Frédéric Bazille

Bazille, Jean Frédéric
French, 1841 - 1870

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Holding a bunch of peonies in one hand, a woman with brown skin leans forward, toward us from behind a large basket holding dozens of flowers in this horizontal painting. The basket holding the flowers spans the width of the canvas, and the woman is shown behind it from the chest up. She wears a cream-white, long-sleeved blouse with scalloped trim around the high neck. She wears coral-red earrings, and a plaid cloth in tones of rust red, slate blue, pale purple, and black is tied tightly over her black hair, which is visible over her ears. Her brow is slightly furrowed, and she looks at us with large, dark eyes. Her full mouth is closed, the corners faintly downturned. She reaches her right arm, on our left, toward us with a bouquet of three pink-and-white peonies and greenery. Her basket is filled with yellow and red tulips, pink roses, white and purple lilac, and other white, pink, yellow, and blue flowers, and it takes up the bottom third of the composition. The woman and basket are shown against a dove-gray background. The artist prominently signed and dated the work with red letters near the upper right corner, near the woman’s head: “F. Bazille. 1870.”
Frédéric Bazille, Young Woman with Peonies, 1870, oil on canvas, Collection of Mr. and Mrs. Paul Mellon, 1983.1.6

Young Woman with Peonies

Frédéric Bazille · 1870 · oil on canvas ·  Accession ID  1983.1.6
Shown from the lap up, a bearded, pale-skinned man wearing a suit faces our left in profile in this vertical portrait painting. The man looks down at an open book on his lap. He has a prominent, straight nose, high cheekbones, and the corner of his mouth turns down. His gleaming black hair is cut short and parted along the left, and his beard is trimmed. He wears a black vest and suit jacket, a black ascot polka dotted with white, and his white shirt is visible at the high collar and cuffs. A blue flower is threaded through his lapel, and he wears chestnut-brown pants. He holds one side of the book open with his left hand, closer to us, and holds a partially smoked, thin cigar with this other. The wood-framed chair has a curved, round-topped back. The background deepens from peanut-brown along the right to almost black near the top left corner. The artist signed and dated the painting at the top left, “F. Bazille. 1869.”
Frédéric Bazille, Edmond Maître, 1869, oil on canvas, Collection of Mr. and Mrs. Paul Mellon, 1985.64.2

Edmond Maître

Frédéric Bazille · 1869 · oil on canvas ·  Accession ID  1985.64.2
From a sandy beach, we look across a sun-drenched body of water enclosed by a long, sand-colored, crenelated wall in this horizontal landscape painting. The scene is loosely painted, especially in the beach closer to us and in the water, which is a blend of aquamarine blue and honeydew green. The beach has a few areas of celery-green growth. The shoreline stretches away along the left side of the painting, back to an area with emerald-green trees. A few boats, painted with swipes of black and peanut brown, are pulled up to the beach near the trees. Spanning the right two-thirds of the composition, the wall angles away from us so the closest part of the wall is to our right. There is a round, stout tower at the end of the wall to our left and another near the right edge of the canvas, though the wall continues beyond that tower. There is an arched doorway about halfway long the length of the wall. The water is smoothly painted with only a few ripples where the tower to our right reflects in the surface. In the narrow space between the beach to our left and the wall to our right, a few buildings, a windmill, and more trees line the horizon in the distance. The top half of the painting is given over to a topaz-blue sky, with only a few puffy white clouds near the horizon.
Frédéric Bazille, The Western Ramparts at Aigues-Mortes, 1867, oil on canvas, Collection of Mr. and Mrs. Paul Mellon, 1985.64.1

The Western Ramparts at Aigues-Mortes

Frédéric Bazille · 1867 · oil on canvas ·  Accession ID  1985.64.1
Shown from the chest up, a pale-skinned man in a suit sits in a high-backed chair, looking slightly to our right in this vertical portrait painting. His eyes and head are both turned slightly to our right, with only one ear visible on our left. His shoulder on our right and the right side of the chair are slightly cut off by the edge of the painting. He has a straight nose, high cheekbones, and pale pink closed lips. His eyes are dark, with small shadows beneath them. His black, wavy hair is parted on our right and cropped short on the sides of his head, with thick, defined waves on top. He has a light brown mustache that extends past the edge of his lips and flips up at the ends and a small, thin goatee. Beneath his chin, the collar of his white shirt is visible. The man wears an open suit jacket with a black vest, which folds slightly just below his chest, revealing a glimpse of his white shirt beneath it in a gap between buttons. The chair is only visible from the man’s shoulders up and ends at his forehead. It has a curved, round top back with a red frame and dark green upholstery. The part of the red frame on the right side of the painting has white and yellow highlights. The background is dark gray with visible brushstrokes. The artist signed and dated the painting at the top left, “F. Bazille. 1866.”
Frédéric Bazille, Edouard Blau, probably 1869, oil on canvas, Chester Dale Collection, 1963.10.81

Edouard Blau

Frédéric Bazille · probably 1869 · oil on canvas ·  Accession ID  1963.10.81