Herman Saftleven

Dutch, 1609 - 1685

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We look down and across a river valley into a mountainous landscape in this horizontal painting. Most of the mountains, trees, and buildings in the middle and deep distance are painted in tones of ice and cobalt blue. The horizon comes about halfway up the painting. In the sky, an intense gold glow comes from the left and illuminates the clouds across the picture. A field of flat aquamarine-blue sky shows through the clouds at the top center. The land closest to us is dark brown and green, backlit by the low sunlight. A vertical, rocky outcropping rises almost the height of the painting along the left edge. Trees create fuzzy outlines along the top of the cliff, and two people, wearing red, dark blue, and brown walk along a path about halfway down the outcropping. About a dozen more people and children, along with some horses or mules, walk, stand, or sit along paths leading to and around some coffee-brown buildings at the foot of the outcropping. More people work on and around boats in the arctic-blue river that winds into the distance along the right edge of the composition.
Herman Saftleven, Imaginary River Landscape, 1670, oil on panel, The Lee and Juliet Folger Fund, 2016.147.1

Imaginary River Landscape

Herman Saftleven · 1670 · oil on panel ·  Accession ID  2016.147.1

Herman Saftleven, Village Landscape, c. 1648, black chalk with gray and gray-brown wash on laid paper, Joseph F. McCrindle Collection, 2010.93.24

Village Landscape

Herman Saftleven · c. 1648 · black chalk with gray and gray-brown wash on laid paper ·  Accession ID  2010.93.24

Maria Catharina Prestel, Landscape with Two Trees, 1782-1785, aquatint printed in gray and brown, Rosenwald Collection, 1948.11.276

Landscape with Two Trees

Maria Catharina Prestel · 1782-1785 · aquatint printed in gray and brown ·  Accession ID  1948.11.276

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Winding River

Cornelis Ploos van Amstel, Christian Josi · 1761, published 1821 · chalk manner with etched hatching printed in black ink ·  Accession ID  1974.6.2.16

Cornelis Ploos van Amstel, Shipyard, 1761, published 1765, chalk manner with etched hatching printed in black ink on laid paper, Rosenwald Collection, 1943.3.7035

Shipyard

Cornelis Ploos van Amstel · 1761, published 1765 · chalk manner with etched hatching printed in black ink on laid paper ·  Accession ID  1943.3.7035

Cornelis Ploos van Amstel, Shipyard, 1761, published 1765, chalk manner with etched hatching printed in black ink on laid paper, Rosenwald Collection, 1943.3.7033

Shipyard

Cornelis Ploos van Amstel · 1761, published 1765 · chalk manner with etched hatching printed in black ink on laid paper ·  Accession ID  1943.3.7033

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Shipyard

Cornelis Ploos van Amstel, Christian Josi · 1761, published 1821 · chalk manner with etched hatching printed in black ink ·  Accession ID  1974.6.2.15

Cornelis Ploos van Amstel, Shipyard, 1761, published 1765, chalk manner with etched hatching printed in black ink on laid paper, Rosenwald Collection, 1943.3.7032

Shipyard

Cornelis Ploos van Amstel · 1761, published 1765 · chalk manner with etched hatching printed in black ink on laid paper ·  Accession ID  1943.3.7032

Cornelis Ploos van Amstel, Shipyard, 1761, published 1765, chalk manner with etched hatching printed in black ink on laid paper, Rosenwald Collection, 1943.3.7036

Shipyard

Cornelis Ploos van Amstel · 1761, published 1765 · chalk manner with etched hatching printed in black ink on laid paper ·  Accession ID  1943.3.7036

Cornelis Ploos van Amstel, Shipyard, 1761, published 1765, chalk manner with etched hatching printed in black ink on laid paper, Rosenwald Collection, 1943.3.7034

Shipyard

Cornelis Ploos van Amstel · 1761, published 1765 · chalk manner with etched hatching printed in black ink on laid paper ·  Accession ID  1943.3.7034