Marcantonio Raimondi, Prudence, c. 1513/1514, engraving, Rosenwald Collection, 1946.21.314

Prudence

Marcantonio Raimondi · c. 1513/1514 · engraving ·  Accession ID  1946.21.314

Marcantonio Raimondi, The Holy Family with the Young Saint John the Baptist (The Madonna of the Long Thigh), c. 1518/1519, engraving on laid paper, Rosenwald Collection, 1963.11.178

The Holy Family with the Young Saint John the Baptist (The Madonna of the Long Thigh)

Marcantonio Raimondi · c. 1518/1519 · engraving on laid paper ·  Accession ID  1963.11.178

Marcantonio Raimondi, Saint Cecilia, c. 1515/1516, engraving, Rosenwald Collection, 1947.7.100

Saint Cecilia

Marcantonio Raimondi · c. 1515/1516 · engraving ·  Accession ID  1947.7.100

Marcantonio Raimondi, The Lamentation of the Virgin, 1510, engraving, Gift of W.G. Russell Allen, 1941.1.59

The Lamentation of the Virgin

Marcantonio Raimondi · 1510 · engraving ·  Accession ID  1941.1.59