Provenance

Henry Chiapella

American, 1849 - c. 1908

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This is a portrait of a woman depicted from the waist up. She is seated in a red armchair with gold details, slightly turned to the right, with her hands resting in her lap. She has light skin and slightly flushed cheeks, and her hair is styled in curls and adorned with a pearl headpiece and a light green ribbon bow. The woman is wearing a dress with a high neckline and a light blue sash around her waist, as well as lace trim on her neckline and sleeves. She has a gold ring on her finger and a thin necklace around her neck. Beside her, on a table covered with a red cloth, is a small basket draped in a light-colored fabric. The background of the image is a muted green wall.
Gilbert Stuart, Catherine Yates Pollock (Mrs. George Pollock), 1793/1794, oil on canvas, Andrew W. Mellon Collection, 1942.8.19

Catherine Yates Pollock (Mrs. George Pollock)

Gilbert Stuart · 1793/1794 · oil on canvas ·  Accession ID  1942.8.19

Gilbert Stuart, George Pollock, 1793/1794, oil on canvas, Andrew W. Mellon Collection, 1942.8.18

George Pollock

Gilbert Stuart · 1793/1794 · oil on canvas ·  Accession ID  1942.8.18

Shown from the lap up, a woman with pale skin wearing a white satin dress and tall white bonnet sits sewing with her body facing our left in this vertical portrait painting. She turns her head to look directly at us from under slightly raised eyebrows with heavy-lidded, almond-shaped, dark brown eyes. She has a long, sharp nose and her high cheekbones are lightly flushed. Her thin lips are pressed together with the corners pulled back, and her mouth is framed by vertical wrinkles along her chin. A bonnet of sheer white fabric is secured around her head by a white silk ribbon tied into a four-loop bow above her forehead. The bonnet is pleated to create ruffles that frame her face. The woman pinches threaded sewing needle between her right thumb and index finger, farther from us, while holding the thread taunt with her outstretched pinky. Light catches a pearl-like object near her thumb, but on closer inspection it might be a thimble she wears on her middle finger. The remainder of the thread is secured by her left index finger and thumb, which also holds the fabric she stitches. A gold ring glistens on the third finger of her left hand. The crisp fabric of her dress looks white in the light and the shadows are a silvery, pale gray. The long sleeves fit closely along her arms and more fabric, perhaps of the skirt, billows up beside her over the arm of the chair. A piece of gauzy white cloth drapes over the woman's neck and over her shoulders, and may be tied around her torso. She sits in a dusky rose-pink upholstered chair lined with brass nail heads. The background behind her is taupe near her torso and it darkens to nearly black in the upper corners.
Gilbert Stuart, Catherine Brass Yates (Mrs. Richard Yates), 1793/1794, oil on canvas, Andrew W. Mellon Collection, 1940.1.4

Catherine Brass Yates (Mrs. Richard Yates)

Gilbert Stuart · 1793/1794 · oil on canvas ·  Accession ID  1940.1.4

Gilbert Stuart, Lawrence Reid Yates, 1793/1794, oil on canvas, Andrew W. Mellon Collection, 1940.1.5

Lawrence Reid Yates

Gilbert Stuart · 1793/1794 · oil on canvas ·  Accession ID  1940.1.5

Gilbert Stuart, Richard Yates, 1793/1794, oil on canvas, Andrew W. Mellon Collection, 1942.8.29

Richard Yates

Gilbert Stuart · 1793/1794 · oil on canvas ·  Accession ID  1942.8.29