Provenance

Howard Coppuck Levis

American, 1859-1935

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This is a drawing of a group of mythological figures intertwined with each other. The drawing depicts multiple figures representing mythological beings with detailed features and flowing lines. The central figure is wrapped in a serpentine form, creating a dynamic and intertwined composition. The artwork uses varying shades of brown, adding depth and texture to the image. The curvilinear forms and soft application of ink create a sense of fluidity and grace.
Taddeo Zuccaro, Mythological Figures, c. 1561, pen and brown ink and brown wash over red chalk, heightened with white, on laid paper; laid down, Ailsa Mellon Bruce Fund, 1989.64.1

Mythological Figures

Taddeo Zuccaro · c. 1561 · pen and brown ink and brown wash over red chalk, heightened with white, on laid paper; laid down ·  Accession ID  1989.64.1

The image features a woman seated holding a small child in her arms. She has a detailed profile, with an expression of focus directed at the child. The woman has an intricate braided updo and wears a dress with long sleeves. The child is naked and appears comfortable in her embrace. Next to them are an hourglass and a human skull. Through a window in the background, a castle and trees are visible, adding depth to the scene.
Barthel Beham, Madonna with Skull, engraving on paper tinted with gray wash, Rosenwald Collection, 1980.45.2243

Madonna with Skull

Barthel Beham · · engraving on paper tinted with gray wash ·  Accession ID  1980.45.2243

The image shows four skulls of different sizes and a human figure intertwined among them. The color palette is monochrome with sepia tones. The largest skull is centered, flanked by the other skulls, while the figure's head is positioned behind and above. An hourglass is faintly visible at the top right corner.
Barthel Beham, Child with Three Skulls, 1529, engraving, Rosenwald Collection, 1980.45.2244

Child with Three Skulls

Barthel Beham · 1529 · engraving ·  Accession ID  1980.45.2244

The image shows a group of individuals engaged in a scene that appears to have religious significance. In the center, a woman is seated on a raised platform, holding a small child on her lap. The woman has long hair and delicate facial features, adorned in flowing robes. The child has curly hair and is depicted holding an object in each hand. Surrounding them are four other figures. To the left stands a winged figure with short hair, draped in a voluminous cloak, extending their hands toward the central figures. Another individual, bearded and dressed in layered garments, tends to the child, while another kneels with a contemplative expression. To the right, an elderly man holding a staff, wearing a long robe, gazes next to the central woman. Behind this assembly is a detailed backdrop featuring ornate patterns and architectural details, such as columns and drapery.
John Baptist Jackson, Holy Family and Four Saints, 1739, chiaroscuro woodcut printed in yellow, green-gray, dark brown, and dark-gray on laid paper, Rosenwald Collection, 1946.21.118

Holy Family and Four Saints

John Baptist Jackson · 1739 · chiaroscuro woodcut printed in yellow, green-gray, dark brown, and dark-gray on laid paper ·  Accession ID  1946.21.118

The image shows a cottage on fire, with a group of figures trying to fetch water nearby. The brushstrokes are dynamic, emphasizing the fire's movement. The color palette contrasts dark blues and blacks with vibrant oranges and reds. Other structures in the distance hint at a perilous situation.
Charles Turner, Edward Orme, A Cottage on Fire, 1799, color mezzotint with hand coloring and varnish on wove paper, Rosenwald Collection, 1980.45.1545

A Cottage on Fire

Charles Turner, Edward Orme · 1799 · color mezzotint with hand coloring and varnish on wove paper ·  Accession ID  1980.45.1545

This is a drawing of a scene in front of a storefront. The image depicts a group of individuals interacting with prints displayed in the windows of a store named "Album". The setting is a cobblestone path, and the store's awning reads "Deloeuil". The individuals are dressed in attire that indicates a possible time period in the late 18th to early 19th century, such as tall hats, long coats, and dresses. They are shown in various postures and gestures, like pointing or leaning in to look closer at the artwork.
Carle Vernet, Imprimerie lithographique de F. Delpech (Lithographic Printing House of F. Delpech), c. 1820, lithograph on wove paper, Rosenwald Collection, 1964.8.1702

Imprimerie lithographique de F. Delpech (Lithographic Printing House of F. Delpech)

Carle Vernet · c. 1820 · lithograph on wove paper ·  Accession ID  1964.8.1702

This is a photograph of a book cover. The cover features a textured fabric material in a neutral brownish tone, with reinforced corners and spine made of a smooth, slightly darker brown material resembling leather. The stitching pattern on the fabric gives it a subtle crosshatch design. The book cover does not contain any visible text, illustrations, or embellishments.
British 17th Century, Album with engravings from John Leslie's "De Origine Scotorum", published 1675, bound volume with 10 pages of engravings with text, Rosenwald Collection, 1943.3.9138

Album with engravings from John Leslie's "De Origine Scotorum"

British 17th Century · published 1675 · bound volume with 10 pages of engravings with text ·  Accession ID  1943.3.9138

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Album of Prints after Parmigianino

Various Artists, Cesare Massimiliano Gini, Emilio Manfredi, Francesco Rosaspina, Giovanni Battista Frulli, Giovanni Antonio Armano · 1780s · bound volume with 31 etchings, soft-ground etchings, and etching and aquatints printed in different colors on laid paper ·  Accession ID  1980.45.1962

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A Sussex Lane

Hugh Paton, John Frederick Greenwood, Hesketh Hubbard, Thomas Todd Blaylock, Minto Wilson, Edward William Charlton, Sir Leslie Ward, Iaian MacNab, Alfred Palmer, Hugh Paton, Cecil Mary Leslie, Print Society · 1924 · spirit ground aquatint on wove paper ·  Accession ID  1945.18.3.l

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Smugglers' House: Chatham

Sir Leslie Ward, John Frederick Greenwood, Hesketh Hubbard, Thomas Todd Blaylock, Minto Wilson, Edward William Charlton, Sir Leslie Ward, Iaian MacNab, Alfred Palmer, Hugh Paton, Cecil Mary Leslie, Print Society · published 1926 · lithograph on wove paper ·  Accession ID  1945.18.3.p

Bibliography

1921

  • Ref Number: 565
    Lugt, Frits. Les marques de collections de dessins & d'estampes; marques estampillees et ecrites de collections. Amsterdam: Vereenigde drukkerijen, 1921.