Provenance

Gerhard E. Pinkus and Marianne Pinkus Trustees of the Community Trust created under the Gerhard E. Pinkus and Marianne Pinkus inter, vivos Trust Agreement, dated 10/28/97

he died 2004

Explore selected works

See all 231 works of art
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Madame Korobotchka (Madame Korobochka)

Marc Chagall, Raymond Haasen, Louis Fort, Ambroise Vollard · 1923-1927 (published 1948) · etching, aquatint, and drypoint stippling in black on Arches wove paper ·  Accession ID  1993.46.15

The image contains an abstract composition of lines and shapes. There is a resemblance to a human profile and a vertical tube-like form with green and red clustered markings. A circular area with splashes of color is also visible. The scene is enveloped by a misty green shape.
Marc Chagall, Greeting Card (Artist with a Palette and Easel), 1978, 5-color lithograph on wove paper, Gift of Mr. and Mrs. Gerhard E. Pinkus, 1997.95.19

Greeting Card (Artist with a Palette and Easel)

Marc Chagall · 1978 · 5-color lithograph on wove paper ·  Accession ID  1997.95.19

The image depicts simple, sketch-like lines forming abstract shapes. In the foreground, a figure is kneeling with one arm raised, wearing a hat and formal attire. Nearby, a podium-like structure is shown with abstract symbols and a circular shape. The background features jagged lines suggesting a fence, geometric lines outlining buildings, one with a tall chimney, and another with windows. A vertical line reaches upward like a tree trunk.
Marc Chagall, Mother's Grave, 1922, softground etching in black on laid paper, Gift of Mr. and Mrs. Gerhard E. Pinkus, 1996.138.14

Mother's Grave

Marc Chagall · 1922 · softground etching in black on laid paper ·  Accession ID  1996.138.14

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Rencontre d'un paysan (Chichikov Beckons to a Peasant)

Marc Chagall, Raymond Haasen, Louis Fort, Ambroise Vollard · 1923-1927 (published 1948) · etching in black on Arches wove paper ·  Accession ID  1993.46.40

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Greed II

Marc Chagall, Louis Fort · 1925 · etching, aquatint, and drypoint in black on laid paper ·  Accession ID  1994.90.1.i

The image shows dynamic, curved lines forming an abstract depiction of a person positioned upside down. The figure's limbs and elongated body create an unusual perspective. The head is located at the bottom, with expressive facial features. Shaded areas and cross-hatching are used to add texture, resembling objects such as a chair or ladder in the background.
Marc Chagall, At the Easel, 1922, drypoint in black on laid paper, Gift of Mr. and Mrs. Gerhard E. Pinkus, 1998.82.3

At the Easel

Marc Chagall · 1922 · drypoint in black on laid paper ·  Accession ID  1998.82.3

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La chambre de Pliouchkine (Plyushkin's Room)

Marc Chagall, Louis Fort, Raymond Haasen, Ambroise Vollard · 1923-1927 (published 1948) · etching in black on Arches wove paper ·  Accession ID  1993.46.44

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Anger I

Marc Chagall, Louis Fort · 1925 · etching and drypoint in red-brown on laid paper ·  Accession ID  1994.90.1.y

The image shows a person seated sideways, facing left with legs extended. The individual has notable facial features, curly hair, and a tall hat. They wear a striped jacket and pants with pointed shoes, while holding an umbrella upright in both hands. The background is plain.
Marc Chagall, Paul Haasen, Man with an Umbrella, 1926/1927 (printed 1963), etching and aquatint in black on Richard de Bas laid paper, Gift of Mr. and Mrs. Gerhard E. Pinkus, 1995.84.6

Man with an Umbrella

Marc Chagall, Paul Haasen · 1926/1927 (printed 1963) · etching and aquatint in black on Richard de Bas laid paper ·  Accession ID  1995.84.6

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Sobakévitch près du fauteuil (Sobakievich near an Armchair)

Marc Chagall, Raymond Haasen, Louis Fort, Ambroise Vollard · 1923-1927 (published 1948) · etching in black on Arches wove paper ·  Accession ID  1993.46.38